Shrouded in Scandi-cool and dripping with chillout vibes, Adrian Lux manages to piece together melodies that dance in your ears long after the beat has faded. Born amidst the snow and indie-pop of Stockholm beginnings, Lux has rapidly become an independent powerhouse of relaxation music.

From his shed-turned-studio (known affectionately as the 'Chillout Cabin'), Lux consistently trills and thrills with his own vibrant blend of soothing, yet complex beats. You’d think this musical maestro might be too chilled to churn out hits, but his track "My Fault" has become an essential soundtrack for any self-respecting connoisseur of the chillout genre, providing the perfect background hum for 3 AM existential thoughts or lazy Sunday brunches.

A master of evoking the "chill" mood, Lux draws inspiration from the calm of the Swedish winters, the wild freedom of the Nordic wilderness, and the peculiar scent of an IKEA cinnamon bun. He weaves these influences into a soundscape that freezes time, melting away the rough edges of reality and leaving listeners lost in a world of rhythmic tranquility.

Adrian Lux, with his brand of laid-back beats, is making one thing clear - sometimes, sitting back, listening to some sounds, and simply existing is all the luxury you really need. If you're yet to hop on board the Lux train, it's about time you checked in for a dose of his Scandi serenity.

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“If you haven’t heard of Alexander before now, consider this your official 'invite to the party.' The secret weapon of the underground electronic scene is as enigmatic as he is dance-inducing. Born, bred and still sending good vibes out from Istanbul, the city poised between East and West, lending him unique influences to his crisp beats and bouncing synths.

Despite having a quiet life himself, Alexander’s sound is anything but; his music's happy mood is like a neon invitation to shake off your troubles and dance like no one's watching. His hit track, “This Is Our Time," suggests exuberance—a cascade of vibrant beats and irresistible rhythms that make you feel like everything's coming up roses.

Obscurity hits a lot of artists hard, but not our Alexander. He's the equivalent of the guy at the party that nobody knows, but everyone wants to be around—the center of the buzz, all while hanging back and enjoying the groove. Amidst the flashing lights and blaring speakers, Alexander is carving out a shiny niche for himself in the glittering world of electronica.

Always humble, mostly unseen but making waves big enough to surf on, Alexander is a true gem in the sprawling metropolis of electronic music. So here's to Alexander: Our low-key maestro, turning his quiet existence into a much-needed celebration of life, one electronic beat at a time.”

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Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.

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Alice Scott emerges from the vibrant streets of New York, where the pulse of the city intertwines with her soulful melodies and jazzy rhythms. Her musical journey began in the cozy corners of local cafés, where she fine-tuned her craft amidst a backdrop of eclectic sounds and intimate performances. With genres ranging from jazz to lo-fi pop and soul, Alice's catalog is a tapestry of emotional exploration, where each track resonates with the bittersweet essence of life’s fleeting moments. Songs like "Lost in the Sound" capture her reflective nature, painting vivid pictures of nostalgia and longing through poignant lyrics and lush arrangements.

Her artistic identity is a fusion of old-school charm and contemporary sensibilities, often drawing inspiration from the rich history of jazz while seamlessly incorporating modern production techniques. Alice's work invites listeners into a world where chill vibes meet deep emotional currents, making every listening experience a personal reflection. As she continues to evolve, Alice Scott remains dedicated to expressing the complexities of the human experience, crafting soundscapes that linger long after the last note fades away.

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Scoot over, Marley, there’s a new reggae sheriff in town. Straight from the sunny sidewalks of Kingston, Jamaica, the Dreadlock Boys are laying down fresh beats in the reggae scene.

This pair of plaited prodigies isn't your grandma's reggae. Combining traditional roots rhythms with just a hint of ska spice and a not-so-subtle sprinkle of dancehall energy, these boys aren't just playing by the book – they’re writing their own. And don't let that laid-back island vibe fool you; these guys are as serious about making you laugh as they are about perfecting the offbeat.

Their standout single "Riddim of Peace" might just be the happiest jam this side of Montego Bay. With its earworm melody and bouncy bassline, it’s as infectious as a belly laugh in a silent library. It's the kind of track that leaves the grumpiest of gurners grinning like a Cheshire cat at an all-you-can-eat fish buffet.

So come, sit, and sway to the soothing sounds of the Dreadlock Boys. They'll be your pint-sized purveyors of peace, your lyrical lifesavers when the going gets tough. After all, joy does come in the morning and the Dreadlock Boys are here to serve it up with a side of reggae, none of those nasty grimaces, thank you very much.

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Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.

Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.

Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.

Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.

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Emerging from the gritty depths of Detroit’s dance scene, brimming with talent and charisma, Dara Montel is the nervy answer to the city's hardcore techno thirst. Known best for her dance-devoted, melancholic twister "Plastic Crown," Dara's name has spun in the underground circles like a rogue vinyl tossed into a cyberspace jukebox.

Our Motor City minx entered the scene somewhat cagily, her piercing blue eyes full of stories almost as deep as the bass lines she commands. She distils raw emotions into dance-ready soundscapes, affirming that tears are permitted even on the most electrified dance floors. Like the mysterious femme fatale prowling through the ruins of a John Carpenter flick, Montel's music envelops you in its brooding embrace.

Dara's playful wit is just as intoxicating as her infectious grooves. With a knack for turning pain into art, she continues to defy Detroit's icy weather, radiating heat one tear-stained synth at a time. Her “Plastic Crown,” fittingly, feels neither plastic nor regal—it's pure, cathartic Dara Montel. You’d better get on this vibe train, 'cos it ain't stopping anytime soon.

The Dara Montel revolution won't be televised, it'll be danced. So go on, put on that Plastic Crown, let the sadness seep into your soul and boogie like it’s the end of the world. Detroit’s dark dance queen reigns supreme.

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When the orb of the music industry introduces another jewel into its glittering galaxy, it isn't often you come across a gem like Aria Collins – an "Alternative" genre artist painting our auditory landscape with hues of hope. The artist who owns the spotlight of the Season’s Closure single is notorious for her upbeat, hopeful aura which she insists on weaving into all her melodies.

Collins hails from a cacophonic family of eight, each deciphering their own tune in the bustling soundscape of Las Vegas. It’s in this familial symphony that she picked up her love for music. Accidentally grabbing her brother’s guitar instead of the fireplace poker one winter, a flicker of rhythm flowed through her. Half a strum in, and Aria knew how to summon the smoky, soulful voice that would encapsulate her entire musical career. They always say art comes from chaos. With seven siblings, Aria had plenty to tap into.

Collins is as unpredictable as a shuffling playlist; the appealing paradox of straying from the status quo, yet seamlessly syncing with her audience's vibe. Expect everything from thought-provoking lyrics, a platter of chaotic, raw emotion delivered with such polish, it'll make the silver spoon look like a teaspoon. And dare we mention, her humor dances on the fine line between I-can't-breathe-laughing and appalling. She once staged a mini concert on a hitchhiker’s bus ride only to end it with a dramatic pantomime of “tactical falling”, much to the intrigue of the passengers. Aria Collins, ladies and gentlemen, a small package carrying a vast musical universe within her, promising a journey you won’t forget.

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The Faded Ticket Booth is a four-piece Scottish acoustic group built around a warm, narrative-driven female vocal. Their music leans into everyday poetry rather than spectacle: upright bass, brushed drums, clean acoustic guitar, and voices that feel like shared conversation rather than performance. They sound like a street you’ve walked before but can’t quite place, a melody you remember without knowing when you heard it.

They formed on the quieter edges of Edinburgh’s busking circuits, shaping their sound in places where attention isn’t guaranteed — doorways, market corners, the brief hush that follows passing footsteps. That background taught them presence without volume; phrasing without force; sincerity without staging. Their arrangements remain intentionally uncluttered, preferring atmosphere over punch.

Influenced by the acoustic honesty of late-80s British folk-pop and the conversational phrasing of Eddi Reader, they record with a philosophy of leave the human parts in. Light string squeaks, the breath before a high note, the soft brush of a chord change — if it’s true, it stays. The result isn’t retro, but unhurried; not nostalgic, but familiar in a way that feels quietly earned.

Their recorded work is released in a deliberately limited way: not everywhere at once, not across every platform, but carried by NOT FM and Filodyo as their primary homes, where their catalog lives with the same intention as their songwriting. It isn’t framed as exclusivity for the sake of strategy — just a quieter kind of presence, placed where it feels understood.

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With a name like Rio Vane, you could only expect a backstory as steamy and vibrant as the city itself. He is a self-made, independent dance artist that ignites the music stage with an energy so potent it could power Miami's nightlife for a calendar year.

Vane emerged from modest beginnings, the son of a pizza maker family in the sultry heart of Miami—delivering not only the finest pies but also a flair for Latin dance music since his youth. You could say the rhythm coursed through his veins, or that he sweated salsa beats instead of conventional teenage angst. Either way, his childhood was a simmering paella of musical influences that later shaped his unique sound.

"Calor De Junio (ft Zuri)", one of his most notable tracks, pulsates with rowdy beats and sultry rhythms that would make even the most reluctant wallflower throw some shapes. It's akin to being caught in a storm—clouds thick with his rich vocals, lightning strikes of dance beats, and downpours of sultry Latin rhythms—it's cathartic, climatic, and a hell of a dance workout.

When Vane isn't lighting up the dance scene, you'll find him scribbling beats on pizza boxes or sharing his demos with Hakan E. from Filodyo. It's through these humble endeavours that he landed the opportunity to share his musical creations with Not FM and the world. The magic of Rio Vane lies not just with his infectious sounds but that he is as spicy, whimsical, and intense as the Miami city he hails from. To listen to his music is to lose yourself in the rhythm, embrace the heat, and move with the beat. As they say in Miami, 'dale!'

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