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Contando los Minuto...
Ricky Daz
Verified Artist
Ricky Daz
Hailing from the sultry soundscape of Miami, Ricky Daz is the coastal city's keeper of infectious dance beats & lively tunes. With his most notable track "Contando los Minutos (feat Rome K)", Daz's feel-good grooves have placed him firmly on the indie dance radar.
Born and bred under the sweat-soaked dancehalls and neon nights of Miami, Ricky embodies the very essence of the city - hot, vibrant, and indulgent. His music isn't just made for glittering nights out, but also for cool mornings where last night's adrenaline still hums in your veins. The boy's got rhythm in his blood, and Miami's heart in his tracks.
With "Contando los Minutos", Ricky has combined relatable tale-telling with hard-hitting choreography, creating an irresistible dance floor pull. Using a radiant tonal palette, Daz evokes the pulsating rhythms of his city, blending soulful Latin beats with a punchy EDM undercurrent. Each beat hits like the Florida sun - vibrant and full of life.
Our man Daz isn't just an artist; he's a soundtrack to a city that never sleeps - always moving, always dancing, and forever happy. With every new release, he continues to develop a pulsating landscape of indulgent dance music, turning fleeting moments into timeless melodies. Ricky Daz, remember the name, because he's writing the rhythm of Miami, one beat at a time.
Contando los Minutos (feat Rome K)
Ricky Daz
(Rome K)
[Verso 1]
Te vi cruzar la pista (uh oh)
Y el tiempo se me fue sin prisa (oh yeah)
Tu sombra baila con mi risa
No sé tu nombre pero ya me hipnotiza
(Hey Rome!)
Cada paso que das es un reto
Tus caderas me lanzan un decreto
Esta noche no quiero secretos
Solo tú y yo sin pretextos
[Pre-Coro]
Estoy contando los minutos (uh oh)
Para verte mover tan bruto (oh oh yeah)
Dímelo ya sin susto
Que tú también lo sientes lo intuyo
[Coro]
Baila conmigo no esperes más
Tu cuerpo pide y yo quiero dar
El ritmo nos lleva sin preguntar
Contigo la noche va a explotar (boom boom)
Baila conmigo te quiero ya
Tus ojos dicen que esto va a estallar
(Yeah yeah… Hey Rome!)
[Puente – susurro + adlibs]
Y cuando llegue el momento (uh oh)
Quiero perderme en tu movimiento (slow slow)
No pares no pares — sigue el viento
Esta canción es nuestro argumento
[Verso 2]
Luces bajan tú subes el nivel
Lo tuyo es arte no lo ves
Eres el ritmo que yo soñé
(Oh yeah… Rome let’s go!)
Tus labios marcan el compás
Y yo no quiero mirar atrás
Si esto es un juego quiero más
Tú me enciendes como gas
[Coro – repeat]
Baila conmigo no esperes más
Tu cuerpo pide y yo quiero dar
El ritmo nos lleva sin preguntar
Contigo la noche va a explotar
Baila conmigo te quiero ya
Tus ojos dicen que esto va a estallar
(Oh yeah… Hey Rome! uh uh…)
CREDITS
Performer: Ricky Daz
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Both of Us Were Right
Naomi Bell & Julian...
Verified Artist
Naomi Bell & Julian Cross
Naomi Bell and Julian Cross first crossed paths through a series of small studio sessions built around old soul records, unfinished demos and late-night arrangements. Naomi came from a more traditional R&B background, shaped by gospel phrasing, warm mezzo vocals and a love for classic harmony, while Julian had spent years moving between soul, house and sample-driven production. Their chemistry worked because neither tried to occupy the same space. Naomi brings weight and emotional clarity, Julian brings looseness, rhythm and restraint, and the contrast between their voices quickly became the center of the project.
Both of Us Were Right grew out of that balance. Instead of writing a dramatic breakup song, they focused on the quieter difficulty of two people realizing they are both partly correct and still choosing to stay. The track mixes chopped vintage soul textures, house drums, electric piano and stacked gospel harmonies without losing the intimacy of the conversation at its core. For Naomi Bell and Julian Cross, the collaboration is less about becoming a permanent duo and more about finding the right song, the right moment and the right reason to sing together.
Both of Us Were Right
Naomi Bell & Julian Cross
You said I make it hard to help me
And you weren't wrong you weren't wrong
I said you disappear inside a job
And you knew that too
I heard it and I wanted to fight it
Every word of it was true
That's the worst kind of argument
The one you lose to somebody you love
Nobody won the kitchen tonight
And nobody's leaving
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
(both of us both of us)
I'll say the thing before it gets heavy
I'll leave the phone in the other room
Small repairs not grand gestures
That's how a house stays up
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
We're not the couple in the film
Who scream and then it's fine
We're the ones who write it down
And actually do it this time
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
Both of us were right
(both of us both of us)
CREDITS
Performer: Naomi Bell & Julian Cross
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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After the Signal
Apollo Frequency
Verified Artist
Apollo Frequency
Apollo Frequency is a dynamic UK-based vocal trio bringing infectious grooves and bold stage energy to the modern disco-pop scene. The group consists of vocalists Marcus King and Devon Cole—both London-born with roots in gospel, soul, and street performance—and Brighton native Chloe Hart, whose bright, powerful voice adds a radiant pop edge to the group’s sound.
Formed in Manchester, Apollo Frequency quickly built a reputation for their electrifying live shows, blending tight harmonies with high-energy beats reminiscent of classic funk and disco, yet reimagined for today’s dancefloors. Their music celebrates unity, rhythm, and the thrill of collective movement, turning every performance into a celebration.
Their debut single, After the Signal, is available exclusively on Filodyo, showcasing the trio’s signature mix of soulful hooks, driving basslines, and euphoric choruses. With undeniable chemistry both on and off stage, Apollo Frequency is poised to become one of the UK’s most exciting live acts—proving that when the signal hits, the dancefloor answers.
After the Signal
Apollo Frequency
Yeah… signal’s live
Mmm… ah-ah-ah
Let it roll
Oh-oh-oh…
Frequency’s pulling us through the crowd
Pulse in the air it’s beating loud
Every turn you make cuts through the noise
Drawn to the tone in your voice
Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion
Lines keep crossing code runs deep
Every beat we share’s a vow we keep
Gravity shifts when you’re in the frame
Nothing tonight will be the same
Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion
Transmission’s clear — stay on the line
Stay on the line stay on the line
Turn it around — keep it aligned
Keep it aligned keep it aligned
After the signal
We don’t let go
After the signal
We take control
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
CREDITS
Performer: Apollo Frequency
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Better Without Proof
Bitter Palm
Verified Artist
Bitter Palm
Bitter Palm is an enchanting duo formed by two American vocalists, Maya Lark and Jenna Kaye, who met during their studies at a prestigious conservatory. Their shared passion for music blossomed into a partnership that effortlessly blends their voices into a harmonious tapestry of sound. With backgrounds in both indie and pop, they have cultivated a distinctive style that showcases both their individual talents and their chemistry as a duo.
Their catalog, though still budding with the standout track "Better Without Proof," carries an aura of playful optimism that resonates with listeners. The song reflects their infectious energy, characterized by upbeat melodies and hopeful lyrics that invite a sense of joy into everyday life. Each performance radiates their bubbly personalities, and their live shows often leave audiences feeling uplifted and inspired. They explore themes such as empowerment and self-acceptance, making their music relatable to a wide range of fans.
Maya and Jenna aim to develop their sound further, promising more tracks that delve into the complexities of modern life while maintaining their core essence of happiness and hope. As they continue to write and produce new material, Bitter Palm seeks to carve out a unique space in the indie-pop landscape, inviting fans to experience the uplifting world they create together. With each release, they look forward to connecting deeper with their audience through heartfelt storytelling and vibrant melodies.
Better Without Proof
Bitter Palm
You sent a message
Then took it back
I saw enough there
Between each gap
No big confession
No perfect scene
Just two people
Out of routine
I kept my answer
Short and kind
Left all the reasons
Out of my mind
You wanted closure
Clean and small
I gave you nothing
You could call
I used to replay
Every little word
Now I let it pass
Unrehearsed
I used to bend
Just to make us fit
Now I stand straight
And live with it
I’m better without proof
Better without blame
Better without you
Saying my name
I don’t need the last word
I don’t need the truth
I got myself back
Better without proof
Better better
Better without proof
Better better
Better without you
You still look polished
From far away
Like all the damage
Had a clean face
I don’t feel bitter
I don’t feel small
I just feel ready
To want more
Some days are easy
Some days are not
But I don’t bargain
With what I lost
You had your version
I had mine too
Both can be real
And still be through
I used to replay
Every little word
Now I let it pass
Unrehearsed
I used to bend
Just to make us fit
Now I stand straight
And live with it
I’m better without proof
Better without blame
Better without you
Saying my name
I don’t need the last word
I don’t need the truth
I got myself back
Better without proof
Better better
Better without proof
Better better
Better without you
No more checking
If you regret it
No more waiting
For some clean edit
I don’t carry
What we ruined
I just keep moving
Like I’m used to it
You can keep
Your side of pain
I can keep
My new last name
I’m better without proof
Better without blame
Better without you
Saying my name
I don’t need the last word
I don’t need the truth
I got myself back
Better without proof
Better better
Better without proof
Better better
Better without you
I’m better without proof
Better without blame
Better without you
Saying my name
Mm
I don’t need proof now
I just know
CREDITS
Performer: Bitter Palm
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Butterflies
Maelith
Verified Artist
Maelith
If sugar, spice, and a foot-tapping bass were a person, they'd invariably shape-shift into Maelith. The indie dance sensation hails from the mythical city of her namesake – a place as enigmatic, vibrant, and pulsating as her music.
Coming from a realm where the sunrise paints the sky in a symphony of techno hues, Maelith's city of origin is as enigmatic and infectious as her tunes and just as impossible to tune out. It only makes sense then, that her celebratory dance beats make even the grumpiest of granddads do a head bob or two.
Her notable track "Butterflies" will make a surprising entrance, landing in your heart with the grace and charm of a thousand of the colourful creatures, evoking smiles usually reserved for sunbeams and unexpected tax refunds. It's like eating candy in a club - tooth-achingly sweet, and deliciously intoxicating.
Maelith's music isn't just happy—it's a spontaneous euphoria packed into dance beats. Each track, a flawless mesh of elevating melodies sure to paint a bright, neon smile on your face. It never rains in Maelith's city. So, grab an umbrella because you're about to get showered with joy bombs!
Butterflies
Maelith
Driving to your place
With that first date feel
I can barely wait
Got a full tank
'cause I know I'll stay
For hours
I know you will
Do you have
Do you have
Do you have butterflies?
'Cause I do
'Cause I do
'Cause I do
You're the one I like
And you're not even tryin'
I still have butterflies
The way you look at me
Is making me crazy
You're making me
You're making me
'Cause I've been on my own
For far too long
I haven't been shown
And you've been far away
From me
So let's be alone
Together
Do you have
Do you have
Do you have butterflies?
'Cause I do
'Cause I do
'Cause I do
You're the one I like
And you're not even tryin'
I still have butterflies
The way you look at me
Is making me crazy
You're making me
You're making me
I can't explain the way you make me feel
There's no way
There's no way
There's no way
This isn't real
Do you have
Do you have
Do you have butterflies?
'Cause I do
'Cause I do
'Cause I do
You're the one I like
And you're not even tryin'
I still have butterflies
The way you look at me
Is making me crazy
You're making me
You're making me
You're making me
You're making me
You're making me
You're making me
CREDITS
Performer: Maelith
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Default Setting
Billie Arden
Verified Artist
Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.
Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
No Default Setting
Billie Arden
Cut the feed
Leave the meter running
Hold that grin
I came with my own timing
You tried to sell me a cleaner name
With the corners sanded down
Put my laugh in a little glass case
Said “Look who’s stable now”
I don’t fit in your easy chart
I don’t land on command
There’s a tune in my crooked part
You don’t understand
Don’t fix the bend
Don’t mute the spark
I keep my rhythm
Off the mark
No default setting
I tune my own voltage
No default setting
I move when the bass gets bold
You want me simple
You want me folded
I’m not the version
That does what it’s told
No default setting
No clean reset
I’m better when I don’t behave yet
Your golden rule came overdressed
And talked like a magazine
I poured black coffee on the test
Made the paper sing
You said “Be calm be useful now”
I said “Nice little cage”
Then I took my pulse off your clock
And rewrote the page
Don’t trim the heat
Don’t square the sound
I keep my rhythm
Upside down
No default setting
I tune my own voltage
No default setting
I move when the bass gets bold
You want me simple
You want me folded
I’m not the version
That does what it’s told
No default setting
No clean reset
I’m better when I don’t behave yet
Left right
Too bright
Low kick
Uptight
Turn snap
Come back
One more
Off-track
I was never built for your manual
Never born for a numbered lane
Every time you label the motion
Something loose begins to play
Let the clean ones keep their answers
Let the smooth ones win the floor
I have trouble in my timing
And it always asks for more
No default setting
I tune my own voltage
No default setting
I move when the bass gets bold
You want me simple
You want me folded
I’m not the version
That does what it’s told
No default setting
No clean reset
I’m better when I don’t behave yet
Cut the feed
Leave it running
No default
I’m still coming
CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Long Distance Line ...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Long Distance Line from the Bosphorus
Eli Varnish
I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you
The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you
The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”
This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best
Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you
There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you
I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall
This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done
Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes
It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said
The operator counts me down
Five… four… the river wins
Click
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Best Night Ever
Leo Marlow
Verified Artist
Leo Marlow
Leo Marlow, an artist whose music seems to philosophize the dew on the grass with his songs, began his journey amid the high-stakes intensity of Brit-pop. Launching his career initially as the luminary of a Brit-pop boy band that didn't reach the stratospheric heights intended, he managed to transform his career path in the most unexpected way. Rising from the ashes of a failed group, he learnt to echo his own feelings while showcasing vulnerability, thus crafting a musical legacy that was wholly his own.
Based in the enchanting city of Manchester, Marlow has certainly found his unique sound, a harmonious blend of classic and contemporary. The artist serves as a sonic architect, masterfully constructing retro-futuristic synth landscapes that capture the essence of loneliness universally felt, yet seldom depicted so eloquently in music. The wistful melancholy of his music, tinged by synths, creates an environment as expansive as the cosmos yet as intimate as a whispered secret. His power to convey emotions and experiences with profound depth sets him sincerely apart.
One of Marlow's most notable musical creations is the ode "Best Night Ever". The track serves as an entrancing journey through Marlow's sombre narratives to the sound of shimmering synth-pop. Even whilst conjuring the myriad of emotions embedded in personal loss, "Best Night Ever" paradoxically stands as an alluring anthem for unforgettable nights and the ephemeral moments that make life so magical. It's an apt testament to Marlow's extraordinary ability to portray the human condition through his music, and certainly highlights why his magnificent sound continues to resonate with audiences far beyond Manchester's confines.
Best Night Ever
Leo Marlow
Three hours at a house party (Three)
I'm so over it (Ooh)
What we gonna do? (Uh)
We don't need this ****
Me and my ****** in the corner (Yeah)
Sippin' our liquor (Yeah)
What we gonna do? (Yeah)
Girl what we gonna do?
And she said
"Don't you worry girl I got a plan
We gonna get out of here girl and
Head to the beach we'll be there by ten
The boys are gonna meet us yeah they're bringin' their friends"
It's the best night ever
We're all together I won't forget
How we turned that *****
Into the best night ever
How could I ever? It's permanent
All because my friend said
[Post-Chorus]
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
Three days in Miami
The vibe was right (Ooh)
Damn we had fun (Ooh)
On a Wednesday night
Me and my bitches in a section (Yeah)
At the strip club (Yeah)
Boys throwin' up (Yeah)
It's a real good night
And she said
"Don't you worry girl I got a plan
We gonna get out of here girl and
Head to the beach we'll be there by ten
The boys are gonna meet us yeah they're bringin' their friends"
CREDITS
Performer: Leo Marlow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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The Song That Never...
The Light Below
The Song That Never Ends
The Light Below
Well it goes on and on my friend
We can't pretend
We knew it was love
I mean a friend of a friend of a friend
Started singing this song
So we decided to join in
And we'll keep singing it
The way we did before
And you can sing along
And you can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
Goes on and on and on my friend
And if you pretend
You knew it was love
Then you knew you were wrong
'Cause it never ends
You just started to sing along
And we'll keep singing it
The way we did before
And you can sing along
And you can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
Goes on and on my friend
Goes on and on my friend
Goes on and on my friend
Goes on and on my friend
Goes on and on my friend
Goes on and on my friend
Goes on and on my friend
Goes on and on my friend
And you can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
You can sing it
My song
CREDITS
Performer: The Light Below
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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The Man Who Sold th...
Wrong Floor Cinema
Verified Artist
Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.
Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.
Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
The Man Who Sold the Rain
Wrong Floor Cinema
He wore a beige suit
In the middle of June
Said he had answers
Coming very soon
He had a suitcase
Full of folded air
He sold umbrellas
When the sky was fair
Step right up
Don’t ask why
Every little cloud
Has a price to buy
He was the man who sold the rain
Sold it once
Then sold it again
He was the man who sold the rain
Everybody got wet
But nobody complained
He shook the mayor’s hand
With a plastic smile
Promised good weather
In a single-file
He made a chart
With a rising line
Said bad predictions
Were a warning sign
Step right up
Don’t ask why
Every little cloud
Has a price to buy
He was the man who sold the rain
Sold it once
Then sold it again
He was the man who sold the rain
Everybody got wet
But nobody complained
By the time they checked the contract
The ink had gone away
He left a little business card
That simply said: “Someday”
He was the man who sold the rain
Sold it once
Then sold it again
He was the man who sold the rain
Now they buy the thunder
And lease the hurricane
CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Hollow Traces
DRKBLU
Hollow Traces
DRKBLU
You left without a sound
But your shadow stayed
On the walls in the air
Every word we never said
I follow the hollow traces
Through empty rooms and faded places
Can’t touch you now
But I feel you somehow
I sleep on just one side
Still making room for you
Your shirt in the drawer
Still smells like truth
I follow the hollow traces
Through empty rooms and faded places
Can’t touch you now
But I feel you somehow
You were here
You’re still here
CREDITS
Performer: DRKBLU
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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