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Just Like That
Checkmate

Verified Verified Artist

Checkmate
Checkmate formed in London out of restlessness rather than intention. Different neighborhoods, different backgrounds, same impulse: to move, to react, to play music that refuses to stand still. Ska was never a costume for them, it was a language. Fast rhythms, sharp turns, humor used as defiance. They grew up surrounded by noise, contradictions, and crowded streets, and their sound reflects that constant motion.

Their music is playful but not careless, political without slogans, chaotic but precise. Each member brings a different energy, and none of them try to smooth those edges out.

Checkmate thrives on contrast: bright melodies against nervous tension, joy next to disruption. What comes out is loud, physical, and alive. Their releases are heard only on Filodyo and NOT FM, where movement matters more than polish and nothing is forced to sit quietly in the background.
Track(s)
Just Like That 307889 03:31

Just Like That

Checkmate


Bus is late but the sun is out
Someone’s laughing way too loud
Corner shop knows my face
Same old song same old place

Shoelace broke still on time
Found a coin lost my mind
Nothing special nothing deep
But today’s been good to me

Radio plays that beat again
Head goes left feet say “amen”
I wasn’t looking for a sign
But the street feels right in time

Life’s doing fine yeah look around
Sticky tables familiar sounds
Not a movie not a plan
Just a good day where I stand

Life’s doing fine no big parade
Just walking slow no rush today
If this is all I’m cool with that
Yeah I like it just like that

Coffee spills laugh it off
Wrong turn but I don’t stop
Shoes too tight shirt’s too thin
Still smiling when I walk in

Someone hums the tune I know
Traffic moves then says hello
Nothing changed still feels new
Guess the trick is how you view

No winning streak no finish line
Just wasting time and feeling fine
If this moment’s all I get
I’m not mad at it yet

Life’s doing fine yeah look around
Bent street signs old beat-up towns
Not a headline not a scam
Just a good day where I stand

Life’s doing fine no big parade
Late night talks cheap lemonade
If this is all I’m cool with that
Yeah I like it just like that

Maybe tomorrow’s loud and rough
But today’s already enough
No promises no advice
Just breathing in a decent life

Life’s doing fine hear that horn
Someone dancing someone bored
Not a dream not a trap
Just a moment and I’ll clap

Life’s doing fine I’ll say it twice
Not perfect but it’s nice
If this is all I’m cool with that
Yeah I love it just like that

Just like that
Yeah just like that

CREDITS
Performer: Checkmate
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Almost Beautiful
Sand Castle of Ma

Verified Verified Artist

Sand Castle of Ma
Sand Castle of Ma is a vibrant four-member indie rock band hailing from the lush landscapes of Seattle. The group, consisting of the charismatic vocalist Eli Stratton, guitarist Finn Mercer, bassist Leo Keene, and drummer Jasper Quinn, formed in a local coffee shop where they bonded over their mutual love for music and the arts. With their diverse backgrounds and experiences, each member brings a unique flavor to the band’s collective sound, creating a harmonious blend that resonates deeply with listeners.

The band’s debut track, "Almost Beautiful," captures the essence of their style—an exploration of the complexities of beauty and imperfection. Drawing on themes of introspection and emotional depth, Sand Castle of Ma weaves together melodic guitar lines with earnest lyrics that invite listeners to reflect on their own experiences. Their sound artfully combines influences from classic rock and contemporary indie styles, allowing them to carve out a niche that feels both fresh and familiar.

As they continue to evolve, Sand Castle of Ma aims to expand their catalog with more tracks that reflect their evolving identity. The chemistry among Eli, Finn, Leo, and Jasper fuels their creativity, promising an exciting future filled with dynamic performances and heartfelt music. With a growing fanbase and a distinctive sound, they are quickly becoming a notable presence on the indie rock scene.
Track(s)
Almost Beautiful 60502 04:44

Almost Beautiful

Sand Castle of Ma


Yeah
Almost beautiful

You left your shadow
On the passenger side
Like a quiet ending
At a red street light

I kept the moment
But I lost the weight
Of waiting for something
That was already late

Now days feel lighter
When the hope runs out
I hear my own voice
A little less loud

And I don’t hate you
That takes too much room
I just stopped turning
The sky into you

Maybe we were young
Maybe we were tired
Maybe love got lost
Somewhere in the wires

I don’t need a reason
I don’t need a sign
I just need tonight
To feel like mine

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

Oh-oh
Almost beautiful
Oh-oh
Almost beautiful

I saw your name
On a screen last night
It didn’t hurt me
Like I thought it might

Just a small old feeling
Passing through
Like a song from a car
That never stops for you

I walked for hours
Under changing signs
No big confession
No perfect line

Just a quiet freedom
I never planned
Like letting go
Without using my hands

Maybe we were close
Maybe we were blind
Maybe love looks better
From the other side

I don’t need an answer
I don’t need a fight
I just need my heart
To sleep tonight

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

I won’t call it wasted
I won’t call it wrong
Some people are chapters
That read too long

I won’t make you guilty
I won’t make me small
We were almost something
And that’s something after all

Almost beautiful
Almost true
Almost everything
I wanted with you

Almost beautiful
Almost gone
I can still remember
But I can move on

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

Oh-oh
Almost beautiful
Oh-oh
Almost beautiful

Mm
Almost beautiful
Losing you

CREDITS
Performer: Sand Castle of Ma
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Borrowed Cutlery
Asha Monroex

Verified Verified Artist

Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.

A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.

Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.

Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
Track(s)
Borrowed Cutlery 17314 04:22
New York, I Loved You 63349 04:42

Borrowed Cutlery

Asha Monroex


You came in late
With a theory about forks and fate
I kept my coat
You said my silence needed one more note
Your drink went warm
While you described your personal reform
I changed my mind
Halfway through a sentence you redesigned

Too neat
You make good manners sound incomplete
Too sure
You diagnose the waiter and the furniture

Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you

The bass moved first
You called it elegant then called it cursed
I missed the beat
You drew a diagram across the receipt
Your mouth said “fine”
Your eyebrows filed an appeal against mine
The plates were cleared
But somehow your complaint just reappeared

One step
Then a paragraph with nothing left
Two sips
And now we’re arguing about eclipse
No script
Just brass behaving badly at the hip

Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you

You want a verdict
I brought a question with no proper ending
You want precision
I brought a rhythm that resents explaining

Call it defective
Call it a habit with excellent shoes

Call it selective
I call it knowing what not to refuse

Stay odd
Let all the tidy couples blame the odds
Stay sharp
Keep one good insult hidden after dark

Give me the crooked part
The one you never put on display
No ceremonial heart
No careful phrase rehearsed on the way

Keep it improbable
Keep it a little too clever to prove
Almost impossible
But still with enough nerve left to move

You took the spoon
I took the story
Fair enough
You looked less boring

CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

All for One Y.
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
Bad At Fractions 31598 03:41
All for One Y. 371454 04:18

All for One Y.

Ayvenn


Uuuh
Aaaa
I had the chalk I had the board
Thought I knew what I was fighting for

I mapped it out like a perfect line
Variables dancing in my mind
Tried to graph where you might be
But love don’t fit no geometry

Slopes and curves they lied to me
No formula for what you see
You’re that value off the grid
And I solved what no one ever did

Every X I tried to crack
Led me closer no way back
Thought I had it all misread
But you were waiting up ahead

You don’t know how many Xs I had to break
To get one inch closer to Y (uh-huh)
I carried numbers like they were names
Till the moment you met my eye (ooooh)
It’s a mess of signs and endless tries
But now your logic redefines (yeaaah)
You don’t know how many Xs I had to face
Just to solve for a single Y

(Uuh uuh — that single Y)
(Aaah all those Xs I tried)

Circle back erase the trace
You’re the answer that now holds its place
I tried dividing all the pain
But you were constant in the rain

Was it sine or just a sign?
You curved in at the perfect time
I drew a heart inside the square
And this time you were really there

I factored in the nights alone
Calculated love unknown
But this equation found its truth
When all the numbers pointed to you

I reduced and simplified
You multiplied what’s deep inside
Left the questions in the dust
Now the formula is us

You don’t know how many Xs I had to break
To find the one and only Y (yeah yeah)
I carried numbers like they were names
But you gave meaning to the why (no no)
It’s a mess of signs and endless tries
Now it all aligns no need to lie (uh-huh)
You don’t know how many Xs I had to face
Just to solve for a single Y

(Uuh that final Y)
(Aaaah no more Xs I…)

Maybe you were undefined
In the limits of my mind
An asymptote I chased in vain
Till you stood right in the frame

You don’t know how many Xs I had to break
To stand here holding onto Y
I carried numbers like they were weights
But now the answer meets the sky
The signs were loud the tries were wild
But now I see the reason why
You don’t know how many Xs I had to face
Just to know that Y was you

(Uuh you’re my Y)
(Aaaah it’s always been you)

So I drop the pen the work is done
You were the proof the only one
No more math no more try
You’re my answer — you’re my Y

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Phase Meridian
Wires and Petals

Verified Verified Artist

Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.

Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.

Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.

Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Track(s)
Waves Don’t Ask Why 287782 03:44
Phase Meridian 193122 04:50

Phase Meridian

Wires and Petals



CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Gravity Override
Lina Mour

Verified Verified Artist

Lina Mour
Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.

Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.

Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”

Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.
Track(s)
Gravity Override 221110 02:11

Gravity Override

Lina Mour


Blast the gate override the stream
No peace mode just kerosene
We don’t stop — we ventilate
Plug into the surge detonate!

Code in flames!
Rise untamed!
Spin that truth
Like a hurricane!

Gravity override!
We don’t fall — we multiply
No more silence no more shade
We break the sound — unafraid!

Gravity override!
Sky is fake so we collide
Raise your pulse amplify—
We’re the glitch they can’t deny!

Rip that signal break the chain
Upload thunder through your brain
We’re the myth the freak the spark
We turn neon into dark

No maps!
No brakes!
No kings!
No fakes!
We twist!
We crack!
We vanish—
Then attack!

Gravity override!
Truth distorted we decide
Bounce that static crash the grid—
This is not your mother’s beat!

Gravity override!
Laws erased we redesign
Now scream loud redefine—
We’re the beat they can’t confine!

Override complete
System: liberated

CREDITS
Performer: Lina Mour
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Waves Don’t Ask Why
Wires and Petals

Verified Verified Artist

Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.

Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.

Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.

Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Track(s)
Waves Don’t Ask Why 287782 03:44
Phase Meridian 193122 04:50

Waves Don’t Ask Why

Wires and Petals


I walked too far to start again
But too close to turn away
The sky didn't open —
But I moved anyway

Heartbeat aligned with the sound
Footsteps lost never found

I don’t speak to the wind anymore
It never stayed to listen
But you —
You stayed quiet…
And I heard everything

Time doesn’t fold like a map
We stretch with every turn
The world spins without asking
But we — we learn

And if the tide forgets my name
Let it
I only needed the pull

CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Do It Again
James Valric

Do It Again

James Valric



CREDITS
Performer: James Valric
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Les Petites Choses ...
Mina Cazal

Verified Verified Artist

Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.

Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.

Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Track(s)
Les Petites Choses de Travers 11688 03:04

Les Petites Choses de Travers

Mina Cazal


Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses

Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »

Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades

J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous

À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »

Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique

J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication

Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local

Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration

On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner

D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu

La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie

La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment

Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin

CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Runnin (feat Tae)
Mark Martian

Verified Verified Artist

Mark Martian
Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.
Track(s)
Run With the Fire 117036 02:49
Algo Rhthym 219950 05:32
Velvet Routine (feat Lillian Rose) 114005 02:34
Runnin (feat Tae) 28331 02:42
We Go Higher (ft Karen) 29018 02:52
Tell Me 31890 03:16
Memories 48054 05:12
Lonely Hearts 28761 03:02
Be Yourself 27800 02:48
It Is Hard (Each Day) 29420 02:53
This Love Is Our Battlefield 29599 02:54

Runnin (feat Tae)

Mark Martian



I could say I need you
But I know that you don't want me
No more
No more
You just like the people that I have been before
No more
No more

I could say I need you
But I know that you don't want me
No more
No more
You just like the people that I have been before
No more
No more

You got me runnin'
Runnin'
Runnin'
Runnin'
But I don't want it
Want it
Want it
Want it
But I'm still runnin'
Runnin'
Runnin'
Runnin'
But I don't want it
Want it
Want it
Want it

I could say I need you
But I know that you don't want me
No more
No more
You just like the people that I have been before
No more
No more

I could say I need you
But I know that you don't want me
No more
No more
You just like the people that I have been before
No more
No more

You got me runnin'
Runnin'
Runnin'
Runnin'
But I don't want it
Want it
Want it
Want it
But I'm still runnin'
Runnin'
Runnin'
Runnin'
But I don't want it
Want it
Want it
Want it

CREDITS
Performer: Mark Martian
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Never Barefoot
The Syrphids

Verified Verified Artist

The Syrphids
The Syrphids’ journey began in the vibrant streets of Birmingham, where their distinct sound emerged from a collision of personal influences and bold experimentation.

Each member brings a unique flavor to the band's overall dynamic—blending raw, emotive vocals with intricate guitar riffs, rhythmic basslines, and atmospheric synth layers. Their music strikes a balance between the unpredictability of alternative rock and the infectious melodies of indie pop, creating an eclectic sound that is both challenging and accessible.

What sets The Syrphids apart is their ability to navigate complex emotional themes, delivering lyrics that resonate deeply while still maintaining an undeniably catchy, crowd-pleasing vibe.

Their live performances are a spectacle of energy and emotion, where their chemistry as a band shines brightest. The Syrphids have a knack for turning intimate venues into electrifying spaces, with each song building on the momentum of the last.

Their setlists are carefully curated to take listeners on a journey—whether it's through soulful ballads that tug at heartstrings or high-octane anthems that ignite the crowd. This ability to command the stage has earned them a growing fanbase, not just in Birmingham but across the UK, with audiences captivated by their authenticity and musical craftsmanship.

As The Syrphids look toward the future, their ambitions are clear: to continue evolving their sound while staying true to the experimental roots that first brought them together. With several EPs already under their belt and plans for a full-length album on the horizon, the band is poised to break through to even broader audiences.

Their commitment to innovation, coupled with their undeniable talent, ensures that The Syrphids will continue to be a force in the indie music scene, challenging conventions and capturing the hearts of listeners around the world.
Track(s)
Never Barefoot 157644 04:14
I Carry Your Love 29224 02:54
Single Kiss 30049 02:57
Runnin' Wild 25545 02:30
Hold The Heart With Rap Version) 40344 04:25
Hold The Heart 37280 03:45

Never Barefoot

The Syrphids


I was barefoot in the silence
dreaming of laces I could never tie
They told me “Leave your shoes behind”
but my feet were burning on holy ground

Back then the glass windows whispered
shops were cathedrals I couldn’t enter
Every sneaker a forbidden scripture
every boot a sermon I couldn’t keep
I walked with shadows on the pavement
carrying blisters instead of crowns

Now every aisle feels like confession
plastic bags my rosaries
boxes stacked like psalms unspoken
I kneel but I never pray

I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass

Leather tongues speak louder than my own
rubber soles drown out my guilt
Every purchase is a broken hymn
every closet a confessional built
I don’t wear them I collect my scars
like trophies of battles I never fought

The past still laces up my ankles
pulling tight with phantom strings
No barefoot freedom in the morning
just a graveyard made of things

I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass

Empty shoes like empty prayers
lining up my hallway shrine
I am both thief and worshipper
stealing time wasting time

I can’t walk barefoot anymore
the pavement bleeds the silence roars
God once said “Take off your shoes”
but He never stood in this hunger before
So I’ll keep on buying keep on binding
never fitting never finding…
and the child in the glass walks with me still

CREDITS
Performer: The Syrphids
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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