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All Night
Kaito

Verified Verified Artist

Kaito
Kaito is a captivating adult Japanese electronic pop and contemporary R&B artist whose sleek after-dark identity resonates with listeners. Known for his intimate vocals and minimalist hooks, Kaito's music creates an atmospheric space where the pulsating rhythms and bass-driven club production come alive. Each track invites audiences to lose themselves in a world of sound, exemplified by his latest release, "All Night," which showcases his ability to weave emotional depth into infectious grooves.

The essence of Kaito's artistry lies in his controlled and magnetic stage presence, captivating fans as he performs with finesse. His style reflects a blend of genres that create a seamless experience, allowing him to connect deeply with his audience. The interplay of electronic elements and smooth R&B vibes fosters a sense of intimacy, perfect for both late-night escapades and reflective moments.

With a growing catalog, Kaito continues to push the boundaries of adult electronic music, inviting listeners to explore their emotions through rhythm and melody. His work stands as a testament to the power of music as a universal language, bridging cultures and experiences while keeping the dancefloor alive with energy and connection.
Track(s)
All Night 31517 02:44

All Night

Kaito


Yeah… uh-huh
Turn it up turn it up — woo!

Lights down low
I move you know
One touch — slow
don’t let me go

Hands on me
heartbeat loud
Lost in sound
can’t stop now

We go all night (yeah!)
till the sunrise (uh!)
Your body my vibe —
we don’t need no alibi
We go all night (o-oh!)
just you and I (na-na)
Can’t fake this high —
we go all night

All night all night — yeah!
All night all night — woo!
Touch me move right —
we go all night

Flash that smile
heat goes wild
You pull I slide
our worlds collide

Bass so deep
we lose control
One look I know —
I want your soul

We go all night (yeah!)
till the sunrise (uh!)
Your body my vibe —
we don’t need no alibi
We go all night (o-oh!)
just you and I (na-na)
Can’t fake this high —
we go all night

All night all night — o-oh!
All night all night — yeah!
We don’t talk we just vibe
we go all night

CREDITS
Performer: Kaito
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
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Etherslip
Celya Thorn

Etherslip

Celya Thorn



CREDITS
Performer: Celya Thorn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
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Real World Effects
Arven Nohr

Real World Effects

Arven Nohr



CREDITS
Performer: Arven Nohr
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
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Bad At Fractions
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
Bad At Fractions 31598 03:41
All for One Y. 371454 04:18

Bad At Fractions

Ayvenn


You walked in counting every step
I lost track somewhere near your hips
You said “Baby keep it logical”
Then moved like logic didn’t exist

My drink was ninety-nine percent
Cool confidence and one percent fear
You leaned in close changed every sum
Now nothing adds up over here

I tried to draw a straight line
You turned it to a curve
I calculated all night
Still got what I deserve

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You got a rhythm like a riddle
Every answer starts a fight
Your waist keeps changing the percentage
Of the chances I act right

I brought a list of good decisions
You divided every plan
Now my balance is suspicious
And my patience left the band

I tried to keep it even
You raised it to a ten
I checked the calculation
Then did it all again

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
You say “Count it”
I lose my place
When that rhythm hits the bass

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
No remainder no return
Let the whole equation burn

Square root round hips
Quick clap slow kiss
I know numbers I know facts
But you make two plus two misbehave like that

Left turn three steps
No sleep no regrets
Every theory that I had
Falls apart when you do that

*(Ay ay—do that)*
*(Otra vez—do that)*

**[Final Chorus]**
I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math

*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*
No remainder no looking back
Take all of me—do the math

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Still Life in Motion
Elyra Dawn

Verified Verified Artist

Elyra Dawn
Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.
Track(s)
Still Life in Motion 322651 03:31

Still Life in Motion

Elyra Dawn


I kept your echo in a borrowed chord
Faded at the edges like a prayer ignored
You never spoke in “forever” terms—
Only in glances only in turns

We drew lines in passing trains
Paused in motion looped refrains
What we had was quiet gold—
But time like steam refused to hold

So I won't chase the version of us
That never really stayed never fully was
You were a still life mid-collapse
A moving part in silent gaps
And I loved you there—
Where the light never dared
But lingered
Like it knew
We’d vanish fair

You hummed in keys I couldn’t trace
Left fingerprints on open space
A breath a shift a tilted frame
No villain here just untitled blame

Maps don’t cover scenes like this
Where lips forget what touch meant bliss
But if you ask what we became—
A shadow signed with no one’s name

I won't rewrite the note you played
Or tune the silence we conveyed
You were a still life breaking fast
A fleeting truth I couldn’t grasp
And I loved you there—
Not to repair—
But to remember
Without despair

Maybe we were best
in between intentions
Not a love song—
just the tension

Still life
in motion
Still life
Not frozen

CREDITS
Performer: Elyra Dawn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
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Weightless Time
Orbiting Silence

Weightless Time

Orbiting Silence


The clock keeps ticking
But I don't feel a thing
Between the steps I take
I'm floating in-between

Weightless
Weightless time

You say we're here but where is that?
I feel the space expand
I don’t need an answer
Just let me understand

Weightless
Hold me in time

CREDITS
Performer: Orbiting Silence
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
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HOT TRACK

Second-Hand Sunday
Leonard Isaiah Ellis

Verified Verified Artist

Leonard Isaiah Ellis
Leonard Isaiah Ellis is a British singer and songwriter known for his warm baritone, understated delivery, and the kind of presence that never needs to shout to be felt. Raised in South London, he grew up between church harmonies, old soul records, and the city’s late-night dance culture, which shaped the mix of intimacy and rhythm that runs through his music. Before releasing his own material, Ellis spent years writing hooks, recording demos, and lending vocals to producers in the house and electronic scene, quietly building a reputation as a dependable voice with real character.

His single Second-Hand Sunday shows a softer, more personal side of his writing. Built around small domestic details and a calm sense of gratitude, the song trades drama for comfort and finds meaning in ordinary moments, cheap coffee, old records, and the rare luxury of having nowhere to be. It is that balance of lived-in storytelling and soulful restraint that defines Leonard Isaiah Ellis, an artist more interested in honesty than image, and in songs that linger long after the room has gone quiet.
Track(s)
Second-Hand Sunday 30153 03:32

Second-Hand Sunday

Leonard Isaiah Ellis


Six coins in the jar on the shelf
Rain on the window like applause
You in my shirt with the sleeves rolled
Making toast like it's a job

We are not going anywhere today
And that is the whole plan

Give me a second-hand Sunday
Cheap coffee no ambition
Give me a second-hand Sunday
Nothing broken nothing missing
I have been rich and I have been thin
I'd take this over both of them
Give me a second-hand Sunday

(oh oh)

There's a record we have played into the ground
The needle skips at the same part
And we sing over the gap
Like it was meant to be there

Give me a second-hand Sunday
Cheap coffee no ambition
Give me a second-hand Sunday
Nothing broken nothing missing
I have been rich and I have been thin
I'd take this over both of them
Give me a second-hand Sunday

Everybody's chasing a bigger room
A better view a longer table
I've got a kettle and a radio
And somebody worth the morning

Give me a second-hand Sunday
Cheap coffee no ambition
Give me a second-hand Sunday
Nothing broken nothing missing
I have been rich and I have been thin
I'd take this over both of them
Give me a second-hand Sunday

Give me a second-hand Sunday
(oh oh)

CREDITS
Performer: Leonard Isaiah Ellis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Power Play (ft Dari...
Heather Davis

Verified Verified Artist

Heather Davis
Heather Davis is a London-based artist whose music pulses with the vibrant energy of modern dance and disco. Infused with influences from the city’s club culture, her tracks like "Power Play (ft Darius Vale)" showcase her ability to blend nu-disco rhythms with electro-pop sensibilities. With a strong yet playful vocal delivery that echoes confidence, Heather’s music invites listeners to embrace their own strength and joy. Her songs evolve around themes of self-empowerment and celebration, creating an uplifting atmosphere that resonates in every beat.

Heather's catalog features an array of meticulously crafted tracks that reflect her unique artistic vision. Alongside "Power Play," listeners can explore other energetic anthems that ooze happiness and hopefulness, designed to keep spirits high on the dance floor. The synergy of tight four-on-the-floor drums, funky basslines, and glossy synths not only establishes her signature sound but also makes each track feel like a celebration of life’s joyous moments, capturing the essence of what it means to truly live in the moment.
Track(s)
Power Play (ft Darius Vale) 49971 03:27

Power Play (ft Darius Vale)

Heather Davis


Walking in I feel the shift
Confidence it’s my gift
No more waiting for a sign
I’m my own and I feel fine

Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace

I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play

No more aftertone of what could be
I’m the story I’m the key
With each beat I redefine
Crafting moments I’m aligned

Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace

I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play

Yeah I walk in cool no script no stunt
Clean cut low talk I don’t need the front
Hands in the pocket watch the room bend
Every small doubt I had I just left to end
Fresh on my feet let the floorboards talk
No borrowed shine I built my own walk
Look at me now no mask no delay
I move with the groove then I move out the way

Catch the rhythm let it flow
This is where I’ll let it show
No more doubt just clarity
This is my reality

I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play

CREDITS
Performer: Heather Davis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

VIP (feat Trey C)
Skye

Verified Verified Artist

Skye
Skye is a Korean-born pop sensation who now calls California her home. With a voice that blends vulnerability and power, she quickly rose from uploading covers in her bedroom to headlining stages across the West Coast. Inspired by both K-pop precision and Western pop freedom, Skye creates a hybrid sound that defies borders.

From heartbreak anthems to confident bangers, her lyrics speak to a generation raised on contradictions — soft yet strong, bold yet uncertain. Having trained in Seoul during her early teens, she carries the discipline of her roots while embracing the expressive energy of LA's music scene.

Often dubbed the “Pop Queen of Both Worlds,” Skye’s performances are emotional rollercoasters filled with glitter, synths, and raw truth. She’s not just building a fanbase — she’s building a movement.
Track(s)
VIP (feat Trey C) 209994 02:55

VIP (feat Trey C)

Skye


V-I-P V-I-P V-I-P V-I-P
V-I-P V-I-P — uh uh-huh uh-huh
V-I-P V-I-P V-I-P V-I-P
V-I-P V-I-P — uh uh-huh uh-huh

Buzz on my phone — you typed “let’s slide”
I said “bass drops lasers good vibes”
No velvet ropes no guestlist or fee
Just you and me and a V-I-P scene oh-oh-oh

Do you crave me like I crave the night?
Do you glow when the tempo’s right?
We ain’t average we don’t do tame
This room’s ours — let’s light the flame

Let’s ride — to the edge of rhythm
No pride — just sparks and vision
Tonight — it’s a private show
We the stars now let the world know

V-I-P V-I-P V-I-P V-I-P
V-I-P V-I-P — uh uh-huh uh-huh

Yeah red lights blinkin’ tempo's wild
VIP mood — we don't need no style
You walk in and the room obeys
This beat’s ours — no need to explain

No ties no limits no script
Just rhythm and lips that don’t quit
You twirl — and the world resets
We’re the climax no regrets

Hit me with your eyes
Ping me just one line
I know where your heart is
Let’s blur the borderline

Let’s ride — to the edge of rhythm
No pride — just sparks and vision
Tonight — it’s a private show
We the stars now let the world know

[Hook – both voices layered]
V-I-P V-I-P V-I-P V-I-P
V-I-P V-I-P — uh uh-huh uh-huh
V-I-P V-I-P V-I-P V-I-P
V-I-P V-I-P — uh uh-huh uh-huh

Say it once say it right
We ignite we ignite
Say it once say it right
We the night we the light
V-I-P…

CREDITS
Performer: Skye
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Soft Machines
Taulk

Soft Machines

Taulk



CREDITS
Performer: Taulk
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Unholy Race
Logan Vance

Verified Verified Artist

Logan Vance
Meet Logan Vance: the rock and roll laureate of our generation and an audaciously independent artist from, where else, but the sin city itself, Las Vegas. This guitar slinging, wordsmithing, intergalactic hero seems to have been born solely to make his own harmonic storms in the very desert that taught him the rock and roll parlance.

His tunes are like his town - rife with stories about right turns in the wrong places, the neon gleam of casino nights, and the recurrent theme of chasing after reckless dreams. Our heady hero doesn’t just play music, he lives it, injecting every chord with a potent mix of knowledge, regret, passion, and a punchy dash of Vegas glitter.

All of which has found a strangely harmonious home on his signature track, "Unholy Race," a raging electrified commentary on social struggle depicting life as a grand, if unholy, race! This isn’t just music, it’s a heart on a sleeve diary from a guy who got hip to life in the neon haze of a Vegas sunrise.

But don't be fooled by his 'city of sins' background — on stage and in the studio, it’s all about the music for Vance. He might climb the heights of hedonism, but he always does it with a guitar in his hand, eyes on the sky, and feet firmly rooted in the arid, undying love for his music. Enter the Vance-Verse: equal parts witty, gritty, and every bit as glitzy as a Vegas-strip marquee.
Track(s)
Unholy Race 21608 01:52

Unholy Race

Logan Vance


I don't know what you want if you just complain a lot
Maybe all you want is all they got
They stealin' my voice like it's crack rocks
They try to slow me down just like I'm taking adderall
You ain't the one who took me to the top
Boom on the Zoom
Bop-bop-bop-bop
They out for my heart
Boy
Ha
Crop
Treat me like Patty Kane on a short shot
Pokemon
Pokemon
Pokemon
Gotta lay a lot
Gotta slay a lot

I'm runnin' a race that's unholy
They dump everything that they told me
Young winners
We might die slowly
Good thing we takin' it slowly
Young victors
We might die slowly
Good thing we takin' it slowly
Live it out in the middle of the world
Gotta lay a lot
Gotta slay a lot
Live it out in the middle of the world
Gotta lay a lot
Gotta slay a lot
I'm runnin' a race that's unholy
They dump everything that they told me
Young winners
We might die slowly
Good thing we takin' it slowly
Slowly
Slowly

They out for my heart
Boy
Ha
Crop

I'm runnin' a race that's unholy
They dump everything that they told me
Young winners
We might die slowly
Good thing we takin' it slowly
Slowly
Slowly

CREDITS
Performer: Logan Vance
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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