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The Fridge Is Takin...
Funny Harry
Verified Artist
Funny Harry
Hailing from the vibrant streets of Copenhagen, Funny Harry has carved out a distinctive niche in the alternative pop scene, effortlessly blending whimsical narratives with thought-provoking themes. With a catalog that includes tracks like "The Fridge Is Taking Her Side," Harry's music embodies an eclectic mix of calmness and playful mystery. The lyrics often dance around the mundane, transforming everyday objects and interactions into poignant reflections on loneliness and connection. This creative alchemy was born in the city's cozy cafes, where Harry first collaborated with friends from art school, merging their diverse influences to create a sound that feels both fresh and deeply familiar.
As Harry continues to evolve, each track reveals layers of emotional resonance and sonic experimentation. The interplay of light and shadow is masterfully executed, inviting listeners into a world where the ordinary becomes extraordinary. With an approach characterized by introspective storytelling and innovative arrangements, Funny Harry captures fleeting moments of life through a kaleidoscope of calm melodies and vibrant rhythms. Whether exploring themes of melancholy or stitching together playful anecdotes, the artist leaves an indelible mark on the listener, inviting them to embrace the mystery hidden within everyday experiences.
The Fridge Is Taking Her Side
Funny Harry
At 2:17 the refrigerator cleared its throat
I said “Don’t start”
It started
The kettle only sings for one
The toaster burns my alibis
Your coffee cup is upside down
Like it has closed its little eyes
I bought a cactus for morale
It quit on Tuesday night
The landlord says the pipes are fine
The fridge is taking your side
Every appliance has an opinion
Every opinion sounds like you
The freezer hums through cross-examination
I plead the fifth and eat for two
The washer handed back one sock
As proof I can’t be trusted
The vacuum found your silver hoop
Then parked itself disgusted
I tried to cook that thing you liked
The smoke alarm performed the lead
I took a bow it took the battery
A fair review I must concede
“Did you call her?”
No
“Will you call her?”
No
“Are you lying?”
Next question
“Who are you talking to?”
The refrigerator
Every appliance has an opinion
Even the clock has joined in too
The freezer hums for the prosecution
And I still cook enough for two
Your note is folded under pears
I read it only when they spoil
The final line says “Please be well”
As if well came wrapped in foil
At dawn the motor settles down
The whole flat loses its nerve
I almost miss our little war
Then hear the ice tray say one word:
“Call”
Mind your own business
At 2:18 it cleared its throat again
I moved it three inches from the wall
We are no longer speaking
CREDITS
Performer: Funny Harry
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Both of Us Were Right
Naomi Bell & Julian...
Verified Artist
Naomi Bell & Julian Cross
Naomi Bell and Julian Cross first crossed paths through a series of small studio sessions built around old soul records, unfinished demos and late-night arrangements. Naomi came from a more traditional R&B background, shaped by gospel phrasing, warm mezzo vocals and a love for classic harmony, while Julian had spent years moving between soul, house and sample-driven production. Their chemistry worked because neither tried to occupy the same space. Naomi brings weight and emotional clarity, Julian brings looseness, rhythm and restraint, and the contrast between their voices quickly became the center of the project.
Both of Us Were Right grew out of that balance. Instead of writing a dramatic breakup song, they focused on the quieter difficulty of two people realizing they are both partly correct and still choosing to stay. The track mixes chopped vintage soul textures, house drums, electric piano and stacked gospel harmonies without losing the intimacy of the conversation at its core. For Naomi Bell and Julian Cross, the collaboration is less about becoming a permanent duo and more about finding the right song, the right moment and the right reason to sing together.
Both of Us Were Right
Naomi Bell & Julian Cross
You said I make it hard to help me
And you weren't wrong you weren't wrong
I said you disappear inside a job
And you knew that too
I heard it and I wanted to fight it
Every word of it was true
That's the worst kind of argument
The one you lose to somebody you love
Nobody won the kitchen tonight
And nobody's leaving
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
(both of us both of us)
I'll say the thing before it gets heavy
I'll leave the phone in the other room
Small repairs not grand gestures
That's how a house stays up
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
We're not the couple in the film
Who scream and then it's fine
We're the ones who write it down
And actually do it this time
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
Both of us were right
(both of us both of us)
CREDITS
Performer: Naomi Bell & Julian Cross
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Default Setting
Billie Arden
Verified Artist
Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.
Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
No Default Setting
Billie Arden
Cut the feed
Leave the meter running
Hold that grin
I came with my own timing
You tried to sell me a cleaner name
With the corners sanded down
Put my laugh in a little glass case
Said “Look who’s stable now”
I don’t fit in your easy chart
I don’t land on command
There’s a tune in my crooked part
You don’t understand
Don’t fix the bend
Don’t mute the spark
I keep my rhythm
Off the mark
No default setting
I tune my own voltage
No default setting
I move when the bass gets bold
You want me simple
You want me folded
I’m not the version
That does what it’s told
No default setting
No clean reset
I’m better when I don’t behave yet
Your golden rule came overdressed
And talked like a magazine
I poured black coffee on the test
Made the paper sing
You said “Be calm be useful now”
I said “Nice little cage”
Then I took my pulse off your clock
And rewrote the page
Don’t trim the heat
Don’t square the sound
I keep my rhythm
Upside down
No default setting
I tune my own voltage
No default setting
I move when the bass gets bold
You want me simple
You want me folded
I’m not the version
That does what it’s told
No default setting
No clean reset
I’m better when I don’t behave yet
Left right
Too bright
Low kick
Uptight
Turn snap
Come back
One more
Off-track
I was never built for your manual
Never born for a numbered lane
Every time you label the motion
Something loose begins to play
Let the clean ones keep their answers
Let the smooth ones win the floor
I have trouble in my timing
And it always asks for more
No default setting
I tune my own voltage
No default setting
I move when the bass gets bold
You want me simple
You want me folded
I’m not the version
That does what it’s told
No default setting
No clean reset
I’m better when I don’t behave yet
Cut the feed
Leave it running
No default
I’m still coming
CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Hold Me Through the...
Ayla Vion
Verified Artist
Ayla Vion
Ayla Vion is an evocative pop artist whose roots in church choirs give her music a sense of hope and uplifting energy, even as she navigates the complexities of modern life. Based in London, Ayla combines the rhythmic pulse of dance and EDM with electronic elements that elevate her introspective lyrics. Her track “Hold Me Through the Fallout” exemplifies this synergy, featuring dreamy melodies and vibrant beats that echo the dichotomy between comfort and chaos in urban living. Amidst bustling streets, her music captures those fleeting moments of stillness and reflection.
Transitioning from a sacred musical background to the world of secular sounds came with both sacrifices and rewards for Ayla. Each song she crafts echoes stories of resilience, marked by the tension between nostalgia and forward momentum. The themes of connection and emotional resonance weave through tracks, revealing a narrative of individuals not only seeking solace but also striving to embrace tomorrow's challenges. This duality resonates with listeners who understand that moving forward sometimes means confronting contrasting memories.
As Ayla continues to carve out her unique niche in the music scene, she leaves an indelible mark on audiences who appreciate her blend of joyous rhythms and contemplative lyrics. With each performance, whether at an intimate venue or a pulsing festival, her aspiration remains clear: to inspire others to find beauty even amidst life's uncertainties. With a growing catalog that reflects both her past experiences and future aspirations, Ayla Vion stands poised to resonate with many more souls searching for light in the fallout.
Hold Me Through the Fallout
Ayla Vion
Signals break and drift through empty streets
I’m standing still while the city repeats
Tomorrow feels colder than the things we’ve known
Concrete hums softly like a world overgrown
People move faster but they’re stuck in place
Everything forward yet we’re losing grace
Maybe I’m learning
That silence can warn
Maybe the future
Arrives already worn
Hold me through the fallout
Keep me steady when the noise cuts deep
I don’t fear the unknown
If you’re someone that I get to keep
Hold me through the fallout
Guide me where the fractured roads all meet
I don’t fear the unknown
If we walk it with the same heartbeat
Screens blink stories that no one can trust
Words turn brittle breaking down into dust
Still there’s a compass somewhere in your tone
Pulling me forward when the world feels thrown
Maybe I’m learning
That silence can warn
Maybe the future
Arrives already worn
Hold me through the fallout
Keep me steady when the noise cuts deep
I don’t fear the unknown
If you’re someone that I get to keep
Hold me through the fallout
Guide me where the fractured roads all meet
I don’t fear the unknown
If we walk it with the same heartbeat
When the last wave trembles
I won’t run from the scene
If the future is colder
We can still stay between
CREDITS
Performer: Ayla Vion
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Kiss Me When I'm Lying
Mirov Saint
Verified Artist
Mirov Saint
Meet Mirov Saint, everyone's favorite disco-spinning, beat-making connoisseur of all that is musical and funky. Hailing from a place as elusive as his name suggests, this maestro reigns from the far-flung utopia we like to call Saint Petersburg, crafting soundtracks that make our everyday lives feel like an enchanted fairy tale.
This genteel DJ, signed to Filodyo—shout out to them for recognising raw talent—works nightclub miracles, turning songs into disco-infused enchantments. His pièce de résistance? A cabaret dance cover of Romeo Vane's "Kiss Me When I'm Lying", of course. Because who needs a prince charming when you've got Mirov Saint remixing your life soundtrack?
Behind the decks, he becomes this alchemy wizard, transforming every beat into disco-gold, infusing happiness in every note. Take a gander at Mirov's Spotify. You'll think you've been transported to a Moscow underground disco in the 70s—a place where anxiety is unknown, and the mood is perpetually “Happy”.
So there you have it, folks. Mirov Saint, living proof that disco isn't dead, it's just been chilling in Saint Petersburg, waiting for one wizardly DJ to mix it back to life.
Kiss Me When I'm Lying
Mirov Saint
You taste like trouble and cheap red wine
Black boots kicking off the dashboard side
Your hair messed up and your friends outside
Small town talk but we move too fast
Everybody staring when we walk past
You laugh loud when the speakers break
Steal my jacket like a little game
Hands cold wrapped around my neck
You say “relax” then make a mess
Oh-oh
Don’t stop now
Oh-oh
Spin me around
Kiss me when I’m lying
Tell me I’m your type
We can fake forever for a Friday night
(Yeah yeah)
Your lipstick on my cigarette
Your number in my head again
One look and I lose control
Like whoa-oh-oh
Taxi doors and buzzing amps
Cheap hotel and tangled hands
Your dance moves cutting through the room
Everybody watching you
Low lights flicker on your rings
You move sharp to the kick drum beat
Every word got attitude
God you make bad ideas look cool
No sleep
Heartbeat
Fast lane
On repeat
Kiss me when I’m lying
Tell me I’m your type
We can fake forever for a Friday night
(Hey hey)
Your perfume on my leather coat
You pull away then pull me close
One touch and I lose control
Like whoa-oh-oh
Bad habits look good on you
Too much smoke in the dressing room
Red lights blur when you bite your lip
Whole damn room start losing it
Kiss me when I’m lying
Dance into the light
Young hearts burning through the after-midnight
(Yeah yeah)
Your name stuck like a melody
Wild eyes full of energy
One kiss and the whole world spins
Again and again
Black boots
Backseat
Your laugh
Still on me
CREDITS
Performer: Mirov Saint
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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All Night
Kaito
Verified Artist
Kaito
Kaito is a captivating adult Japanese electronic pop and contemporary R&B artist whose sleek after-dark identity resonates with listeners. Known for his intimate vocals and minimalist hooks, Kaito's music creates an atmospheric space where the pulsating rhythms and bass-driven club production come alive. Each track invites audiences to lose themselves in a world of sound, exemplified by his latest release, "All Night," which showcases his ability to weave emotional depth into infectious grooves.
The essence of Kaito's artistry lies in his controlled and magnetic stage presence, captivating fans as he performs with finesse. His style reflects a blend of genres that create a seamless experience, allowing him to connect deeply with his audience. The interplay of electronic elements and smooth R&B vibes fosters a sense of intimacy, perfect for both late-night escapades and reflective moments.
With a growing catalog, Kaito continues to push the boundaries of adult electronic music, inviting listeners to explore their emotions through rhythm and melody. His work stands as a testament to the power of music as a universal language, bridging cultures and experiences while keeping the dancefloor alive with energy and connection.
All Night
Kaito
Yeah… uh-huh
Turn it up turn it up — woo!
Lights down low
I move you know
One touch — slow
don’t let me go
Hands on me
heartbeat loud
Lost in sound
can’t stop now
We go all night (yeah!)
till the sunrise (uh!)
Your body my vibe —
we don’t need no alibi
We go all night (o-oh!)
just you and I (na-na)
Can’t fake this high —
we go all night
All night all night — yeah!
All night all night — woo!
Touch me move right —
we go all night
Flash that smile
heat goes wild
You pull I slide
our worlds collide
Bass so deep
we lose control
One look I know —
I want your soul
We go all night (yeah!)
till the sunrise (uh!)
Your body my vibe —
we don’t need no alibi
We go all night (o-oh!)
just you and I (na-na)
Can’t fake this high —
we go all night
All night all night — o-oh!
All night all night — yeah!
We don’t talk we just vibe
we go all night
CREDITS
Performer: Kaito
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Change Is Callin’ Me
Coral Harmony
Verified Artist
Coral Harmony
Coral Harmony is a dynamic duo from Spain, formed by two young men who met by chance while performing on the streets of Madrid. Both were passionate about music and quickly realized their chemistry as performers.
Their unique blend of harmonies and energetic style caught the attention of passersby, and soon they moved from street performances to club stages across the country. Coral Harmony’s sound is a fusion of Spanish pop and electronic beats, creating a vibrant atmosphere wherever they perform.
Known for their engaging live shows, they’ve become regulars in Spain's nightlife scene, captivating audiences with their fresh, upbeat sound.
Change Is Callin’ Me
Coral Harmony
The wheel keeps turning the days roll by
I’m standing still while the clouds climb high
Footsteps I’ve taken they vanish in dust
Chasing shadows but who can I trust?
These roads don’t lead back
I’m learning from the cracks
Oh oh change is callin’ me
Oh oh set me free
(Yeah yeah) I’m not the same
(Woah woah) Feel the flame
(Feel the flame)
(Callin' me)
Skies are shifting the wind’s in my hair
Can’t run from the truth it’s everywhere
Mountains I climb just to fall back down
Still I rise won't stay on the ground
These roads don’t lead back
I’m learning from the cracks
Oh oh change is callin’ me
Oh oh set me free
(Yeah yeah) I’m not the same
(Woah woah) Feel the flame
(Feel the flame)
(Callin' me)
I'm chasing the unknown
Falling like a stone
Oh oh change is callin’ me
Oh oh set me free
(Yeah yeah) I’m not the same
(Woah woah) Feel the flame
(Feel the flame)
(Callin' me)
CREDITS
Performer: Coral Harmony
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Never On The Line
Wrong Floor Cinema
Verified Artist
Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.
Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.
Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Never On The Line
Wrong Floor Cinema
I called your number
It learned my name
It said the same thing
Every day
You had a reason
Then you had two
Then you had nothing
Better to do
Ring ring
No sign
Good luck
Next time
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I got tired of waiting
For a person made of signs
You sent a message
Without a dot
Said you were coming
Then you forgot
You had a system
You had a plan
You had a talent
For not being where I am
Ring ring
No sign
Good luck
Next time
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I got tired of waiting
For a person made of signs
No big ending
No goodbye
Just your silence
Wearing a tie
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I stopped calling
You stayed right on time
CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Assembly Line Ghost
Shards of Noon
Assembly Line Ghost
Shards of Noon
CREDITS
Performer: Shards of Noon
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Ya No Me Duele
Camila Reyes
Verified Artist
Camila Reyes
Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.
Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.
Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.
Ya No Me Duele
Camila Reyes
Ya no me tiembla la taza del té
cuando tu nombre se cruza en mi piel
La casa cruje igual que ayer
pero mi sombra ya no te ve
Dejé tus cartas en el alfeizar
el viento sabrá si las quiere llevar
Mis manos no piden no quieren cerrar
lo que no abraza… no vuelve a entrar
Ya no me duele
ni tu voz ni tu eco
El silencio en mi mesa
es mejor que tu juego
Ya no me duele
ni la flor ni el invierno
Yo me quedo de pie
y tú te vas con el viento
Me dolió
pero no me rompió
Ya no me duele
ni el reloj ni el destino
Mis pasos no buscan
ya tienen su camino
CREDITS
Performer: Camila Reyes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Faded Picture of Us...
Greta Falk
Verified Artist
Greta Falk
Meet Greta Falk - a woman who writes letters to the world in the form of melody, one coffee cup at a time. Best known for her achingly beautiful duet, "Faded Picture of Us (Nova Grip)", Greta's music dares you not to feel.
Once a humble barista, Greta swapped her Americano for Allegros, her caramel macchiato for concertos. Working the espresso machine in a little café back in her hometown, she spent her spare time spinning a web of storytelling, uncovering the lyrical undercurrents in the daily grind of coffee beans. Vienna was just a faded picture on a postcard then, an elusive dream that seemed light years away.
Greta's big break came after an impromptu performance in the café, grabbing the heartstrings of a customer who happened to be a music producer on a caffeine kick. Next thing she knew, she was packing her passport alongside her piano sheet music. Soon after settling in Vienna, Greta would tie the knot with the city and her newfound love. So if you thought romance was only found in a Vienna coffee house with a slice of Sachertorte, allow “Faded Picture of Us (Nova Grip)” to change your mind.
In a world where pop music often relies on sugar-coated hooks, Greta Falk’s songwriting serves up a double espresso – unflinching, raw, and undeniably addictive. So here's to Greta, crafting symphonies one coffee bean — I mean note, at a time. This woman not only proves that it's never too latte to follow your dreams but also that behind every successful artist, there’s substantial amount of caffeine. Greta definitely knows her art just as well as her coffee art!
Faded Picture of Us (Nova Grip)
Greta Falk
Yeah (Yeah)
Yeah (Ooh ooh)
Yeah
Oh oh uh-huh
(Whoo)
I thought I was done with you mmh
Then I read the messages (Ooh ooh) I
(Fell out yesterday just to slide for you)
Baby days just go on
I need a time machine for us (Slide for you)
(fallen out yesterday just to slide for you)
Again it's a feeling it won't last
(Ah ah ah ooh)
A faded picture from the past
(Ah ah ah ah)
Girl my heart won't lie
(Ah ah ah ah)
Every time I close my eyes (Yeah)
it's on my mind
Another chapter that's gone
World stops spinning yet life goes on
Girl days just come and go (Ooh ooh)
We can't get back I need a time machine ah
Again (Oh) it's a feeling it won't last (Ooh)
(Fell out yesterday just to slide for you)
A faded picture from the past
Girl my heart won't lie
(Fallen out yesterday just to slide for you)
Every time I close my eyes (Yeah) it's on my mind
Again (Yeah) it's a feeling it won't last
(Fell out yesterday just to slide for you)
A faded picture from the past (I miss you girl)
Girl my heart won't lie (Yeah)
Every time I close my eyes (Yeah) it's on my mind
A long time (Ooh ooh) it's a long time comin'
I've waited in the doorway for you
Till the end of time (Oh) I'll be yours forever
My best friend in another life
Again (Oh) it's a feeling it won't last (Ooh)
A faded picture from the past (Ah)
Girl my heart won't lie (Ah)
Every time I close my eyes (It's been a long time girl)
Again (Oh) it's a feeling it won't last
A faded picture of our past (Ooh)
Girl my heart won't lie
Every time I close my eyes it's on my mind
(It's been a long time)
CREDITS
Performer: Greta Falk
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.