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Secondhand Alibi
Romeo Vane
Verified Artist
Romeo Vane
"Romeo Vane: at the ripe age of 25, this American pop-rock comet is shooting across the Alternative universe, spreading hope with doses of edgy authenticity. Born and bred in the sonic heartland of the Windy City, he’s a Chicagoan with an unapologetic knack for compelling narratives and an obsession for truth.
Whether it's life's sharp corners or the soft bruises of love, Romeo Vane's got a knack for rolling them into tunes that blend breezy alt-rock melodies with the raw, gritty flavor of pop. His stage name isn't for show; Romeo comes with a romantic bravado that'd make Shakespeare blush, and the barbed tongue of a true Windy City native. Just tune into "Kiss Me When I'm Lying" - it's less of a song, more a rollercoaster ride through hope, heartbreak, and hilariously serious self-deprecation.
Despite his youth, he's seen more than enough of life's ups and downs, packaging the human experience into easily digestible nuggets of melodic wisdom. Romeo Vane’s music is the kind that makes you call your ex at 2 a.m., cry a little, laugh a lot, and still believe in the dream of a better dawn. Now, how's that for a self-made, alternative songwriter from the city that never sleeps?"
Secondhand Alibi
Romeo Vane
I found it in a Sunday ad
Between a sofa and a wedding band
“Barely used no questions asked”
The seller wore a borrowed name
He said it worked on jealous hearts
On hotel clerks and parking guards
I paid in cash he wished me luck
Then vanished before the light changed
I practiced every detail
The hour the street the rain
But truth has lousy manners
It keeps interrupting names
I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine
I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine
I said the train was running late
You knew that line from ’98
I blamed a man I’d never met
You said “At least invent him well”
I moved the evening half an hour
Changed the bar replaced the car
By then the lie had better shoes
And more ambition than the truth
I gave it dates and weather
A witness and a scar
You watched me build the ceiling
Then asked where the foundations are
I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine
I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine
Mine on Monday
Mine by five
Mine when I need
Someone else to survive
The seller called at 2:13
Said “That excuse belongs to me”
I told him he could have it back
He laughed and said “You made it yours”
You poured your drink into the sink
Not angry almost entertained
You said “The worst part isn’t this
It’s how rehearsed you look in pain”
So here’s the part I didn’t buy
No clever date no useful guy
I stayed because I liked the risk
I left because you noticed it
No missing train no broken phone
No nameless friend to take the blame
I wanted two incompatible things
And called confusion by your name
I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me why
Now every version sounds like mine
I bought a secondhand alibi
But guilt was never in the price
Keep the story keep the night
Every version sounds like mine
The truth was sitting in the car
Patient as an unpaid fare
I opened up the passenger door
It said “You took your time”
CREDITS
Performer: Romeo Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Waves of Laughter
Common Holiday
Verified Artist
Common Holiday
Common Holiday is an independent music project crafted by Berlin-based artist Sam Turner, whose vibrant soundscape blends folk, indie, pop, and rock into an energetic tapestry. With a passion for storytelling through music, Sam wields his acoustic guitar to create playful melodies that invite listeners to embrace the joy of life’s little moments. His catalog showcases a compelling blend of bright major keys and lively rhythms, encapsulated in tracks like "Waves of Laughter," where the warmth of analog tape meets playful instrumentation, from strummed guitars to the buoyant tones of trombone and violin.
Growing up surrounded by diverse musical influences in the heart of Berlin, Sam found inspiration in the city’s rich cultural scene. He began writing songs as a means to express his experiences and emotions while fostering connections with others. The collaborative spirit of Berlin brought together like-minded musicians who shared his vision, leading to a creative partnership that would eventually shape Common Holiday. Together, they craft songs that resonate with an uplifting energy, encouraging listeners to dance away their worries and celebrate life’s joys.
"Waves of Laughter" perfectly embodies the essence of Common Holiday's ethos—spreading optimism and connection through music. The track's playful singalong quality draws audiences in, providing a sense of community and shared experience. As Sam continues to develop his artistic identity, expect more tracks that fuse heartfelt lyrics with high-energy production, inviting everyone to join in the uplifting journey he offers through his music.
Waves of Laughter
Common Holiday
Got my feet up sun on my face
Life is a ride let’s pick up the pace
With a strum of the guitar the world feels right
Let’s dance on the clouds from morning till night
LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!
Running through fields with laughter in tow
A violin sings as we steal the show
Time is a game we play it so bright
With every note played we’re taking flight
LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!
LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!
CREDITS
Performer: Common Holiday
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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One More Day
Dani T
Verified Artist
Dani T
A hidden gem in the bustling indie music world, Dani T is so underground you'll need a shovel to find him. Born among the spinning disco balls of Transylvania, Romania, this mirthful music alchemist knows how to glitter in the dark.
With his effervescent concoction of synth-laden dance beats, Dani T brings the Transylvanian nightlife to your speakers of choice. His infectious track, "One More Day," is just like garlic to a vampire—utterly irresistible and heating up dancefloors faster than Dracula racing to his coffin at sunrise.
Dani T's talent lies in his ability to infuse his tracks with a joy so potent it could charm a sullen ghoul out of a funk. His music doesn't just evoke happiness—it practically puts it on steroids, glitters it up, and sends it spinning out into the world with a bass-pounding emphasis.
The ghosts of Dani T’s concert crowd may lack a pulse, but trust us, they know how to party. So why stake your heart on mainstream artists when you can sink your teeth into Dani T’s deliciously diverse dark dance tracks? Hop on the next night train to Transylvania, and give Dani T's music a fangtastic whirl.
One More Day
Dani T
You gotta get up now
And take a breath
There's no stopping
No slowing
Until the day of your death
It's a rollercoaster
A crash
A fall from grace
A 180 turnaround
A miracle
And it's in your face
Just open your eyes
And look around
You get one more day
One more night
One more chance to make it right
One more dream
One more life
One more shot to fly
You can take it
You can leave it
The choice is yours
You can believe it
You can be it
You can be sure
It's a highway
It's a journey
A road unpaved
It's your life
It's your turn
And it's calling your name
Just open your eyes
And look around
You get one more day
One more night
One more chance to make it right
One more dream
One more life
One more shot to fly
One more day
One more night
One more chance to make it right
One more dream
One more life
One more shot to fly
CREDITS
Performer: Dani T
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Keep Me In That
Adam Lamo
Verified Artist
Adam Lamo
Feeding off the neon pulse of Las Vegas, Adam Lamo has boogie-wired our hearts to irresistible dance beats like no one else. His music is more infectious than a hangover from an all-night disco party, and just as unforgettable.
Picture this: a youthful Adam, prowling the technicolor streets of Vegas, the city's rhythm flowing through his veins like liquid gold. With "Keep Me In That", Lamo masterfully bottled that dazzling, Frank Sinatra meets Calvin Harris vibe. The beats are sunnier than a Vegas summer heatwave and guaranteed to lift any moody blackjack player off their stool and onto the dancefloor.
Mr. Lamo whips up melodies that make choosing to sit out not an option, but a crime against fun itself. His music's joy factor hits harder than a final-round knockout; it's not just dance, it's happiness in audio form. Consider yourselves officially warned: surrender to the irresistible allure of Adam Lamo's beat, or risk a lifetime of being a total party pooper. Our lad from Vegas didn't just show up; he's here to make us dance 'til sunrise and beyond.
Keep Me In That
Adam Lamo
Strangers in the backseat city hum’s a lullaby
Silhouettes in rearview glass fading with the sky
No confessions just the tension
Sipping on a moment we won’t define
And I pull the static closer
Your eyes say more than closure
Burning through the calm again—mmm ahh—yeah
We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state
Tuned to our own channel we’re no one's broadcast
We don't leave trails only moments that last
No compass no plans
Just two outliers with no demands
Every glitch is gold tonight
We’re wired for the fight or flight
Touch like gravity—hmm—aah—pulls me right
We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state
No rewind just loops we bend
Every second a means not the end
Not broken—just bent in rhythm
Hah—mm-mm—hah
Cold air warm static—
No words left just the habit
[Final Chorus]
We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state—woah
CREDITS
Performer: Adam Lamo
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Things I Never Said
Bruno Galvez
Verified Artist
Bruno Galvez
Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.
To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.
He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.
Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.
Things I Never Said
Bruno Galvez
I kept your name in a quiet drawer
Where I hide the things I can't restore
Every word I wrote I burned unread
I'm still haunted by the things I never said
I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said
[Guitar Break]
I smiled like silence was my friend
But silence never helps in the end
You touched my back I turned instead
And buried deep the things I never said
I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said
[Instrumental Break]
There were nights I danced just to forget
Lips on mine but no regret
Still I feel you in my breath—
A ghost that never left
[Final Chorus]
I didn't scream I let you go
But now the quiet hurts me more
I should’ve loved I should’ve pled
Instead I kept the things I never said
CREDITS
Performer: Bruno Galvez
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Old Good Days
Calvin Ray Monroe
Verified Artist
Calvin Ray Monroe
Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.
Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.
"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.
So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.
Old Good Days
Calvin Ray Monroe
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag
On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right
Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing
All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff
I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me
I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me
I'm in this place with the people
That told me I couldn't do it
But now I be doing me
I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind
I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"
CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call Me Expensive
Fonx Prime
Verified Artist
Fonx Prime
Fonx Prime is an emerging artist from London, known for his infectious blend of funk and pop that captures the vibrancy of the city’s music scene. Currently honing his craft as a conservatoire student, Fonx brings a youthful exuberance to his work, drawing inspiration from both classic influences and contemporary trends. His debut track "Call Me Expensive" showcases this dynamic approach, effortlessly merging upbeat rhythms with playful lyrics that resonate with themes of hope and confidence.
With a sound that is both energetic and uplifting, Fonx's music invites listeners into a world where joy is paramount. Each composition reflects his ability to create engaging melodies that linger in the mind long after the last note fades. Beyond the lively grooves of "Call Me Expensive," future releases are expected to expand upon this tapestry, exploring the interplay between funk-driven beats and pop sensibilities while maintaining an overall sense of optimism.
Fonx Prime’s artistic identity is rooted in authenticity, as he embraces his journey with sincerity and passion. His music not only serves as a reflection of his personal experiences but also invites audiences to celebrate life’s moments of happiness and playfulness. As he continues to develop his catalog, Fonx aims to connect with fans through relatable themes and an infectious energy that encourages everyone to embrace their individuality.
Call Me Expensive
Fonx Prime
Ow
Mm
Don’t act cheap with my heart
You got style
But you talk too much
You got taste
But you rush too much
I don’t need
A golden key
I just need
You next to me
No long speech
No big parade
Just that look
That you can’t fake
You say maybe
I say no
Pick a side
Or let me go
I’m not hard to love
I’m hard to fool
You play so sweet
But I know you
If you want my time
Spend it right
Don’t bring drama
To my Friday night
Call me expensive
Call me too much
Call me whenever
You need real love
Call me electric
Call me your type
Call me before you
Change your mind
You don’t need money
You need attention
I don’t want diamonds
I want intention
Call me expensive
Baby that’s fine
Cheap talk never
Gets my time
You wear cool
Like a second skin
But I see nerves
When I walk in
You try smooth
I try honest
You want games
I want promise
Don’t send flowers
Send the truth
I got better
Things to do
You say maybe
I say please
Don’t waste rhythm
On your knees
I’m not hard to love
I’m hard to fool
You play so sweet
But I know you
If you want my time
Spend it right
Don’t bring drama
To my Friday night
Call me expensive
Call me too much
Call me whenever
You need real love
Call me electric
Call me your type
Call me before you
Change your mind
You don’t need money
You need attention
I don’t want diamonds
I want intention
Call me expensive
Baby that’s fine
Cheap talk never
Gets my time
Less conversation
More dedication
Less explanation
More demonstration
I don’t need perfect
I don’t need rich
I need somebody
Who knows what this is
Say it cleaner
Stand up straighter
Love me now
Or miss me later
Call me expensive
Call me too much
Call me whenever
You need real love
Call me electric
Call me your type
Call me before you
Change your mind
You don’t need money
You need attention
I don’t want diamonds
I want intention
Call me expensive
Baby that’s fine
Cheap talk never
Gets my time
Ow
Don’t act cheap with my heart
Call me expensive
That’s a good start
CREDITS
Performer: Fonx Prime
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Margin of Error
Susan Hall
Verified Artist
Susan Hall
Susan Hall emerges from the vibrant backdrop of New York City, where late-night writing sessions fuel her introspective explorations into the human experience. Infusing elements of Lo-Fi, Pop, and Trip-Hop, Susan crafts soundscapes that oscillate between playful and melancholic. Her track "Margin of Error" encapsulates this duality, featuring smoky vocals layered over a pulsating sub-bass and ethereal Fender Rhodes chords. With a penchant for the poetic, her lyrics explore themes of longing and uncertainty, often wrapped in an enigmatic embrace that resonates deeply with listeners.
The sonic threads within her catalog weave together a compelling narrative, each track a reflection of her artistic identity marked by subtle contrasts. From the dark trip-hop influences that shape her beats to the epic yet intimate moods she conjures, Susan's music reveals a world where vulnerability meets resilience. With tracks like "Margin of Error," she invites audiences to navigate through the shadows of love and loss while offering an unexpected playfulness that lingers long after the last note fades.
Margin of Error
Susan Hall
You filed my name under maybe
Kept one hand near delete
Your sentences came pre-approved
Every promise wore a barcode
I read the terms across your face
A firm refusal dressed as grace
You kept my number off the page
Then called it love at your own rate
I learned the cost of being near
A private charge renewed each year
Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss
Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased
You wore affection like a pass
Valid until somebody asked
My place was marked with pencil lead
Easy to alter hard to read
You built a room from access codes
The door unlocked when you chose
I left the key beside your name
No final speech no claim to blame
Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss
Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased
I was never hard to measure
You preferred uncertain scales
A person turned to useful data
A pulse reduced to monthly sales
Now every digit has an owner
Every loss can state its cause
You can keep your perfect record
I have left your private laws
Call me your margin of error
The number you rounded to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
The flaw that refused to behave
Cross out the file marked as maybe
I won’t be useful then erased
Delete my name from your system
The error has learned its own weight
CREDITS
Performer: Susan Hall
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Crossed Wires
Liora Penn
Verified Artist
Liora Penn
Liora Penn is a captivating UK garage pop singer whose music deftly combines crisp rhythmic delivery with an emotionally charged melodic style. Her approach to two-step grooves showcases a natural affinity for movement, inviting listeners to engage both physically and emotionally. With an emphasis on precise hooks, Liora crafts songs that resonate with a relatable authenticity, reflecting the complexities of modern relationships. This connection between her lyrics and the listener's personal experiences forms the backbone of her artistic identity.
Her standout track "Crossed Wires" epitomizes her signature sound, seamlessly blending dance, electronic, and pop elements into a bittersweet yet energetic offering. The playful undertones in her production enhance the emotional depth of her storytelling, inviting audiences to explore themes of love, miscommunication, and introspection. Liora's collaborative relationship with producer Hakan E. has further polished her contemporary sound, ensuring each release maintains a fresh and vibrant edge while anchoring it firmly within the UK garage pop landscape.
As Liora continues to evolve as an artist, her catalog promises to expand on the themes of connection and emotional honesty that define her work. By navigating the interplay between upbeat rhythms and more contemplative lyricism, she invites listeners into a world where every beat carries significance. Whether dancing in celebration or reflecting in stillness, fans find a piece of themselves within Liora's music, making her an essential voice in today's independent music scene.
Crossed Wires
Liora Penn
You call at two I miss by one
Two small signals come undone
Your name glows blue across my phone
I read it twice then walk back home
A simple word arrives too late
A second chance meets a closing gate
We keep our pride on separate lines
Then blame bad luck for broken signs
One step left one step right
Same small spark on different nights
Say it plain cut through noise
Give this feeling back its voice
Crossed wires crossed wires
Every message feeds the fire
You say stay I hear goodbye
We lose truth between reply
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here
Your friends say wait mine say move
None of them can choose our truth
We trade three dots then let them fade
A tiny war that we both made
I know your habits you know mine
How we turn care to warning signs
So drop that script forget who wins
Let one good sentence pull us back again
One step left one step right
Same small spark on different nights
Say it plain cut through noise
Give this feeling back its voice
Crossed wires crossed wires
Every message feeds the fire
You say stay I hear goodbye
We lose truth between reply
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here
No coded phrase no careful pose
Say what hurts and what still grows
I can take an honest line
If you can take this heart of mine
Crossed wires crossed wires
Now we cut across that fire
You say stay I hear it right
We choose us and end this fight
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here
CREDITS
Performer: Liora Penn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Soft Machines
Taulk
CREDITS
Performer: Taulk
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Corazón en la Calle
Zaharela B
Verified Artist
Zaharela B
Zaharela B is a vibrant Latin artist whose music radiates the energy of the dancefloor and the streets alike. Born in San Juan, Puerto Rico, and raised between the Caribbean and Miami, she blends the infectious grooves of reggaeton with the warmth of Latin pop and the bold flair of carnival rhythms. Her sound is a celebration of movement, culture, and joy—rooted in tradition yet unapologetically modern.
Her debut single, Corazón en la Calle, bursts with a reggaeton/dembow pulse, playful sound effects, and call-and-response hooks that pull listeners straight into the party. Switching effortlessly between Spanish and English, Zaharela B brings an unmistakable charisma to every lyric, making her performances feel like a shared celebration.
Available exclusively on Filodyo, Zaharela B’s music is more than just a soundtrack for dancing—it’s an invitation to let go, live in the moment, and move with the beat. With her magnetic presence and unstoppable energy, she’s poised to become a defining voice in the next wave of Latin dance music.
Corazón en la Calle
Zaharela B
Beep beep!
Vamos vamos!
Corazón en la calle woo!
Sun on the roof heat on the floor
Boots on the ground crowd wants more
Clap to the beat hips in time
Every little step feels so divine
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Drums in the air bass in my veins
Sweat in the night dance in the rain
Spin to the left slide to the right
Every little move feels like flight
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Beep beep!
Let’s go!
Clap clap!
Go low!
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
CREDITS
Performer: Zaharela B
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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