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Radio Trottoir
No Be Me
Verified Artist
No Be Me
No Be Me is an Afro-pop collective built around rhythm, mischief and stories that travel faster than facts. Their songs follow barbers, drivers, aunties, shopkeepers and accidental witnesses through everyday neighbourhood dramas, turning overheard remarks into sharp, danceable narratives. Led by a warm male storyteller and supported by four tightly arranged studio voices, the group blends Afrobeats percussion, highlife guitar, elastic bass and dry humour without relying on spectacle.
Their first single, “Radio Trottoir,” introduces a world where one careless “maybe” can acquire a wedding date, two witnesses and a catering budget before lunchtime. No Be Me treat gossip as social choreography: funny, dangerous, generous and impossible to control. Their music is polished but human, playful without becoming novelty, and rooted in the idea that the best stories rarely belong to the person who started them.
Radio Trottoir
No Be Me
Eight-oh-five by Saint Michel
Kola had a cake box under one arm
one red shoe in the other hand
He said “My aunt turns sixty”
I heard “aunt” “cake” and “Saturday”
and supplied the missing cinema myself
At Idris’ barbershop I said
“Maybe the man is getting married”
Idris did not repeat my sentence
He gave it catering witnesses
and a cousin arriving from Marseille
with three phones and firm opinions
By nine-fifteen the taxi rank knew the venue
By ten the tailor had chosen gold
By eleven Auntie Binta had named two children
Kola was still looking for candles
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
At one he had married the mayor’s niece
At two he had bought a flat in Lisbon
At three he had left her for a singer
whose name nobody could pronounce
At four the church committee wanted answers
about a generator no one had lost
At five I tried to stop the story
That became “He knows more than he is saying”
At six my mother called me:
“Wear something decent
Apparently you are giving the speech
And bring your own chair”
I found Kola beside the pharmacy
still carrying the same red shoe
The cake was for Aunt Mariam
The shoe had fallen from her shopping bag
He stared at me for seven quiet seconds
then asked who I planned to marry
I laughed exactly once
That was my second mistake
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
I went home to hide from the bulletin
My neighbour had prepared rice
My sister said a woman named Celeste
had accepted me on my behalf
Who is Celeste? Nobody knows
She may be a dentist
She may be in Dakar
She may have started at Idris’ second chair
My mother likes her already
She says Celeste sounds responsible
There are now two cakes in the kitchen
Neither one belongs to Kola
Wetin happen?
Ask the barber
Who start am?
No be me
Where proof dey?
It left by taxi
Can you stop am?
You fit try
Radio trottoir radio trottoir
no antenna no editor no brakes
By sunset Kola ran the ministry
by midnight I was cutting a second cake
Radio trottoir radio trottoir
every correction opens another branch
I only said “Maybe he is getting married”
Now Celeste is discussing curtains with my aunt
Kola brought the candles
My mother served the rice
Idris arrived with invitations
No be me
CREDITS
Performer: No Be Me
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Almost Beautiful
Sand Castle of Ma
Verified Artist
Sand Castle of Ma
Sand Castle of Ma is a vibrant four-member indie rock band hailing from the lush landscapes of Seattle. The group, consisting of the charismatic vocalist Eli Stratton, guitarist Finn Mercer, bassist Leo Keene, and drummer Jasper Quinn, formed in a local coffee shop where they bonded over their mutual love for music and the arts. With their diverse backgrounds and experiences, each member brings a unique flavor to the band’s collective sound, creating a harmonious blend that resonates deeply with listeners.
The band’s debut track, "Almost Beautiful," captures the essence of their style—an exploration of the complexities of beauty and imperfection. Drawing on themes of introspection and emotional depth, Sand Castle of Ma weaves together melodic guitar lines with earnest lyrics that invite listeners to reflect on their own experiences. Their sound artfully combines influences from classic rock and contemporary indie styles, allowing them to carve out a niche that feels both fresh and familiar.
As they continue to evolve, Sand Castle of Ma aims to expand their catalog with more tracks that reflect their evolving identity. The chemistry among Eli, Finn, Leo, and Jasper fuels their creativity, promising an exciting future filled with dynamic performances and heartfelt music. With a growing fanbase and a distinctive sound, they are quickly becoming a notable presence on the indie rock scene.
Almost Beautiful
Sand Castle of Ma
Yeah
Almost beautiful
You left your shadow
On the passenger side
Like a quiet ending
At a red street light
I kept the moment
But I lost the weight
Of waiting for something
That was already late
Now days feel lighter
When the hope runs out
I hear my own voice
A little less loud
And I don’t hate you
That takes too much room
I just stopped turning
The sky into you
Maybe we were young
Maybe we were tired
Maybe love got lost
Somewhere in the wires
I don’t need a reason
I don’t need a sign
I just need tonight
To feel like mine
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
I saw your name
On a screen last night
It didn’t hurt me
Like I thought it might
Just a small old feeling
Passing through
Like a song from a car
That never stops for you
I walked for hours
Under changing signs
No big confession
No perfect line
Just a quiet freedom
I never planned
Like letting go
Without using my hands
Maybe we were close
Maybe we were blind
Maybe love looks better
From the other side
I don’t need an answer
I don’t need a fight
I just need my heart
To sleep tonight
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
I won’t call it wasted
I won’t call it wrong
Some people are chapters
That read too long
I won’t make you guilty
I won’t make me small
We were almost something
And that’s something after all
Almost beautiful
Almost true
Almost everything
I wanted with you
Almost beautiful
Almost gone
I can still remember
But I can move on
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
Mm
Almost beautiful
Losing you
CREDITS
Performer: Sand Castle of Ma
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Same Room
Maren
Verified Artist
Maren
Maren is a European pop and deep house vocalist whose music blends emotional clarity with sleek, radio-ready production. Her sound is built on warm lead vocals, airy harmonies, bright Rhodes chords and subtle club energy, but what sets her apart is the writing. Instead of leaning on big dramatic gestures, she focuses on the smaller truths inside a relationship, the routines, pauses and unfinished conversations that often say more than the loud moments ever could. Her songs feel intimate and modern at the same time, polished enough for pop playlists but grounded in real-life detail.
On Same Room, Maren captures the strange comfort of a relationship that never fully breaks apart, no matter how many times it seems to end. The track wraps that feeling in a glossy 122 BPM deep house production, pairing a warm lead vocal with soft female harmonies and a hook that feels both uplifting and a little bittersweet. It is a strong example of her style, emotionally observant, melodically clean and effortlessly listenable, with a sense of maturity that gives the song lasting weight beneath its bright surface.
Same Room
Maren
You put your keys down like a question
I answer with the kettle on
Nine months of near-misses in a hallway
Nobody packing nobody gone
I could name the exit
I could find it in the dark
But something in the wiring
Keeps me right where you are
We keep ending up in the same room
Different city same weather same June
Say it's over then we say it too soon
We keep ending up in the same room
(same same same room)
(same same same room)
Your sister asks me if I'm happy
I tell her happy is not the word
It's more like knowing where the light switch is
When everything else has moved
I could name the exit
I could find it in the dark
But something in the wiring
Keeps me right where you are
We keep ending up in the same room
Different city same weather same June
Say it's over then we say it too soon
We keep ending up in the same room
Maybe love is not the lightning
Maybe love is the ground it hits
Maybe I have been holding out for something
When I already had this
We keep ending up in the same room
Different city same weather same June
Say it's over then we say it too soon
We keep ending up in the same room
(same same same room)
Say it's over then we say it too soon
CREDITS
Performer: Maren
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Catastrofe
Ra Rauw 42
Verified Artist
Ra Rauw 42
Ra Rauw 42 is a Berlin-based hip hop trio redefining what underground sound means in the heart of Europe. Formed in 2022, the group brings together three contrasting forces: Jonas “JZ” Klinke, a battle-scarred lyricist raised on Neukölln’s street corners; Felix “Nebula” Brandt, an analog synth hoarder with a soft spot for East German radio textures; and Lina “Vel” Morgenstern, a conservatory dropout whose icy vocals and haunting hooks give the group its signature edge.
Their paths crossed at a chaotic warehouse rave in Friedrichshain. JZ was freestyling through the fog machine, Nebula hijacked the aux cable to drop a grime bootleg, and Vel—originally just photographing the night—ended up singing the hook that silenced the crowd. That spontaneous moment led to their first studio session, where “Catastrofe” was born.
“Catastrofe”, their explosive debut single, dropped exclusively on Filodyo, bypassing traditional platforms in a deliberate move to keep their sound raw and uncensored. It’s not just a song—it’s a signal. Ra Rauw 42 isn’t asking for attention. They’re taking it.
Catastrofe
Ra Rauw 42
Ra-Rauw
Raul Alejandro
Austin Baby
Chris Jedi
Gaby Music
Dime
Baby
I don't think I'll survive until the weekend
She wants me to become vegan
Your girlfriend
My favorite stripper
She's a little prettier
But just as toxic as you
I met you at a club in Medellin
I wanted to put you in a Lamborghini (Woh woh woh woh)
'Cause she's a party girl (Party girl)
And I gave her a pill (I gave her a pill woh)
I just have a message for you (Message)
I don't want to see you again
Have a good life (Have a good life)
I hope you lose your wallet (Hope you lose your wallet)
And you cry over every song (Oh my God)
I hope you run out of gas (Gas)
Your favorite song gets deleted (Gets deleted)
And your flight gets canceled (Gets canceled)
And you have a catastrophic night (Catastrophic night)
I hope you get a flat tire (Flat tire)
Your period is delayed for ten days (Delayed for ten days)
And your favorite tequila gets spoiled (Gets spoiled)
And you have a catastrophic night (And you have a catastrophic night)
Catastrophic night
Catastrophic night
Catastrophic night
I don't think I'll survive until the weekend (Until the weekend)
She wants me to become vegan (Vegan)
Your girlfriend
My favorite stripper (Oh my God)
She's a little prettier
But just as toxic as you (Baby)
I met you at a club in Medellin (Medellin)
I wanted to put you in a Lamborghini (Lamborghini)
(Woh woh woh woh)
'Cause she's a party girl (Party girl)
And I gave her a pill (Gave her a pill woh)
(Oh oh oh)
(Oh oh oh)
I just have a message for you (Message)
I don't want to see you again
Have a good life (Have a good life)
I hope you lose your wallet (Hope you lose your wallet)
And you cry over every song (Oh my God)
I hope you run out of gas (Gas)
Your favorite song gets deleted (Gets deleted)
And your flight gets canceled (Gets canceled)
And you have a catastrophic night (Catastrophic night)
I hope you get a flat tire (Flat tire)
Your period is delayed for ten days (Delayed for ten days)
And your favorite tequila gets spoiled (Gets spoiled)
And you have a catastrophic night (And you have a catastrophic night)
Catastrophic night
Catastrophic night
Catastrophic night
And you have a catastrophic night
(And you have a catastrophic night)
Catastrophic night
Catastrophic night
Catastrophic night
And you have a catastrophic night
And your favorite tequila gets spoiled
Catastrophic night
Catastrophic night
Catastrophic night
And your favorite tequila gets spoiled
CREDITS
Performer: Ra Rauw 42
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fire When You Move
Rina
Verified Artist
Rina
Rina is a Colombian singer whose sound blends tropical pop, Latin soul, and effortless beachside energy. Raised around rhythm, color, and movement, she turns sun-soaked emotion into songs that feel intimate, bold, and unforgettable.
Known for her magnetic presence and warm, expressive voice, Rina creates music that celebrates freedom, friendship, and feminine confidence. Her image is vibrant and modern, yet grounded in the spirit of the coast, where joy and storytelling meet in every performance.
Now featured on Filodyo, Rina represents a fresh wave of Latin artistry with global appeal. Whether she is performing on stage or captured in moments like this by the sea, she brings charisma, authenticity, and a sense of escape to everything she does.
Fire When You Move
Rina
Boy you come around like you own the scene
Talking like you know what my body means
You play the trouble like a sweet routine
Acting like a king with a lost crown dream
Every time you step you distort my plan
But you disappear when I reach your hand
I won’t fall just ’cause you say my name
If you want more show me you can claim
I’m not a prize for your little game
Give me something real or stay in your lane
If you want my fire light it with truth
I don’t dance for someone who hides the proof
If you want my rhythm move with no fear
I can give you something you’ll keep for years
If you want my fire light it with truth
Don’t come closer if you’re gonna dilute
You keep staring like you want the cue
But you lose your courage when I look at you
You say you’re ready but you hesitate
Talking pretty words that evaporate
You push the story but you lose the plot
Boy I know your type and I know what’s not
I won’t fall just ’cause you say my name
If you want more show me you can claim
I’m not a prize for your little game
Give me something real or stay in your lane
If you want my fire light it with truth
I don’t dance for someone who hides the proof
If you want my rhythm move with no fear
I can give you something you’ll keep for years
If you want my fire light it with truth
Don’t come closer if you’re gonna dilute
You keep staring like you want the cue
But you lose your courage when I look at you
I’m not here to bend for a fragile vow
If you want a chance better take it now
I won’t chase the words that you rearrange
If you want my spark then you gotta change
If you want my fire choose what you do
’Cause the moment’s burning — and it’s up to you
CREDITS
Performer: Rina
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Between the Sands
Aeroglyph
Between the Sands
Aeroglyph
You moved like silence
Through a city I never named
I watched you from behind my eyes
But you never turned again
You whispered through closed doors
I answered with my breath
Some things are born too quiet
To survive the weight of steps
Time doesn’t fold it floats
Like fabric on your hands
We never chose this ending
We just… ran out of plans
If I find you again
Would you know who I became?
All that sand between our feet
Can’t hold the same name
CREDITS
Performer: Aeroglyph
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Phase Meridian
Wires and Petals
Verified Artist
Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.
Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.
Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.
Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Phase Meridian
Wires and Petals
CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Desert Frequency
Alia Bergen
Verified Artist
Alia Bergen
Alia Bergen, an emerging name in the vibrant dance music scene of Amsterdam, weaves together elements of house and electronic with a distinctly intimate touch. With her warm analog bass lines and punchy kick patterns, Alia invites listeners into her sonic world, where airy vocals dance over lush stereo pads and subtle piano stabs create an enveloping atmosphere. Her latest track, "Desert Frequency," embodies this spirit, coupling hopeful and playful themes with evolving textures that pulse with life. The organic darbuka grooves layered beneath modern house rhythms add a unique rhythmic complexity that sets her apart.
Hailing from a background steeped in musical exploration, Alia began her journey by collaborating with local musicians who shared her passion for combining traditional sounds with contemporary beats. Their initial meetings at open mic nights sparked a creative partnership that would lead to the formation of her solo project. Each track in her catalog, including future releases poised to build on the success of "Desert Frequency," explores themes of connection and intimacy, often capturing fleeting moments with poetic lyricism that resonates deeply with her audience.
In Alia's music, every sound serves a purpose—whether it's the shimmering plucks that evoke a sense of wonder or the playful slaps that drive the energy forward. Her ability to blend sensuality with inspiration creates an inviting landscape for listeners, making them feel as if they are part of an unfolding narrative. As she continues to develop her craft and refine her artistic identity, Alia Bergen remains committed to producing tracks that inspire joy and connection through rhythm and melody.
Desert Frequency
Alia Bergen
Glass on the shoreline
Silver on skin
The night keeps folding
As the rhythm pulls us in
Every street is breathing slower
Windows shimmer then disappear
You don't have to say forever
You're already here
One more step
One more spark
One more pulse across the dark
No destination
Only motion
Floating where the bass begins
Higher
Take me where the skyline bends
Higher
Nothing has to make sense
We move
Like the tide beneath the light
Higher
Till tomorrow loses sight
Dust rises softly
Under every heel
Ancient echoes
Wrapped in something new and real
Hands cut circles through the silence
Every heartbeat shifts its place
No one owns this second
No one leaves a trace
The air keeps turning
Round and round
Every shadow finds a sound
No gravity
No history
Just the rhythm underneath
We don't chase the sunrise
We become the color
One breath
One horizon
Nothing louder
Higher
Lift the night above the ground
Higher
Feel the silence singing loud
We move
Where the desert meets the sea
Higher
You and the frequency
Higher
Only the frequency
CREDITS
Performer: Alia Bergen
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Groove It, Move It
Jaxon Bold
Verified Artist
Jaxon Bold
Straight out of Brooklyn, New York, Jaxon Bold is a modern funk sensation with an undeniable flair for rhythm and charisma. Growing up in the bustling city, Jaxon absorbed the sounds of funk, soul, and hip-hop that filled the streets, weaving them into a style that feels both nostalgic and refreshingly new. His music radiates energy, blending old-school grooves with contemporary beats to create infectious tracks that demand you hit the dance floor.
Jaxon’s debut single, "Groove It, Move It," released through Filodyo Records, is a high-energy celebration of music, movement, and freedom. With its slapping bassline, smooth brass hits, and Jaxon’s signature raspy-yet-powerful vocal delivery, the song immediately turned heads in the funk and dance music scenes. It’s a track that captures the essence of Jaxon Bold: unapologetically vibrant and impossible to ignore.
Jaxon cut his teeth performing in underground clubs across New York, refining his electrifying live presence. His shows are more than concerts—they’re experiences, complete with dazzling stage lights, live instrumentation, and choreography that feels like a throwback to funk’s golden era. Fans have dubbed him the “King of Brooklyn Groove,” a title he wears proudly as he continues to represent the city’s vibrant music scene.
With his debut album on the horizon, Jaxon Bold is leading the charge to bring funk back to the forefront, one irresistible groove at a time. From his magnetic stage presence to his chart-worthy tracks, Jaxon is proof that funk isn’t just alive—it’s thriving.
Groove It, Move It
Jaxon Bold
We step out on the scene
Lookin' fresh and clean
(oo-yeah!)
Got the whole place jumpin'
It's a fever dream
Got the bling and the shine
We ain't here to chill
When the beat starts kickin'
You know it's all for real
Ladies in the corner
Gentlemen so fly
When we hit the floor
You can't deny
Movin' left
Movin' right
Feel that rhythm strike
Dancin' through the night
Gonna do it right! (oo-yeah!)
Groove it
Move it
Can't you feel that beat?
Groove it
Move it
Lift you off your seat
Groove it
Move it
Let the good times roll
Groove it
Move it
Gettin' in your soul!
Break it down
Bring it back
Keep that body tight
When the bass starts thumpin'
You know we take flight
Sweat drippin'
Heart pumpin'
Under all the lights
A funk explosion
Y'all
We outta sight! (oo-yeah!)
Everybody
Clap your hands
Feel the magic start
Join the groove train
Let it hit your heart
Call and response
Can you feel me
Y'all?
We rise together
Never gonna fall
Groove it
Move it
Can't you feel that beat?
Groove it
Move it
Lift you off your seat
Groove it
Move it
Let the good times roll
Groove it
Move it
Gettin' in your soul!
CREDITS
Performer: Jaxon Bold
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Second-Hand Sunday
Leonard Isaiah Ellis
Verified Artist
Leonard Isaiah Ellis
Leonard Isaiah Ellis is a British singer and songwriter known for his warm baritone, understated delivery, and the kind of presence that never needs to shout to be felt. Raised in South London, he grew up between church harmonies, old soul records, and the city’s late-night dance culture, which shaped the mix of intimacy and rhythm that runs through his music. Before releasing his own material, Ellis spent years writing hooks, recording demos, and lending vocals to producers in the house and electronic scene, quietly building a reputation as a dependable voice with real character.
His single Second-Hand Sunday shows a softer, more personal side of his writing. Built around small domestic details and a calm sense of gratitude, the song trades drama for comfort and finds meaning in ordinary moments, cheap coffee, old records, and the rare luxury of having nowhere to be. It is that balance of lived-in storytelling and soulful restraint that defines Leonard Isaiah Ellis, an artist more interested in honesty than image, and in songs that linger long after the room has gone quiet.
Second-Hand Sunday
Leonard Isaiah Ellis
Six coins in the jar on the shelf
Rain on the window like applause
You in my shirt with the sleeves rolled
Making toast like it's a job
We are not going anywhere today
And that is the whole plan
Give me a second-hand Sunday
Cheap coffee no ambition
Give me a second-hand Sunday
Nothing broken nothing missing
I have been rich and I have been thin
I'd take this over both of them
Give me a second-hand Sunday
(oh oh)
There's a record we have played into the ground
The needle skips at the same part
And we sing over the gap
Like it was meant to be there
Give me a second-hand Sunday
Cheap coffee no ambition
Give me a second-hand Sunday
Nothing broken nothing missing
I have been rich and I have been thin
I'd take this over both of them
Give me a second-hand Sunday
Everybody's chasing a bigger room
A better view a longer table
I've got a kettle and a radio
And somebody worth the morning
Give me a second-hand Sunday
Cheap coffee no ambition
Give me a second-hand Sunday
Nothing broken nothing missing
I have been rich and I have been thin
I'd take this over both of them
Give me a second-hand Sunday
Give me a second-hand Sunday
(oh oh)
CREDITS
Performer: Leonard Isaiah Ellis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Don’t Say Maybe
Hexlayer
Don’t Say Maybe
Hexlayer
Look me in the eyes
Don’t say maybe
We move in circles
You draw the line
But I step over
Every time
Don’t say
Don’t say
Maybe
Don’t—don’t—maybe—no—
Say—say—say yes—
You hesitate
But I don’t wait
Your rules bend
When I press play
No—no—no maybe
Say—say—say yes
You had your chance
CREDITS
Performer: Hexlayer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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