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When The Day Is Done
Hamartia
Verified Artist
Hamartia
Hamartia, born Juliet Steiner, grew up in a strict Catholic family in Dublin, where expectations were high, and tradition ran deep. From an early age, Juliet knew she was different, but her family’s reaction to her sexual orientation was anything but supportive.
Feeling isolated and misunderstood, she sought solace in Greek mythology, where she discovered the concept of hamartia—a tragic flaw that often leads to downfall in ancient stories. Embracing the name Hamartia became her way of owning her identity and turning pain into strength, using it as a symbol of defiance against the societal norms that tried to suppress her.
Her move to Dublin’s vibrant underground music scene gave her the freedom to truly explore her voice. Hamartia quickly stood out for her unique vocal techniques, blending haunting tones with an emotive, almost ethereal quality that captivates listeners.
Her style, a mesmerizing fusion of Amplified Heart and pop dance, reflects both her inner turmoil and resilience. Each performance feels like a cathartic release, with her vocals carrying the weight of her past while moving toward something liberating and triumphant.
Hamartia's music doesn’t shy away from the complexities of love, loss, and self-discovery. Tracks like "I Don' Know" and "Eyes Wide Open" speak to the tension between vulnerability and empowerment, a delicate balance she has mastered through her songwriting.
Now a rising figure in Dublin’s pop dance scene, her unapologetic artistry resonates with fans who find strength in her journey. And as she continues to perform in venues across the city, Hamartia’s star keeps rising, proving that sometimes our flaws, real or perceived, are what make us truly extraordinary.
When The Day Is Done
Hamartia
When daylight bathes the world in golden streams
Every moment shines with newfound dreams
Your laughter was the song the morning played
But evening fell and the melody decayed
Now the colors fade into the night
Heartbeat slows as we lose the light
The sun dips low beyond the town
Silence wraps the earth all around
The night reveals the fears I can't outrun
Lost without you when the day is done
I wander roads beneath a dimming sky
Footsteps linger as the hours pass by
Memories glow like the last sun's rays
But darkness comes and I'm trapped in this maze
Contours blur as shadows grow
Loneliness is all I've come to know
The sun dips low beyond the town
Silence wraps the earth all around
The night reveals the fears I can't outrun
Lost without you when the day is done
Stars above can't guide me through
In this void I'm lost without you
Morning feels a million miles away
Without your love I've gone astray
The sun dips low beyond the town
Silence wraps the earth all around
The night reveals the fears I can't outrun
Lost without you when the day is done
When dawn arrives will peace be found
Or will the night forever surround?
CREDITS
Performer: Hamartia
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Time to Get Loose
Martian Mark
Verified Artist
Martian Mark
Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?
Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?
Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.
Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.
Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.
Time to Get Loose
Martian Mark
It's been a long week
Time to get loose
Time to get loose
Time to get loose
It's been a long week
Time to get loose
Time to get loose
Time to get loose
Hit the floor
Drop it low
Raise the roof
Lose control
Time to go
Take it slow
Bring it back
Give me more
No need to run
Baby
Don't be scared
The night's still young
We can dance all night
When it gets to be too much
Let the bass kick in
When you're feeling out of touch
Let the bass kick in
It's been a long week
Time to get loose
Time to get loose
Time to get loose
It's been a long week
Time to get loose
Time to get loose
Time to get loose
Find a way
Take a chance
Turn around
Take my hand
We can go
Find a place
Move your body
Pick up the pace
No need to run
Baby
Don't be scared
The night's still young
We can dance all night
When it gets to be too much
Let the bass kick in
When you're feeling out of touch
Let the bass kick in
It's been a long week
Time to get loose
Time to get loose
Time to get loose
It's been a long week
Time to get loose
Time to get loose
Time to get loose
CREDITS
Performer: Martian Mark
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Les Petites Choses ...
Mina Cazal
Verified Artist
Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.
Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.
Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Les Petites Choses de Travers
Mina Cazal
Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses
Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »
Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades
J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous
À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »
Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique
J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication
Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local
Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration
On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner
D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu
La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie
La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment
Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin
CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Loose Wires
Synkoral
Loose Wires
Synkoral
Switch flicked silence breaks
The circuit's live — no room for fakes
March to your own beat don't fall in line
Worn-out maps won’t match your design
You’re built of code they can't decrypt
A system glitch they can’t predict
Loose wires
Don’t spark — they sting
You weren’t made
To follow anything
They sold straight roads you built a maze
You reprogram old clichés
Noise is loud but you're the break
Crack the shell — make it quake
No signal
No trace
No script
New space
If it flickers — let it fade
You’re the current they can’t braid
CREDITS
Performer: Synkoral
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Gravity
Celeste Rowan
Verified Artist
Celeste Rowan
Celeste Rowan is an emerging voice in the world of alternative pop, blending atmospheric synths with evocative storytelling. With a sound that merges dreamy electronic textures and raw emotion, Celeste crafts songs that feel both intimate and cinematic. Her latest release, "Gravity," explores the inescapable pull of connection—where love, fate, and desire intertwine in a hypnotic dance. Drawing inspiration from modern electronic influences and timeless melodies, she delivers a sound that lingers long after the music fades.
Gravity
Celeste Rowan
Shadows flicker on the midnight screen
A message left where the city leans
Fingertips trace static lines
Falling into coded signs
Signals bending hearts in motion
Lost between the waves devotion
A silent spark a hidden door
Something pulls us back for more
Feel the current pulling closer
Gravity can’t hold us over
Every second a new collision
No escape from this decision
Glitches hum beneath our breath
Distant voices dance with death
Mirrors show what we can’t see
Phantom touch electric dreams
Signals bending hearts in motion
Lost between the waves devotion
A silent spark a hidden door
Something pulls us back for more
Feel the current pulling closer
Gravity can’t hold us over
Every second a new collision
No escape from this decision
No words left just motion
Wired deep in this devotion
If we break we break together
Nothing’s built to last forever
Feel the current pulling closer
Gravity can’t hold us over
Every second a new collision
No escape from this decision
CREDITS
Performer: Celeste Rowan
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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New York, I Loved You
Asha Monroex
Verified Artist
Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.
A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.
Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.
Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
New York, I Loved You
Asha Monroex
Seventh Avenue 2 AM
You had your jacket on I had nowhere to be then
Yellow cabs blurring past the rain
You said my name like it was something you wanted to keep
Rooftop views and corner store wine
You made this city feel like it was only mine
But New York doesn't stop for anyone
And neither did you when you were done
I still hear the subway underground
Every time I'm trying not to think about
The way you laughed when the lights went out
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
Brooklyn bridge on a Saturday
You took my picture like you planned to stay
I framed it hung it on the wall
Took it down in November when the leaves would fall
You were Harlem jazz at midnight
I was trying to be your home
But some men love a city
More than they'll ever love you alone
I still walk the same blocks we used to share
Turn the corner half-expecting you'd be there
(yeah…)
But the city just stares
(just stares…)
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
(most beautiful…)
This city taught me everything I know
How to hold on
(hold on)
How to let go
(let go)
How to stand in the middle of a million souls
And still feel whole
(feel whole…)
New York didn't break me
He just set the scene
(mm)
And I was never really lost
I just hadn't found me
(found me…)
(ohhhh)
New York I loved you
(loved you)
And I love me now
(now)
Traded in the heartbreak
For my own vow
(yeah)
Still got the skyline
Still got the rain
(the rain…)
And baby — that pain
Made me everything
(everything…)
mmmh…
CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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August Anyway
Amelia Shaw
Verified Artist
Amelia Shaw
Amelia Shaw is a London based pop and deep house vocalist whose music blends warmth, movement and emotional clarity. Her sound leans on bright synths, hand percussion, house grooves and polished pop production, but the heart of it is always the voice, intimate, expressive and full of small human details. She has a way of making songs feel uplifting without flattening their meaning, turning fleeting relationships, summer memories and unfinished conversations into records that still feel alive long after the chorus ends.
On August Anyway, Shaw captures the beauty of something temporary without treating it like a mistake. Built around sunset energy, kalimba textures, brass swells and a clean festival-ready pulse, the track carries both joy and acceptance at the same time. That balance is what defines her style, emotionally open but never heavy-handed, radio-friendly but still personal, and always grounded in the idea that even brief moments can leave a lasting mark.
August Anyway
Amelia Shaw
We knew the date before we started
You had a flight I had a lease
Everybody told us not to do it
So we did it anyway
Four weeks is not a lifetime
But it isn't nothing either
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
(anyway anyway)
Now it's cold and I still know
The exact sound your car made in the drive
People ask me if I'd take it back
And I laugh and I say
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
Some things are not meant to be kept
Some things are meant to be spent
And I spent it every hour of it
And I would spend it again
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
Give me August anyway
(anyway anyway)
CREDITS
Performer: Amelia Shaw
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Try If You Can
The Fog Has Teeth
Try If You Can
The Fog Has Teeth
CREDITS
Performer: The Fog Has Teeth
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Split Frequency
Aris Veyton
Verified Artist
Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.
Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.
Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Split Frequency
Aris Veyton
There’s a pulse that keeps dividing me
Two rhythms fighting underneath
One side wants order keeps the lines so straight
The other sparks fires wants to detonate
I move through the evening with a crowded mind
Trying to decode what I can’t define
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
Thoughts turn metallic when the pressure grows
Patterns fall apart then they recompose
I’m chasing a structure that I can’t commit
Every time I form it something ruins it
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
If there’s a place between the sides
I’ll walk the thin divide
Waiting for the moment
Both frequencies align
CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Keep It Moving
False Memory Lane
Keep It Moving
False Memory Lane
Keep it keep it
Keep it moving
Step by step we don’t look back
Caught the rhythm let it track
Flick the switch hit the light
We're alive in the neon bite
Don’t stop feel that spark
Ready to ignite the dark
Heartbeat slows tension grows
Heartbeat
Heartbeat
Heartbeat
New night new skin
New rules we’re living in
Eyes closed we fly
No reason no why
Breathe it in count to ten
We're not going back again
We keep it moving
Never stuck always choosing
Through fire through noise
We make the loudest choice
Keep it…
Keep it…
CREDITS
Performer: False Memory Lane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Il Punto Piu Vivo
Milo Sartini
Verified Artist
Milo Sartini
Milo Sartini grew up near Italy’s Adriatic coast in a family where meals regularly became debates and kitchen utensils often became percussion instruments. That lively upbringing shaped an artist drawn to movement, language and the small absurdities of everyday life. His music combines quick-witted Italian storytelling with muscular funk bass, Mediterranean percussion and contemporary pop production.
Sartini studied cultural anthropology at the University of Bologna, focusing on music, public space and the rituals that bring strangers together. He later trained in contemporary composition, arrangement and studio production at a private music institute in Milan. His academic background still informs his work: every rhythm has a social purpose, every instrument enters for a reason, and humour is treated as seriously as melody.
His debut single, “Il Punto Più Vivo,” introduces Sartini as a singer, producer and observant narrator with an instinct for turning ordinary scenes into kinetic music. His delivery moves naturally between singing and rhythmic speech, supported by precise percussion, brass accents and tightly controlled electronic production. Intelligent without becoming academic and playful without becoming novelty, Milo Sartini makes pop music that notices how people actually live.
Il Punto Piu Vivo
Milo Sartini
Uno viene dal porto
Uno scende dal tram
Una ride da sola
Uno non sa dove va
Ma il tamburo li chiama
Senza chiedere chi sei
Questa sera la strada
Ha più nomi di noi
C’è chi arriva con tre parole
Chi ne porta tremila
Chi cucina sopra un balcone
Chi ripara una bicicletta
C’è una radio dietro una porta
Che trasmette da chissà dove
Una nonna detta la danza
A una banda di ventenni
Il tassista perde il turno
Per seguire quel contrabbasso
Un bambino batte il tempo
Con due cucchiai sopra un piatto
Nessun palco nessun padrone
Nessun posto riservato
Quando il ritmo prende la piazza
Ogni nome viene chiamato
Vieni qua
Non serve sapere perché
Vieni qua
Porta soltanto quello che c’è
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi
Una cuoca lascia il grembiule
Per un passo mezzo sbagliato
Un avvocato molto serio
Fa qualcosa mai studiato
Due turisti senza mappa
Hanno perso la prudenza
Una coppia che litigava
Ora balla la stessa frase
C’è chi viene per curiosare
Chi domani deve partire
Chi ha promesso “solo un minuto”
Ed è ancora qui alle tre
Non importa da quale tavolo
Da quale treno o quartiere
Siamo pezzi senza istruzioni
Che funzionano tutti insieme
Vieni qua
Non devi assomigliare a me
Vieni qua
Porta il tuo modo di stare in piedi
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi
Dimmi come batti il tempo
Con il palmo o con il mento
Con le scarpe sul cemento
Con un fiato preso al volo
Uno due — non basta ancora
Tre quattro — viene l’aurora
Cinque sei — cambia la storia
Sette miliardi nella stessa gola
Io dico: vicino
Tutti: più vicino
Io dico: più forte
Tutti: fino al mattino
Io dico: chi siamo?
Tutti: quelli che arrivano
Io dico: dove siamo?
Tutti: dove le cose cominciano
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Ogni passo trova il modo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Non c’è un centro sulla carta
Il centro siamo noi
Uno torna verso il porto
Uno aspetta ancora il tram
La mattina prende nota
Di chi non si fermerà
Tum tum
Il centro siamo noi
Tum tum
Il centro siamo noi
CREDITS
Performer: Milo Sartini
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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