00:00 /
00:00
Hold Your Cross
Aurora Finch
Verified Artist
Aurora Finch
Aurora Finch is an independent singer-songwriter from Edinburgh, Scotland. She is contracted under Filodyo and whose work voraciously resonates with the vast local music scene.
Born and raised in the shadow of the UK's most mystical capital, Finch has evolved from singing in the rain-soaked alleyways of Edinburgh, a city globally recognized for its love for stirrings of creativity, to performing at local venues. Known for her deep-textured voice and unwavering dedication, she paints an ethereal sonic portrait that revolves around themes of love, life, and memories. Aurora plays guitar like she's ringing a bell and is able to stir up some pretty gnarly sound liveliness when she combines it with her husky vocals. There is, however, nothing 'cold' about this Finch, except perhaps her icy-blue guitar which has become her trademark.
One of her most notable tracks, "Hold Your Cross", showcases Aurora's ability to weave melodies that perfectly blend depth and lightheartedness. With lyrics that touch on the intricacies of human nature and tell a captivating story, the song is just one of many illustrations of her uncanny ability to resonate deeply with listeners. The song showcases Finch's gift - a knack for writing melodies as magnets for emotions, attracting both the reminiscent and visionary listeners from all around her hometown.
Whether it's on stage or off, Aurora Finch emanates warmth and wit in equal measure. She's the kind of artist you expect to find writing lyrics on a napkin in a quirky café or strumming her guitar from the comfort of a worn-out armchair. With a brilliant talent whose roots are firmly grounded, Aurora Finch is definitely a name to look out for in the increasingly eclectic world of independent music.
Hold Your Cross
Aurora Finch
Raise your fears up high
Or drown 'em in the sea
Screamin' in the air
Somethin'
Somethin'
Somethin'
Keep your legs
Your legs steady
Head
Head
Heavy
Hold your cross 'til the bell tolls
Keep your legs
Your legs steady
Head
Head
Heavy (Kee-kee-kee)
Hold your cross and make amends
(Bong bong bong)
Findin' new weather
Paintin' the new hymn
Through the eyes of believers
Buildin'
Buildin'
Buildin'
Keep your legs
Your legs steady
Head
Head
Heavy
Hold your cross 'til the bell tolls
Keep your legs
Your legs
Steady
Head
Head
Heavy
Hold your cross and make amends
Hold steady
CREDITS
Performer: Aurora Finch
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
No Default Setting
Billie Arden
Verified Artist
Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.
Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
No Default Setting
Billie Arden
Cut the feed
Leave the meter running
Hold that grin
I came with my own timing
You tried to sell me a cleaner name
With the corners sanded down
Put my laugh in a little glass case
Said “Look who’s stable now”
I don’t fit in your easy chart
I don’t land on command
There’s a tune in my crooked part
You don’t understand
Don’t fix the bend
Don’t mute the spark
I keep my rhythm
Off the mark
No default setting
I tune my own voltage
No default setting
I move when the bass gets bold
You want me simple
You want me folded
I’m not the version
That does what it’s told
No default setting
No clean reset
I’m better when I don’t behave yet
Your golden rule came overdressed
And talked like a magazine
I poured black coffee on the test
Made the paper sing
You said “Be calm be useful now”
I said “Nice little cage”
Then I took my pulse off your clock
And rewrote the page
Don’t trim the heat
Don’t square the sound
I keep my rhythm
Upside down
No default setting
I tune my own voltage
No default setting
I move when the bass gets bold
You want me simple
You want me folded
I’m not the version
That does what it’s told
No default setting
No clean reset
I’m better when I don’t behave yet
Left right
Too bright
Low kick
Uptight
Turn snap
Come back
One more
Off-track
I was never built for your manual
Never born for a numbered lane
Every time you label the motion
Something loose begins to play
Let the clean ones keep their answers
Let the smooth ones win the floor
I have trouble in my timing
And it always asks for more
No default setting
I tune my own voltage
No default setting
I move when the bass gets bold
You want me simple
You want me folded
I’m not the version
That does what it’s told
No default setting
No clean reset
I’m better when I don’t behave yet
Cut the feed
Leave it running
No default
I’m still coming
CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Control
Mateo Lux
Verified Artist
Mateo Lux
Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.
Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.
Control
Mateo Lux
Yeah
Mm-hmm
Turn it up
Uh
Let’s go
Step in — heat rise
No rules — my side
You move — I lead
One look — you’re mine
Hands on — don’t hide
We ride — midnight
Your pulse — my beat
You fall — my feet
I got control control control control
You want it slow slow slow slow
I make you go go go go
You lose it — oh oh oh oh
Eyes lock — no doubt
Lights fade — we’re loud
One step — we burn
Two steps — return
Your breath — my flame
No fear — no shame
Your hands — can’t stay
My voice — your way
I got control control control control
You want it slow slow slow slow
I make you go go go go
You lose it — oh oh oh oh
You say you ready — I say prove it
You say you steady — I say move it
You cross the line — I pull you closer
One more time — game over
Control (control)
Control (control)
Control (control)
Control (control)
I got control control control control (yeah)
You want it slow slow slow slow (uh-huh)
I make you go go go go (let’s go)
You lose it — oh oh oh oh (yeah yeah)
Yeah…
Control
Mm-hmm
Fade out…
CREDITS
Performer: Mateo Lux
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Window Light After ...
Mara Vale
Verified Artist
Mara Vale
Mara Vale makes sleek night-drive pop with a disco pulse: live bass lines, clean rhythm guitar, warm strings, and hooks that feel lit by streetlights. Her songs balance playful movement with a bittersweet city glow, built for listeners who want groove, melody, and a little electricity under the skin.
Her sound sits between classic dance-floor craft and modern pop polish, with soulful female vocals carrying stories of late buses, rooftop coffee, open city windows, and small moments that suddenly feel cinematic. Mara Vale keeps the arrangements bright and human: tight drums, handclaps, piano stabs, and choruses designed to move without turning into a cliché.
Window Light After Eight
Mara Vale
The shutters lean half-open
On a street rinsed clean by rain
A receipt curls in my pocket
Like it wants to speak your name
Glass shelves hold the evening
Silver bracelets folded blue
Someone laughs by the mirrors
Then the echo thins to two
I keep the counter glowing
Soft enough to let you stay
Every little hour slows down
When the day unpins its gray
Window light after eight
Moves across the polished floor
Nothing loud nothing late
Just the bell above the door
If you come in from the weather
With your collar turned against the air
I'll be humming with the register
Like I knew you'd find me there
Elevator doors are breathing
In the mall across the square
Mannequins wear patient faces
Under amber fitting-room glare
There is music in the hangers
When they slide along the rail
Tiny moons in every button
Tiny ships in every sale
I keep the counter glowing
Soft enough to let you stay
Every little hour slows down
When the day unpins its gray
Window light after eight
Moves across the polished floor
Nothing loud nothing late
Just the bell above the door
If you come in from the weather
With your collar turned against the air
I'll be humming with the register
Like I knew you'd find me there
We don't have to call it waiting
We can call it closing slow
Let the streetlights choose the colors
Let the last few customers go
Window light after eight
A quiet gold along the door
Nothing loud nothing late
Just a rhythm asking for more
If you come in from the weather
With your collar turned against the air
I'll be humming with the register
Like I knew you'd find me there
CREDITS
Performer: Mara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Dancing The Pain Away
Callum Hayes
Verified Artist
Callum Hayes
Callum Hayes, known to many as the life of the party and to some as simply "that crazy guy with the decks," is a Swedish DJ and music producer. Crafting infectious beats and dance anthems is his forte, with his breakthrough track "Dancing The Pain Away" causing quite a stir in the local music scene.
Callum's journey into the world of music production began somewhat unexpectedly, in the adrenaline-fueled arena of advertising music. After one too many late nights tweaking jingles for brands too dull to mention, he decided to take his talents to the club scene instead. Hayes' wicked sense of humor is reflected in his artistic process; he often jokes about resigning from his ad gig with a dramatic flip of his work desk only to realize he was working from home – no audience, no theatrical exit.
Collaborating with various vocalists, Callum has brewed a wide range of flavors in the grand cauldron of his music. Be it power-packed EDM or chilled-out trance music, Hayes serves his listeners an exotic buffet of tunes. He has managed to carve out a niche within the competitive domain of independent artists, becoming a regular feature at local Swedish venues where he inevitably brings the house down.
In the spunky and tenacious spirit of indie artistry, Callum Hayes continues to dance his pain and ours away. His energetic personality and infectious tracks make every night feel like a weekend and with Hayes at the helm, the party rages on. Callum Hayes might not be a global name just yet, but those Swedish nights have never grooved harder.
Dancing The Pain Away
Callum Hayes
Under the mirrorball
Shining like the light of God
We were so beautiful
What the hell happened y'all
Love died when the music stopped
Now my feet can't feel the floor
And every step is getting hard
'Cause she's not with me anymore
I'm dancing the pain away
Disco ball won't let me go
I'm begging it to save my soul
From drowning in lonely
I'm dancing the pain away
Falling in the beat with someone else
But wishing it was her
My God
I need help
'Cause she's not with me anymore
So long farewell
I'll wait for you
Wrote you every night
'Til I deleted you
Love's a drug
I lean on borrowed time
One day you'll be back
But tonight's the night I die
I'm dancing the pain away
Disco ball won't let me go
I'm begging it to save my soul
From drowning in lonely
I'm dancing the pain away
Falling in the beat with someone else
But wishing it was her
My God
I need help
'Cause she's not with me anymore
CREDITS
Performer: Callum Hayes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Best Night Ever
Leo Marlow
Verified Artist
Leo Marlow
Leo Marlow, an artist whose music seems to philosophize the dew on the grass with his songs, began his journey amid the high-stakes intensity of Brit-pop. Launching his career initially as the luminary of a Brit-pop boy band that didn't reach the stratospheric heights intended, he managed to transform his career path in the most unexpected way. Rising from the ashes of a failed group, he learnt to echo his own feelings while showcasing vulnerability, thus crafting a musical legacy that was wholly his own.
Based in the enchanting city of Manchester, Marlow has certainly found his unique sound, a harmonious blend of classic and contemporary. The artist serves as a sonic architect, masterfully constructing retro-futuristic synth landscapes that capture the essence of loneliness universally felt, yet seldom depicted so eloquently in music. The wistful melancholy of his music, tinged by synths, creates an environment as expansive as the cosmos yet as intimate as a whispered secret. His power to convey emotions and experiences with profound depth sets him sincerely apart.
One of Marlow's most notable musical creations is the ode "Best Night Ever". The track serves as an entrancing journey through Marlow's sombre narratives to the sound of shimmering synth-pop. Even whilst conjuring the myriad of emotions embedded in personal loss, "Best Night Ever" paradoxically stands as an alluring anthem for unforgettable nights and the ephemeral moments that make life so magical. It's an apt testament to Marlow's extraordinary ability to portray the human condition through his music, and certainly highlights why his magnificent sound continues to resonate with audiences far beyond Manchester's confines.
Best Night Ever
Leo Marlow
Three hours at a house party (Three)
I'm so over it (Ooh)
What we gonna do? (Uh)
We don't need this ****
Me and my ****** in the corner (Yeah)
Sippin' our liquor (Yeah)
What we gonna do? (Yeah)
Girl what we gonna do?
And she said
"Don't you worry girl I got a plan
We gonna get out of here girl and
Head to the beach we'll be there by ten
The boys are gonna meet us yeah they're bringin' their friends"
It's the best night ever
We're all together I won't forget
How we turned that *****
Into the best night ever
How could I ever? It's permanent
All because my friend said
[Post-Chorus]
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
Three days in Miami
The vibe was right (Ooh)
Damn we had fun (Ooh)
On a Wednesday night
Me and my bitches in a section (Yeah)
At the strip club (Yeah)
Boys throwin' up (Yeah)
It's a real good night
And she said
"Don't you worry girl I got a plan
We gonna get out of here girl and
Head to the beach we'll be there by ten
The boys are gonna meet us yeah they're bringin' their friends"
CREDITS
Performer: Leo Marlow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Intercepted Call
OXR
CREDITS
Performer: OXR
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
August Anyway
Amelia Shaw
Verified Artist
Amelia Shaw
Amelia Shaw is a London based pop and deep house vocalist whose music blends warmth, movement and emotional clarity. Her sound leans on bright synths, hand percussion, house grooves and polished pop production, but the heart of it is always the voice, intimate, expressive and full of small human details. She has a way of making songs feel uplifting without flattening their meaning, turning fleeting relationships, summer memories and unfinished conversations into records that still feel alive long after the chorus ends.
On August Anyway, Shaw captures the beauty of something temporary without treating it like a mistake. Built around sunset energy, kalimba textures, brass swells and a clean festival-ready pulse, the track carries both joy and acceptance at the same time. That balance is what defines her style, emotionally open but never heavy-handed, radio-friendly but still personal, and always grounded in the idea that even brief moments can leave a lasting mark.
August Anyway
Amelia Shaw
We knew the date before we started
You had a flight I had a lease
Everybody told us not to do it
So we did it anyway
Four weeks is not a lifetime
But it isn't nothing either
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
(anyway anyway)
Now it's cold and I still know
The exact sound your car made in the drive
People ask me if I'd take it back
And I laugh and I say
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
Some things are not meant to be kept
Some things are meant to be spent
And I spent it every hour of it
And I would spend it again
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
Give me August anyway
(anyway anyway)
CREDITS
Performer: Amelia Shaw
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Ashes Know My Name
Elias Crowe
Verified Artist
Elias Crowe
Elias Crowe is an American singer-songwriter whose music lives somewhere between Latin blues, desert rock and roots Americana. Raised among the wide landscapes of the American Southwest, he developed a quiet fascination with stories of ordinary people, forgotten highways and the invisible weight carried through everyday life. Rather than chasing trends, Crowe built his sound around expressive guitar work, restrained vocals and songs that value silence as much as melody.
His recordings are known for their cinematic atmosphere, blending warm acoustic textures, soulful electric guitar and subtle Latin rhythms into music that feels timeless rather than nostalgic. Crowe rarely writes in absolutes. His lyrics explore redemption, memory, resilience and the fragile space between hope and regret, often using simple images to reveal deeper emotional truths. Listeners are drawn to the honesty of his performances, where every note feels lived rather than performed.
Although his style echoes the spirit of classic American roots music, Elias Crowe continues to shape a voice that is unmistakably his own. Whether performing intimate ballads or slow-burning rock songs, he favors authenticity over spectacle, allowing emotion, craftsmanship and atmosphere to lead every performance. His work has earned a loyal audience that values music not for its volume, but for its ability to linger long after the final chord has faded.
Ashes Know My Name
Elias Crowe
Slow down…
Don’t wake the fire
It already knows
Who I am
Dust hangs low where the old road bends
Every scar still remembers friends
I don’t ask if tomorrow stays
I just count the smoke instead of days
One cold wind
One tired hand
Trying to build
What never stands
Every prayer arrives
Wearing different clothes
Maybe heaven answers
Maybe nobody knows
Hold your flame
Don’t hide your face
Even broken walls
Can become a place
If the night
Calls out my name
I’ll answer slow
Just the same
Hold your flame…
Don’t let it fade
My father’s coat still smells like rain
Every pocket keeps a different pain
Coins grow heavy
Truth grows light
Some men disappear
Before the fight
I don’t need another miracle
Only one more mile to walk
The silence speaks
Louder than angels
When nobody talks
Hold your flame
Across the storm
Nothing living
Stays untouched or warm
If I fall
Don’t call my name
Just leave the fire…
Exactly where it came
The ashes know my name…
The ashes know…
My name…
CREDITS
Performer: Elias Crowe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Out Of My Hands
Matt Calde
Out Of My Hands
Matt Calde
I saw your message at a quarter to three
Read it twice then I let it breathe
You said you’re happy you said you’re free
Funny how that still gets to me
I got new friends in the same old town
New white shirt when I’m going out
But every laugh has a little doubt
Like I’m only loud when you’re not around
I don’t wanna call it missing you
I don’t wanna make it true
But I still know what I’d say
If you walked back in today
It’s out of my hands
I try but I can’t
Stop my heart from running back to you
I make other plans
I dance I pretend
But nobody gets me like you used to do
So I smile like I’m good
Like I’m over the crash
Then I hear your name
And I’m right where I am
It’s out of my hands
Out of my hands
I try but I can’t
I changed the places where I spend my nights
Different faces under city lights
But there’s no magic in a glass of wine
When the one I want isn’t by my side
You got a way of staying in my head
Even when there’s nothing left unsaid
I’m moving forward at least I try
But the past got good at wasting time
I don’t wanna call it missing you
I don’t wanna make it true
But I still know what I’d say
If you walked back in today
It’s out of my hands
I try but I can’t
Stop my heart from running back to you
I make other plans
I dance I pretend
But nobody gets me like you used to do
So I smile like I’m good
Like I’m over the crash
Then I hear your name
And I’m right where I am
It’s out of my hands
Out of my hands
I try but I can’t
I don’t need forever
I just need one honest night
Tell me you still feel it
Even if we don’t get it right
It’s out of my hands
I try but I can’t
Stop my heart from running back to you
I make other plans
I dance I pretend
But nobody gets me like you used to do
So I smile like I’m good
Like I’m over the crash
Then I hear your name
And I’m right where I am
It’s out of my hands
Out of my hands
I try but I can’t3f:["$""$L4f"null{"clip":{"status":"complete""title":"Out Of My Hands""play_count":2"upvote_count":0"allow_comments":true"is_verified":false"id":"fdb62185-f464-425d-8759-07e8788240e5""entity_type":"song_schema""video_url":"""audio_url":"https://studio-apiprodsunocom/api/forbidden""media_urls":[{"url":"https://d2lwuy8qc234o3cloudfrontnet/1/clip/fdb62185-f464-425d-8759-07e8788240e5m4a""content_type":"m4a-opus""delivery":"progressive""encoding":"100"}{"url":"https://cdn1sunoai/fdb62185-f464-425d-8759-07e8788240e5mp3""content_type":"mp3""delivery":"progressive"}]"image_url":"https://cdn2sunoai/image_fdb62185-f464-425d-8759-07e8788240e5jpeg""image_large_url":"https://cdn2sunoai/image_large_fdb62185-f464-425d-8759-07e8788240e5jpeg""major_model_version":"v55""model_name":"chirp-fenix""metadata":{"tags":"Modern UK pop Ru0026B with electropop energy 136 BPM clean radio-ready production punchy drums tight bass bright piano chords glossy synth plucks subtle guitar layers strong melodic hook emotional but upbeat breakup song club-friendly pop groove without EDM drop
\
CREDITS
Performer: Matt Calde
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Locked In
Nari West
CREDITS
Performer: Nari West
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE