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The Wrong Daughter
Billie Arden
Verified Artist
Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.
Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
The Wrong Daughter
Billie Arden
I left at seventeen before the bread was warm
took the blue suitcase nobody claimed
Mother stood polishing the same clean glass
Dad read the paper without turning a page
There was a woman’s name behind the pantry clock
written twice then crossed with a kitchen knife
I asked who she was
They asked why I was still awake
Huh
They said “You’ll understand when you’re older”
So I got older somewhere else
I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train
I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong
Years later a stranger stopped me near the docks
said “You walk exactly like she did”
I laughed and asked “Who?”
She looked at me as though I’d made a joke
Then she handed me a photograph:
my father younger one hand out of frame
and a girl with my uneven teeth
wearing the blue suitcase name tag
Huh Small world
Terrible handwriting
She said “Your mother tried her best”
I said “Which one?”
I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train
I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong
Maybe I was kept
Maybe I was traded
Maybe love gets very polite
when the truth is complicated
I never asked again
That keeps them nervous
I was gone before the kettle sang
gone before they fixed their tale
Let them polish every answer
I know where the story fails
I was gone gone gone—
huh they still insist I’m wild
I didn’t leave because I hated them
I left as someone else’s child
CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Crystalline Tension
Hymns for Machines
Crystalline Tension
Hymns for Machines
CREDITS
Performer: Hymns for Machines
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Bassline Skillz
Cyber Bloom
Verified Artist
Cyber Bloom
Cyber Bloom is a groundbreaking music collective that came to life when five top-notch DJs decided to merge their talents. Not your ordinary bunch of disc jockeys, these superstars boast an eclectic mix of skills that converge to create the singular sound of Cyber Bloom. One prominent member is the enigmatic Martian Mark, who you probably have bumped to countless times on Filodyo. The other members, taking mystery in stride, are still so enveloped in enigma that they've preferred to maintain their anonymity—or maybe they're just shy. Either way, the suspense only adds to the allure.
On the decks, Cyber Bloom's pulsating beats and groovy synth lines create a sonic atmosphere that feels like a rave on Mars. This sonic palette is perhaps best exemplified by their unforgettable track, "Bassline Skillz"—a monster of a tune that's been known to give bass speakers a serious workout. Critics often debate whether the title refers to their skill at creating basslines or their ability to make listeners feel like they've developed a new set of dance skills. The answer, like much about this enigmatic group, remains a mystery.
Despite their colossal success online, the quintet remains inventive and unapologetically unconventional. Cyber Bloom's blend of EDM, house, and electro-pop has created sonic landscapes that continue to resonate with fans across the globe. With every drop, every build, and every musical moment – Cyber Bloom proves they are a relentless driving force in the ever-evolving world of electronic dance music.
Cyber Bloom, with their large-than-life approach, are standard bearers for a futuristic musical direction. Word to the wise, though - perhaps it's best to buckle up before you put on your headphones, because as those basslines drop, there's every chance you'll be propelled towards some sort of otherworldly audial adventure. Don't say we didn't warn you.
Bassline Skillz
Cyber Bloom
Remember kids all DJs are double agents
A cool bassline resuscitates a patient
So you're a beginner and you want be a winner
Well slap some mustard on my buns and call me a wiener
Just hang on tight and remember this advice
If you're heating up the scene then pretend you're cool as ice
Don't need to have a big bag of tricks
When you only really need three basic tips so c'mon
Like this (Come on come on come on) And like that
(Suckers never play by the rules)
Like this and like that (Incredible fantastic wonderful)
And say (We are the robots)
Say what?
(Say ho ho ho ho ho)
One more time for your mind go
My supercomputer with my super producers
And all my time traveling dimension benders
They can tell you about skills when mine are spenters
Because they come from different places
And they're masters at their traces
But you can keep it simple rappers start to do as a sample
(Harlem city) They do it like this
(We are the robots) They do it like this
(We are the robots) They do it like this
Like this
CREDITS
Performer: Cyber Bloom
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Phase Meridian
Wires and Petals
Verified Artist
Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.
Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.
Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.
Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Phase Meridian
Wires and Petals
CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Under the Surface
Between Mirrors
Under the Surface
Between Mirrors
I woke to a sound that wasn’t there
The world was still but something stirred
Your name was carved in quiet places
Not in stone — but in the way
The kettle clicks the curtain moves
And silence starts to sway
It’s not the wind it’s not the rain
It’s every pause I can't explain
It’s you beneath the surface
It’s you without a name
I never learned to hold the stillness
Always filled the space with noise
But now I count the absent seconds
Like they were stolen joys
It’s not the sound it’s not the flame
It’s everything that won’t remain
It’s you beneath the surface
It’s you without a name
So I sit in the in-between
And feel what I can’t see
Under the surface
You’re still shaping me
CREDITS
Performer: Between Mirrors
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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City Pulse
Noon After Seoyeon
City Pulse
Noon After Seoyeon
[Intro]
City pulse
Turn it up
시동 걸어
We don’t stop
Late ride clean mood
Windows down smooth groove
No big talk just move
Tonight we choose the view
도로 위에 번진 빛
우리만의 작은 scene
신호가 바뀌면 go
심장은 faster low
천천히 올라가는 speed
But we keep it clean
너와 나의 timing
딱 맞아 like a dream
숨이 조금 뜨거워져
Bass가 몸을 밀어
말은 짧게 눈은 길게
이 밤을 더 열어
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
Black jacket soft bass
Good vibe no waste
I see the city on your face
Every second finds its place
핸들 위에 얹은 손
리듬 따라 가는 선
바람이 지나가면
웃음이 먼저 터져
[Rap]
Okay shift it
밤의 온도 lift it
Too smooth don’t miss it
우리 둘만 fit it
속도는 올라가도
머리는 차갑게 둬
Fun mode control
우린 선을 알고 go
Turn left turn right
작은 길도 feels nice
No noise just style
웃어 봐 one more mile
천천히 올라가는 speed
But we keep it clean
너와 나의 timing
딱 맞아 like a dream
숨이 조금 뜨거워져
Bass가 몸을 밀어
말은 짧게 눈은 길게
이 밤을 더 열어
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
잠깐만 속도를 낮춰
이 순간을 더 봐줘
급하지 않아도 돼
우린 이미 충분해
If you laugh I know
If I smile you know
다음 길이 열리면
다시 올라가 let’s go
[Final Chorus]
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
시동은 켜져
기분은 더 커져
City pulse
We ride we ride
CREDITS
Performer: Noon After Seoyeon
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Home Sweet Home
Tiny House Rats in
Verified Artist
Tiny House Rats in
Tiny House Rats is a quirky and innovative two-person producer group, known for their minimalist yet powerful soundscapes. Hailing from the cozy suburbs of Copenhagen, Denmark, the duo—Jonas “J.T.” Thorsen and Emil Nilsen—came together over a shared love for blending genres and creating music in the small but vibrant studio they affectionately call "The Rat’s Nest," which happens to be located inside a tiny house they built themselves.
Their name, Tiny House Rats, is a nod to their modest setup, where they prove that you don’t need a massive space to make a big impact in the music world.
Jonas, the technical genius behind the beats, and Emil, the melody mastermind, combine their talents to craft eclectic productions that range from electronic and lo-fi hip-hop to indie pop and experimental ambient music.
Their work is defined by its attention to detail and clever use of sound layering, always making the most of the space they have—both physically and musically. They often describe their music as "controlled chaos," where seemingly random elements come together to form something unexpectedly beautiful.
Tiny House Rats are known for their collaborations with various indie vocalists, weaving their unique sound into each project. Their ability to adapt to different styles while maintaining their signature touch has earned them a growing following, particularly among fans of forward-thinking, genre-blurring music.
With tracks like “Lose Yourself” and “Home Sweet Home” Tiny House Rats are proving that size doesn't matter when it comes to creativity, and their tiny house is producing some of the most interesting sounds on the scene.
Home Sweet Home
Tiny House Rats in
Whispered winds home's call
Mem'ries bloom hearts enthrall
Fireside dreams warm glow
Far away yet I know
Home's embrace I'll stow
Yearning for where I belong
Echoes sing a childhood song
Misty morns dewy lawn
Familiar paths now withdrawn
Laughter echoes in my mind
Comfort's embrace hard to find
Distance stretches miles long
To my roots I long
Oh home sweet home
Wherever I roam
Your essence I keep
In dreams I sleep
Longing never to cease
Though afar I roam
Home my heart's true home
CREDITS
Performer: Tiny House Rats in
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
August Anyway
Amelia Shaw
Verified Artist
Amelia Shaw
Amelia Shaw is a London based pop and deep house vocalist whose music blends warmth, movement and emotional clarity. Her sound leans on bright synths, hand percussion, house grooves and polished pop production, but the heart of it is always the voice, intimate, expressive and full of small human details. She has a way of making songs feel uplifting without flattening their meaning, turning fleeting relationships, summer memories and unfinished conversations into records that still feel alive long after the chorus ends.
On August Anyway, Shaw captures the beauty of something temporary without treating it like a mistake. Built around sunset energy, kalimba textures, brass swells and a clean festival-ready pulse, the track carries both joy and acceptance at the same time. That balance is what defines her style, emotionally open but never heavy-handed, radio-friendly but still personal, and always grounded in the idea that even brief moments can leave a lasting mark.
August Anyway
Amelia Shaw
We knew the date before we started
You had a flight I had a lease
Everybody told us not to do it
So we did it anyway
Four weeks is not a lifetime
But it isn't nothing either
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
(anyway anyway)
Now it's cold and I still know
The exact sound your car made in the drive
People ask me if I'd take it back
And I laugh and I say
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
Some things are not meant to be kept
Some things are meant to be spent
And I spent it every hour of it
And I would spend it again
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
Give me August anyway
(anyway anyway)
CREDITS
Performer: Amelia Shaw
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Gentle Whisper
Theo Kingsley
Verified Artist
Theo Kingsley
**Theo Kingsley** is a spirited, independent artist hailing from the colorfully eclectic streets of Manhattan. Known for his vibrant soundscapes and captivating lyrical prowess, Kingsley stands as a fresh beacon of musical innovation in the often repetitive sound waves of the modern music industry.
Kingsley's journey into the pulsating heart of music began at a tender age when he traded the traditional toys of childhood for a small, hand-me-down guitar. His fingers found their voice on that six-string stage, and soon, Kingsley, much like his favorite pair of black, worn-out jeans, fit comfortably and inextricably into the music world. His knack for crafting heart-stirring melodies and witty bars eventually culminated in his most well-recognized piece yet, "Gentle Whisper", a deeply evocative track that tackles complexity concealed in simplicity.
Over the years, Kingsley continually defies the boundaries of genre by fusing alternative rock, pop, and velvety hints of blues into his sonic concoctions. His music, much like the delicious bagel at a corner bodega, offers something for every taste. A regular performer at local Manhattan venues, Kingsley utilizes the intimate settings as a canvas to refine his musical flair and keep his connection with his audience personal. He may not be a superstar (yet), but to underestimate Theo Kingsley would be like dismissing a New York slice - a regrettably big mistake.
Gentle Whisper
Theo Kingsley
Bone cold gunshots and rain
Forecast brought me the pain
It won't bleed again
Alone (As we walk through)
The rain (It's forecast)
Whisper (I heard and called)
Your name (Until you came)
These moments (The moments that)
Keep playing (In my mind)
In my brain (Calendar 'til the day)
And as I fade
It'll never be the same again
I never felt this way
I never will again
It was love until it ends
As we cling to faith
(As we fade)
Bone cold gunshots and rain
Forecast brought me the pain
It won't bleed again
How do you hold on
To something that's already gone?
I won't leave you
But I can't stay here for long
A gentle whisper
A gentle touch
A gentle ache inside
At night
It'll never be the same again
I never felt this way
I never will again
It was love until it ends
As we cling to faith
(As we fade)
How many times can a heart be broke
And still fall in love again?
How long can a man hold on?
I'll hold on as long as I can
CREDITS
Performer: Theo Kingsley
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Radio Trottoir
No Be Me
Verified Artist
No Be Me
No Be Me is an Afro-pop collective built around rhythm, mischief and stories that travel faster than facts. Their songs follow barbers, drivers, aunties, shopkeepers and accidental witnesses through everyday neighbourhood dramas, turning overheard remarks into sharp, danceable narratives. Led by a warm male storyteller and supported by four tightly arranged studio voices, the group blends Afrobeats percussion, highlife guitar, elastic bass and dry humour without relying on spectacle.
Their first single, “Radio Trottoir,” introduces a world where one careless “maybe” can acquire a wedding date, two witnesses and a catering budget before lunchtime. No Be Me treat gossip as social choreography: funny, dangerous, generous and impossible to control. Their music is polished but human, playful without becoming novelty, and rooted in the idea that the best stories rarely belong to the person who started them.
Radio Trottoir
No Be Me
Eight-oh-five by Saint Michel
Kola had a cake box under one arm
one red shoe in the other hand
He said “My aunt turns sixty”
I heard “aunt” “cake” and “Saturday”
and supplied the missing cinema myself
At Idris’ barbershop I said
“Maybe the man is getting married”
Idris did not repeat my sentence
He gave it catering witnesses
and a cousin arriving from Marseille
with three phones and firm opinions
By nine-fifteen the taxi rank knew the venue
By ten the tailor had chosen gold
By eleven Auntie Binta had named two children
Kola was still looking for candles
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
At one he had married the mayor’s niece
At two he had bought a flat in Lisbon
At three he had left her for a singer
whose name nobody could pronounce
At four the church committee wanted answers
about a generator no one had lost
At five I tried to stop the story
That became “He knows more than he is saying”
At six my mother called me:
“Wear something decent
Apparently you are giving the speech
And bring your own chair”
I found Kola beside the pharmacy
still carrying the same red shoe
The cake was for Aunt Mariam
The shoe had fallen from her shopping bag
He stared at me for seven quiet seconds
then asked who I planned to marry
I laughed exactly once
That was my second mistake
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
I went home to hide from the bulletin
My neighbour had prepared rice
My sister said a woman named Celeste
had accepted me on my behalf
Who is Celeste? Nobody knows
She may be a dentist
She may be in Dakar
She may have started at Idris’ second chair
My mother likes her already
She says Celeste sounds responsible
There are now two cakes in the kitchen
Neither one belongs to Kola
Wetin happen?
Ask the barber
Who start am?
No be me
Where proof dey?
It left by taxi
Can you stop am?
You fit try
Radio trottoir radio trottoir
no antenna no editor no brakes
By sunset Kola ran the ministry
by midnight I was cutting a second cake
Radio trottoir radio trottoir
every correction opens another branch
I only said “Maybe he is getting married”
Now Celeste is discussing curtains with my aunt
Kola brought the candles
My mother served the rice
Idris arrived with invitations
No be me
CREDITS
Performer: No Be Me
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Better Without Proof
Bitter Palm
Verified Artist
Bitter Palm
Bitter Palm is an enchanting duo formed by two American vocalists, Maya Lark and Jenna Kaye, who met during their studies at a prestigious conservatory. Their shared passion for music blossomed into a partnership that effortlessly blends their voices into a harmonious tapestry of sound. With backgrounds in both indie and pop, they have cultivated a distinctive style that showcases both their individual talents and their chemistry as a duo.
Their catalog, though still budding with the standout track "Better Without Proof," carries an aura of playful optimism that resonates with listeners. The song reflects their infectious energy, characterized by upbeat melodies and hopeful lyrics that invite a sense of joy into everyday life. Each performance radiates their bubbly personalities, and their live shows often leave audiences feeling uplifted and inspired. They explore themes such as empowerment and self-acceptance, making their music relatable to a wide range of fans.
Maya and Jenna aim to develop their sound further, promising more tracks that delve into the complexities of modern life while maintaining their core essence of happiness and hope. As they continue to write and produce new material, Bitter Palm seeks to carve out a unique space in the indie-pop landscape, inviting fans to experience the uplifting world they create together. With each release, they look forward to connecting deeper with their audience through heartfelt storytelling and vibrant melodies.
Better Without Proof
Bitter Palm
You sent a message
Then took it back
I saw enough there
Between each gap
No big confession
No perfect scene
Just two people
Out of routine
I kept my answer
Short and kind
Left all the reasons
Out of my mind
You wanted closure
Clean and small
I gave you nothing
You could call
I used to replay
Every little word
Now I let it pass
Unrehearsed
I used to bend
Just to make us fit
Now I stand straight
And live with it
I’m better without proof
Better without blame
Better without you
Saying my name
I don’t need the last word
I don’t need the truth
I got myself back
Better without proof
Better better
Better without proof
Better better
Better without you
You still look polished
From far away
Like all the damage
Had a clean face
I don’t feel bitter
I don’t feel small
I just feel ready
To want more
Some days are easy
Some days are not
But I don’t bargain
With what I lost
You had your version
I had mine too
Both can be real
And still be through
I used to replay
Every little word
Now I let it pass
Unrehearsed
I used to bend
Just to make us fit
Now I stand straight
And live with it
I’m better without proof
Better without blame
Better without you
Saying my name
I don’t need the last word
I don’t need the truth
I got myself back
Better without proof
Better better
Better without proof
Better better
Better without you
No more checking
If you regret it
No more waiting
For some clean edit
I don’t carry
What we ruined
I just keep moving
Like I’m used to it
You can keep
Your side of pain
I can keep
My new last name
I’m better without proof
Better without blame
Better without you
Saying my name
I don’t need the last word
I don’t need the truth
I got myself back
Better without proof
Better better
Better without proof
Better better
Better without you
I’m better without proof
Better without blame
Better without you
Saying my name
Mm
I don’t need proof now
I just know
CREDITS
Performer: Bitter Palm
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.