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Baby, Baby
Lily Green

Verified Verified Artist

Lily Green
Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.

Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.

Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.

Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.
Track(s)
Baby, Baby 100816 02:53
Wannabe Off 41251 04:00
Truth And Lies 38997 04:00

Baby, Baby

Lily Green


You're always a second away
We never finish what we start
I think about it every day
I feel it in my broken heart
You do me dirty and then you say
It was an accident
But I've had enough
Oh
Babe

Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough

I've got the freedom to be alone
I've got my friends
But I never call
You say
"I miss you
" I hear the tone
And I don't feel like I know you at all
It's like a movie or a TV show
We were in love once
But now I can't remember
Babe

Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough

CREDITS
Performer: Lily Green
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
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Mystery
Leo Kensington

Verified Verified Artist

Leo Kensington
Leo Kensington, hailing from the sunflower fields of Kansas, has been lighting up local music stages as a pop-funk artist. This sprightly talent is especially known for his catchy tune, "Mystery," which has been described by fans as "a melodious enigma wrapped in quirkiness."

Kensington started his journey nimbly, strumming his makeshift cereal-box guitar while still in diapers (although not particularly in tune). His love for beats and rhythms was nurtured by the swaying wheat fields around his childhood home. Thus, bread was not the only good thing that came out of the humble Kansas wheat fields; they also gave us this ear-popping, funky melody maker.

In the local circuit, Kensington is revered for his dynamic performances which are akin to watching a tornado onstage - wildly exciting, immensely entertaining, yet always leaving you with a sense of awe. Ever the unpredictable, Kensington spiced up a rather bland Tuesday evening when he performed "Mystery" dressed as a unicorn. Yes, an actual unicorn. It was this sort of playful, eccentric ambiance that set Kensington apart.

Leo continues to electrify the local Kansas music scene, his songs resonating from every corner bar to county fair. His energy, stage presence, and charming charisma, accompanied by the unforgettable riff of "Mystery", ensures that one never forgets the name Leo Kensington. His exciting rise and the captivating persona undoubtedly make him one to watch. After all, who can resist a funktastic unicorn from Kansas?
Track(s)
Mystery 54130 04:22

Mystery

Leo Kensington


Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope? (Ayy ayy)
Why does it hurt
Why does it hurt?
(Ooh ooh ooh)

I love you like the segments
On the news
Cut between the stories of the hood
The heroes
And the glues
Seen and see-through
I could
Read the room
The sky turned red
The stage was vast
The moon took center view
And so did you

Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope?
(Ayy ayy)
Why does it hurt?

Why I'm supposed to hope
That things will change?
Keep thinkin' things will settle
As I get older with age
Huh but nothin's never been the same
So in the meantime
Might as well let 'em know my name
And I ain't gon' waste a second

So baby
Show me somethin' that I need for now
I don't mean to use you till I turn around
But maybe you might find you wanna stick
Around

Got so many skeletons inside my closet
That I don't go past October
'Cause if I start lookin' around
Might not come back till the fall is over
Like ooh ooh ooh

CREDITS
Performer: Leo Kensington
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Corazón y Pasión
Celesmara

Verified Verified Artist

Celesmara
Celesmara, hailing from the vibrant streets of Los Angeles, brings a fresh wave of Latin pop infused with the warmth of her heritage. Her music is a heartfelt exploration of love and connection, where passionate lyrics intertwine with infectious melodies. With her latest track, “Corazón y Pasión,” she expertly blends reggaeton rhythms with rich mariachi instrumentation, creating a lively atmosphere that invites listeners to dance under the moonlight. Celesmara's vocal style is marked by deep emotional resonance, effortlessly shifting between Spanish and English, making her songs universally relatable.

The creative spark for Celesmara ignited during late-night writing sessions, where the magic of the evening inspired her to pen tracks that encapsulate both romance and rhythm. Each of her songs, including the enchanting “Corazón y Pasión,” showcases her ability to conjure vivid imagery through music—whether it's the intoxicating thrill of newfound love or the tender moments that make life extraordinary. As she continues to evolve as an artist, Celesmara’s catalog promises a celebration of joy and longing, inviting fans to join her on a journey filled with heart and dance.
Track(s)
Corazón y Pasión 173281 03:05

Corazón y Pasión

Celesmara


Oh-oh-oh…
Ay mi amor…
Corazón y pasión…

When you touch my hand el mundo para
Every look from you mi alma dispara
Trumpets sing the way I feel
This love is strong this love is real

Dance with me bajo la luna
Every step nos acerca más
Let the night keep our secret
This moment will always last

Corazón y pasión baila conmigo
Siente el fuego stay here conmigo
Corazón y pasión solo contigo
Hasta que salga el sol mi destino

Every kiss you give es mi fortuna
Your embrace shines brighter que la luna
Every beat of my heart’s for you
Every dream that I chase is true

Dance with me bajo la luna
Every step nos acerca más
Let the night keep our secret
This moment will always last

Corazón y pasión baila conmigo
Siente el fuego stay here conmigo
Corazón y pasión solo contigo
Hasta que salga el sol mi destino

No me sueltes mi vida
Hold me closer tonight
Every breath is a promise
We’ll be alright

Corazón y pasión baila conmigo
Siente el fuego stay here conmigo
Corazón y pasión solo contigo
Hasta que salga el sol mi destino

CREDITS
Performer: Celesmara
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
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Bad At Fractions
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
Bad At Fractions 31598 03:41
All for One Y. 371454 04:18

Bad At Fractions

Ayvenn


You walked in counting every step
I lost track somewhere near your hips
You said “Baby keep it logical”
Then moved like logic didn’t exist

My drink was ninety-nine percent
Cool confidence and one percent fear
You leaned in close changed every sum
Now nothing adds up over here

I tried to draw a straight line
You turned it to a curve
I calculated all night
Still got what I deserve

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You got a rhythm like a riddle
Every answer starts a fight
Your waist keeps changing the percentage
Of the chances I act right

I brought a list of good decisions
You divided every plan
Now my balance is suspicious
And my patience left the band

I tried to keep it even
You raised it to a ten
I checked the calculation
Then did it all again

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
You say “Count it”
I lose my place
When that rhythm hits the bass

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
No remainder no return
Let the whole equation burn

Square root round hips
Quick clap slow kiss
I know numbers I know facts
But you make two plus two misbehave like that

Left turn three steps
No sleep no regrets
Every theory that I had
Falls apart when you do that

*(Ay ay—do that)*
*(Otra vez—do that)*

**[Final Chorus]**
I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math

*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*
No remainder no looking back
Take all of me—do the math

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

In The Algo We Glide
Studio 54 Monkeys

In The Algo We Glide

Studio 54 Monkeys


Feel
the
heat
metal
veins
hum
fingers touch the digital drum

Spark and surge
circuit's trance
synthetic beats
we
start
to
dance

Electric whispers
brake the code
in the algo we glide

Feel
the
heat
metal
veins
hum
fouch
the
drum
Spark
and
surge
circuit's
trance
beats
we
start
to
dance

brake the code
in the algo we glide

CREDITS
Performer: Studio 54 Monkeys
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
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Hold Your Cross
Aurora Finch

Verified Verified Artist

Aurora Finch
Aurora Finch is an independent singer-songwriter from Edinburgh, Scotland. She is contracted under Filodyo and whose work voraciously resonates with the vast local music scene.

Born and raised in the shadow of the UK's most mystical capital, Finch has evolved from singing in the rain-soaked alleyways of Edinburgh, a city globally recognized for its love for stirrings of creativity, to performing at local venues. Known for her deep-textured voice and unwavering dedication, she paints an ethereal sonic portrait that revolves around themes of love, life, and memories. Aurora plays guitar like she's ringing a bell and is able to stir up some pretty gnarly sound liveliness when she combines it with her husky vocals. There is, however, nothing 'cold' about this Finch, except perhaps her icy-blue guitar which has become her trademark.

One of her most notable tracks, "Hold Your Cross", showcases Aurora's ability to weave melodies that perfectly blend depth and lightheartedness. With lyrics that touch on the intricacies of human nature and tell a captivating story, the song is just one of many illustrations of her uncanny ability to resonate deeply with listeners. The song showcases Finch's gift - a knack for writing melodies as magnets for emotions, attracting both the reminiscent and visionary listeners from all around her hometown.

Whether it's on stage or off, Aurora Finch emanates warmth and wit in equal measure. She's the kind of artist you expect to find writing lyrics on a napkin in a quirky café or strumming her guitar from the comfort of a worn-out armchair. With a brilliant talent whose roots are firmly grounded, Aurora Finch is definitely a name to look out for in the increasingly eclectic world of independent music.
Track(s)
Hold Your Cross 24170 02:16

Hold Your Cross

Aurora Finch


Raise your fears up high
Or drown 'em in the sea
Screamin' in the air
Somethin'
Somethin'
Somethin'

Keep your legs
Your legs steady
Head
Head
Heavy
Hold your cross 'til the bell tolls
Keep your legs
Your legs steady
Head
Head
Heavy (Kee-kee-kee)
Hold your cross and make amends
(Bong bong bong)

Findin' new weather
Paintin' the new hymn
Through the eyes of believers
Buildin'
Buildin'
Buildin'

Keep your legs
Your legs steady
Head
Head
Heavy
Hold your cross 'til the bell tolls
Keep your legs
Your legs
Steady
Head
Head
Heavy
Hold your cross and make amends
Hold steady

CREDITS
Performer: Aurora Finch
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Riddim of Peace
Dreadlock Boys

Verified Verified Artist

Dreadlock Boys
Scoot over, Marley, there’s a new reggae sheriff in town. Straight from the sunny sidewalks of Kingston, Jamaica, the Dreadlock Boys are laying down fresh beats in the reggae scene.

This pair of plaited prodigies isn't your grandma's reggae. Combining traditional roots rhythms with just a hint of ska spice and a not-so-subtle sprinkle of dancehall energy, these boys aren't just playing by the book – they’re writing their own. And don't let that laid-back island vibe fool you; these guys are as serious about making you laugh as they are about perfecting the offbeat.

Their standout single "Riddim of Peace" might just be the happiest jam this side of Montego Bay. With its earworm melody and bouncy bassline, it’s as infectious as a belly laugh in a silent library. It's the kind of track that leaves the grumpiest of gurners grinning like a Cheshire cat at an all-you-can-eat fish buffet.

So come, sit, and sway to the soothing sounds of the Dreadlock Boys. They'll be your pint-sized purveyors of peace, your lyrical lifesavers when the going gets tough. After all, joy does come in the morning and the Dreadlock Boys are here to serve it up with a side of reggae, none of those nasty grimaces, thank you very much.
Track(s)
Riddim of Peace 179285 02:50

Riddim of Peace

Dreadlock Boys



Yah man mi wake up wid di sun pon mi face
One cup a tea an’ a likkle embrace
No rush no run we tek tings slow
Peace inna di heart mek di good vibes flow

Call up di crew from down di lane
Laugh and chat no room fi pain
Every likkle yout’ every likkle gyal
We jam together like one big pal

Dance fi di love move fi di light
Raise up ya hand if ya feelin’ right
No need fi gun we a blaze di tune
Singin’ fi peace under di mango moon

Bredda sistren bring ya soul
One riddim mek di broken whole
Shake off di stress fling ‘way di fear
Jah voice a whisperin’ inna we ear

Skank pon di corner joy in di beat
Barefoot jammin’ in di midday heat
Tell Babylon: we nah go low
We buildin’ love like a riverside flow

[Outro - Spoken Word Style]
So light up di hope let it blaze like fire
One world one song one higher desire
Peace nuh just a dream it a ting we live
With every dance step we learn fi forgive

CREDITS
Performer: Dreadlock Boys
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Il Punto Piu Vivo
Milo Sartini

Verified Verified Artist

Milo Sartini
Milo Sartini grew up near Italy’s Adriatic coast in a family where meals regularly became debates and kitchen utensils often became percussion instruments. That lively upbringing shaped an artist drawn to movement, language and the small absurdities of everyday life. His music combines quick-witted Italian storytelling with muscular funk bass, Mediterranean percussion and contemporary pop production.

Sartini studied cultural anthropology at the University of Bologna, focusing on music, public space and the rituals that bring strangers together. He later trained in contemporary composition, arrangement and studio production at a private music institute in Milan. His academic background still informs his work: every rhythm has a social purpose, every instrument enters for a reason, and humour is treated as seriously as melody.

His debut single, “Il Punto Più Vivo,” introduces Sartini as a singer, producer and observant narrator with an instinct for turning ordinary scenes into kinetic music. His delivery moves naturally between singing and rhythmic speech, supported by precise percussion, brass accents and tightly controlled electronic production. Intelligent without becoming academic and playful without becoming novelty, Milo Sartini makes pop music that notices how people actually live.
Track(s)
Il Punto Piu Vivo 8188 04:08

Il Punto Piu Vivo

Milo Sartini


Uno viene dal porto
Uno scende dal tram
Una ride da sola
Uno non sa dove va

Ma il tamburo li chiama
Senza chiedere chi sei
Questa sera la strada
Ha più nomi di noi

C’è chi arriva con tre parole
Chi ne porta tremila
Chi cucina sopra un balcone
Chi ripara una bicicletta

C’è una radio dietro una porta
Che trasmette da chissà dove
Una nonna detta la danza
A una banda di ventenni

Il tassista perde il turno
Per seguire quel contrabbasso
Un bambino batte il tempo
Con due cucchiai sopra un piatto

Nessun palco nessun padrone
Nessun posto riservato
Quando il ritmo prende la piazza
Ogni nome viene chiamato

Vieni qua
Non serve sapere perché
Vieni qua
Porta soltanto quello che c’è

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi

Una cuoca lascia il grembiule
Per un passo mezzo sbagliato
Un avvocato molto serio
Fa qualcosa mai studiato

Due turisti senza mappa
Hanno perso la prudenza
Una coppia che litigava
Ora balla la stessa frase

C’è chi viene per curiosare
Chi domani deve partire
Chi ha promesso “solo un minuto”
Ed è ancora qui alle tre

Non importa da quale tavolo
Da quale treno o quartiere
Siamo pezzi senza istruzioni
Che funzionano tutti insieme

Vieni qua
Non devi assomigliare a me
Vieni qua
Porta il tuo modo di stare in piedi

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi

Dimmi come batti il tempo
Con il palmo o con il mento
Con le scarpe sul cemento
Con un fiato preso al volo

Uno due — non basta ancora
Tre quattro — viene l’aurora
Cinque sei — cambia la storia
Sette miliardi nella stessa gola

Io dico: vicino
Tutti: più vicino

Io dico: più forte
Tutti: fino al mattino

Io dico: chi siamo?
Tutti: quelli che arrivano

Io dico: dove siamo?
Tutti: dove le cose cominciano

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Ogni passo trova il modo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Non c’è un centro sulla carta
Il centro siamo noi

Uno torna verso il porto
Uno aspetta ancora il tram
La mattina prende nota
Di chi non si fermerà

Tum tum
Il centro siamo noi
Tum tum
Il centro siamo noi

CREDITS
Performer: Milo Sartini
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

All Night
Kaito

Verified Verified Artist

Kaito
Kaito is a captivating adult Japanese electronic pop and contemporary R&B artist whose sleek after-dark identity resonates with listeners. Known for his intimate vocals and minimalist hooks, Kaito's music creates an atmospheric space where the pulsating rhythms and bass-driven club production come alive. Each track invites audiences to lose themselves in a world of sound, exemplified by his latest release, "All Night," which showcases his ability to weave emotional depth into infectious grooves.

The essence of Kaito's artistry lies in his controlled and magnetic stage presence, captivating fans as he performs with finesse. His style reflects a blend of genres that create a seamless experience, allowing him to connect deeply with his audience. The interplay of electronic elements and smooth R&B vibes fosters a sense of intimacy, perfect for both late-night escapades and reflective moments.

With a growing catalog, Kaito continues to push the boundaries of adult electronic music, inviting listeners to explore their emotions through rhythm and melody. His work stands as a testament to the power of music as a universal language, bridging cultures and experiences while keeping the dancefloor alive with energy and connection.
Track(s)
All Night 31517 02:44

All Night

Kaito


Yeah… uh-huh
Turn it up turn it up — woo!

Lights down low
I move you know
One touch — slow
don’t let me go

Hands on me
heartbeat loud
Lost in sound
can’t stop now

We go all night (yeah!)
till the sunrise (uh!)
Your body my vibe —
we don’t need no alibi
We go all night (o-oh!)
just you and I (na-na)
Can’t fake this high —
we go all night

All night all night — yeah!
All night all night — woo!
Touch me move right —
we go all night

Flash that smile
heat goes wild
You pull I slide
our worlds collide

Bass so deep
we lose control
One look I know —
I want your soul

We go all night (yeah!)
till the sunrise (uh!)
Your body my vibe —
we don’t need no alibi
We go all night (o-oh!)
just you and I (na-na)
Can’t fake this high —
we go all night

All night all night — o-oh!
All night all night — yeah!
We don’t talk we just vibe
we go all night

CREDITS
Performer: Kaito
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Transmission Null
Qore and Vynn

Transmission Null

Qore and Vynn



CREDITS
Performer: Qore and Vynn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Les Petites Choses ...
Mina Cazal

Verified Verified Artist

Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.

Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.

Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Track(s)
Les Petites Choses de Travers 11688 03:04

Les Petites Choses de Travers

Mina Cazal


Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses

Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »

Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades

J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous

À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »

Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique

J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication

Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local

Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration

On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner

D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu

La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie

La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment

Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin

CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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