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The Man Who Sold th...
Wrong Floor Cinema
Verified Artist
Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.
Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.
Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
The Man Who Sold the Rain
Wrong Floor Cinema
He wore a beige suit
In the middle of June
Said he had answers
Coming very soon
He had a suitcase
Full of folded air
He sold umbrellas
When the sky was fair
Step right up
Don’t ask why
Every little cloud
Has a price to buy
He was the man who sold the rain
Sold it once
Then sold it again
He was the man who sold the rain
Everybody got wet
But nobody complained
He shook the mayor’s hand
With a plastic smile
Promised good weather
In a single-file
He made a chart
With a rising line
Said bad predictions
Were a warning sign
Step right up
Don’t ask why
Every little cloud
Has a price to buy
He was the man who sold the rain
Sold it once
Then sold it again
He was the man who sold the rain
Everybody got wet
But nobody complained
By the time they checked the contract
The ink had gone away
He left a little business card
That simply said: “Someday”
He was the man who sold the rain
Sold it once
Then sold it again
He was the man who sold the rain
Now they buy the thunder
And lease the hurricane
CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Left Me Dancing
Velvet Tax
Verified Artist
Velvet Tax
Velvet Tax is a young female singer hailing from Poland, infusing her music with a vibrant sense of self and personal narrative. With her single "Left Me Dancing," she introduces listeners to her raw, emotive vocal style that draws from her life experiences and the complexities of modern relationships. Her approach to songwriting is deeply personal, often blending introspection with relatable themes, which resonates well with a diverse audience seeking authenticity in music.
Although her catalog currently features only "Left Me Dancing," Velvet Tax's artistry hints at a promising evolution. With the ability to weave intricate melodies and poignant lyrics, she creates a sonic landscape that reflects both melancholy and joy. This duality sets the stage for future projects that are likely to explore various moods and genres, showcasing her versatility as an artist. Each subsequent track is anticipated to build upon the foundation laid by this debut, further enriching her identity as a musician.
As Velvet continues to develop her sound and expand her repertoire, her potential for growth is evident. Whether through collaborations with fellow artists or exploring different musical styles, she is poised to make a significant mark within the independent music scene. With every new release, fans can expect her captivating storytelling and expressive vocals to flourish even more, inviting them along on her artistic journey.
Left Me Dancing
Velvet Tax
You left me crying
But I came back dancing
Mm
I came back dancing
You took the keys
But not the door
You took your coat
But not the storm
I kept the dress
You never liked
Put on my heels
And killed the lights
You thought I’d call
You thought I’d break
You thought my heart
Would learn your name
But I found myself
At half past two
In a crowded room
Not missing you
I let the mirror see me
With my makeup running
Then I wiped it clean
Like I saw you coming
You were the lesson
I was the flame
You left the woman
But she changed her name
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing
I saw your friends
They looked surprised
Like I should hide
Like I should cry
I smiled so sweet
They looked away
I guess revenge
Can wear a face
No angry texts
No midnight scene
No begging you
To come to me
I changed the song
I changed the room
I changed the girl
Who waited for you
I let the mirror see me
With my heart wide open
Then I sewed it up
With a little gold thread
You were the reason
I hit the ground
But I’m the reason
I’m rising now
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing
I was a house with the windows open
You were the match in a careless hand
I was the girl who kept forgiving
Now I’m the woman you can’t command
I don’t hate you
That’s too easy
I don’t need you
That’s the twist
I don’t want you
To come save me
I just want you
To see this
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
You left me lonely
But I came back shining
You left me broken
But I came back diamond
You left me crying
But I came back dancing
Da-da-da-dancing
I came back dancing
CREDITS
Performer: Velvet Tax
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Mirrors in Motion
Liora Vane
Mirrors in Motion
Liora Vane
CREDITS
Performer: Liora Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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The Sweetest Tornado
Blake Felton
Verified Artist
Blake Felton
Despite sounding like a comic book alter ego, Blake Felton is anything but fictitious. Sure, the moniker is a cheeky assent to his fervent admiration for Blake Shelton, but our guy Felton wears his alias with a tireless charm that’s just as compelling as his given name, Alex. Drawing inspiration and maybe even a little mischievous wit from his country idol, he weaves an intrinsic thread of twang into his unique sound, establishing an undeniable presence in the rootsy pop-rock arena.
Blake Felton stories often come with a touch of humor, just like his catchy, because-why-not song titles. Take, for example, his hit single "The Sweetest Tornado”. It's as if he baptizes every storm he crosses paths with in the sugariest syrup, then serenades it with an infectious melody until it becomes more pop-chart-whirlwind than natural disaster. But don't let that fool you; beneath his nimble storytelling and pun-laden lyrics, Blake showcases a robust, soulful voice that conveys a depth of emotion beyond the jovial exterior. Immensely captivating, a bit heartbreakingly sweet, and always full of unexpected fun - that's Blake Felton in a nutshell. He certainly isn't Blake Shelton, but in a twist of fate tinged with irony, he just might end up becoming more talked-about than his namesake.
The Sweetest Tornado
Blake Felton
She blows into town on a street bike
With her hair done up in cornrows
Gets off the gas like a hot dam
Wearing all pink head to toe
She steps into the bar like a cannonball
All the folks turn around like an old saw
She orders three shots
Honey on the rocks
And a Manhattan in her straw
She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row
Said a bad word one time in a nightclub
Said "Oops
That's too far"
Always says thank you to the bartender
Always says "Please
" "Oops
That's too far"
She steps into the bar like a cannonball
All the folks turn around like an old saw
She orders three shots
Honey on the rocks
And a Manhattan in her straw
She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row
The summer nights
They call her name
The winter months
They call in vain
When she's there
People can't complain
The streets are flooded from the rain
She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row
CREDITS
Performer: Blake Felton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Linearity
The Last Exit Left
Linearity
The Last Exit Left
CREDITS
Performer: The Last Exit Left
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Another Shot
Melly Rich
Verified Artist
Melly Rich
Melly Rich, born to a Lebanese family in Amsterdam, grew up surrounded by two worlds: the culinary brilliance of her father, Chef Khaled Rich, and the rich cultural heritage of the Middle East. Her father is the head chef of La Maison des Délices, one of France’s most prestigious Michelin-starred restaurants, known for its fusion of French and Middle Eastern flavors. Despite her father's fame in the culinary world, Melly's passion led her down a different path.
Though her family assumed she would follow in her father’s footsteps, Melly was captivated by music from a young age. With her father’s full support, she began singing, though her formal education took her into the world of architecture at the University of Amsterdam.
Balancing her studies with her love for music, Melly began to develop a unique sound, blending her Middle Eastern roots with the vibrant energy of Western pop. Her breakthrough single, "Damn, I Wish I Were in Istanbul", captures this fusion perfectly. The song carries hints of oud and traditional Arabic rhythms, interwoven with modern pop beats, creating a bridge between two worlds. It’s not just a catchy tune—it’s a love letter to her cultural identity, filled with nostalgia for the warmth and chaos of the Middle East, while reflecting her cosmopolitan life in Europe.
The song quickly gained attention, especially for its atmospheric vibes that pull listeners into a dreamlike vision of Istanbul, with its bustling bazaars and shimmering Bosphorus views.
Melly's ability to infuse her music with Middle Eastern influences sets her apart in the global music scene, and though she’s still juggling her architectural studies, there’s no doubt that music is where her heart truly lies. With the world now watching, Melly Rich is on her way to becoming an international sensation, blending cultures and genres like her father blends flavors at his famous restaurant.
Another Shot
Melly Rich
do not be afraid- this is not fm
you're on filodyo
Sitting in my jail cell
Eating my beans
And I'm going to hell
If you know what I mean
'Cause I was guilty as charged
On that dark night
But now I'm here
And I want to make things right
I've been here before
Knocking on heaven's door
But I'm gonna try once more
It's my time to shine
And I ain't gonna stop
It's my time to shine
'Cause I got another shot
It's my time to shine
And I ain't gonna stop
It's my time to shine
'Cause I got another shot
I had my first day out
Back on the streets
With nothing in my pockets
But a pair of keys
So I put them in the ignition
Of a new Cadillac
And I went cruising
Down the tracks
I've been here before
Knocking on heaven's door
But I'm gonna try once more
It's my time to shine
And I ain't gonna stop
It's my time to shine
'Cause I got another shot
It's my time to shine
And I ain't gonna stop
It's my time to shine
'Cause I got another shot
CREDITS
Performer: Melly Rich
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Just Like That
Checkmate
Verified Artist
Checkmate
Checkmate formed in London out of restlessness rather than intention. Different neighborhoods, different backgrounds, same impulse: to move, to react, to play music that refuses to stand still. Ska was never a costume for them, it was a language. Fast rhythms, sharp turns, humor used as defiance. They grew up surrounded by noise, contradictions, and crowded streets, and their sound reflects that constant motion.
Their music is playful but not careless, political without slogans, chaotic but precise. Each member brings a different energy, and none of them try to smooth those edges out.
Checkmate thrives on contrast: bright melodies against nervous tension, joy next to disruption. What comes out is loud, physical, and alive. Their releases are heard only on Filodyo and NOT FM, where movement matters more than polish and nothing is forced to sit quietly in the background.
Just Like That
Checkmate
Bus is late but the sun is out
Someone’s laughing way too loud
Corner shop knows my face
Same old song same old place
Shoelace broke still on time
Found a coin lost my mind
Nothing special nothing deep
But today’s been good to me
Radio plays that beat again
Head goes left feet say “amen”
I wasn’t looking for a sign
But the street feels right in time
Life’s doing fine yeah look around
Sticky tables familiar sounds
Not a movie not a plan
Just a good day where I stand
Life’s doing fine no big parade
Just walking slow no rush today
If this is all I’m cool with that
Yeah I like it just like that
Coffee spills laugh it off
Wrong turn but I don’t stop
Shoes too tight shirt’s too thin
Still smiling when I walk in
Someone hums the tune I know
Traffic moves then says hello
Nothing changed still feels new
Guess the trick is how you view
No winning streak no finish line
Just wasting time and feeling fine
If this moment’s all I get
I’m not mad at it yet
Life’s doing fine yeah look around
Bent street signs old beat-up towns
Not a headline not a scam
Just a good day where I stand
Life’s doing fine no big parade
Late night talks cheap lemonade
If this is all I’m cool with that
Yeah I like it just like that
Maybe tomorrow’s loud and rough
But today’s already enough
No promises no advice
Just breathing in a decent life
Life’s doing fine hear that horn
Someone dancing someone bored
Not a dream not a trap
Just a moment and I’ll clap
Life’s doing fine I’ll say it twice
Not perfect but it’s nice
If this is all I’m cool with that
Yeah I love it just like that
Just like that
Yeah just like that
CREDITS
Performer: Checkmate
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Crossed Wires
Liora Penn
Verified Artist
Liora Penn
Liora Penn is a captivating UK garage pop singer whose music deftly combines crisp rhythmic delivery with an emotionally charged melodic style. Her approach to two-step grooves showcases a natural affinity for movement, inviting listeners to engage both physically and emotionally. With an emphasis on precise hooks, Liora crafts songs that resonate with a relatable authenticity, reflecting the complexities of modern relationships. This connection between her lyrics and the listener's personal experiences forms the backbone of her artistic identity.
Her standout track "Crossed Wires" epitomizes her signature sound, seamlessly blending dance, electronic, and pop elements into a bittersweet yet energetic offering. The playful undertones in her production enhance the emotional depth of her storytelling, inviting audiences to explore themes of love, miscommunication, and introspection. Liora's collaborative relationship with producer Hakan E. has further polished her contemporary sound, ensuring each release maintains a fresh and vibrant edge while anchoring it firmly within the UK garage pop landscape.
As Liora continues to evolve as an artist, her catalog promises to expand on the themes of connection and emotional honesty that define her work. By navigating the interplay between upbeat rhythms and more contemplative lyricism, she invites listeners into a world where every beat carries significance. Whether dancing in celebration or reflecting in stillness, fans find a piece of themselves within Liora's music, making her an essential voice in today's independent music scene.
Crossed Wires
Liora Penn
You call at two I miss by one
Two small signals come undone
Your name glows blue across my phone
I read it twice then walk back home
A simple word arrives too late
A second chance meets a closing gate
We keep our pride on separate lines
Then blame bad luck for broken signs
One step left one step right
Same small spark on different nights
Say it plain cut through noise
Give this feeling back its voice
Crossed wires crossed wires
Every message feeds the fire
You say stay I hear goodbye
We lose truth between reply
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here
Your friends say wait mine say move
None of them can choose our truth
We trade three dots then let them fade
A tiny war that we both made
I know your habits you know mine
How we turn care to warning signs
So drop that script forget who wins
Let one good sentence pull us back again
One step left one step right
Same small spark on different nights
Say it plain cut through noise
Give this feeling back its voice
Crossed wires crossed wires
Every message feeds the fire
You say stay I hear goodbye
We lose truth between reply
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here
No coded phrase no careful pose
Say what hurts and what still grows
I can take an honest line
If you can take this heart of mine
Crossed wires crossed wires
Now we cut across that fire
You say stay I hear it right
We choose us and end this fight
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here
CREDITS
Performer: Liora Penn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Ornamental Collapse
Distant Grammar
Ornamental Collapse
Distant Grammar
CREDITS
Performer: Distant Grammar
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Lost in the Traces
Helena Joy Castillo
Verified Artist
Helena Joy Castillo
Helena Joy Castillo, hailing from the vibrant city of Stockholm, has carved a niche for herself in the electronic music scene with her dynamic and emotive sound. Her latest track, "Lost in the Traces," showcases her ability to blend melancholy and upliftment through pulsating beats and atmospheric synths, inviting listeners into a world where searching and finding intertwine. With its melodic EDM essence, each piece in her catalog reflects a deep emotional core underscored by energetic rhythms. Tracks like "Echoes of Tomorrow" and "Veils of Light" further explore themes of introspection and resilience, often characterized by powerful drops that resonate long after the final note.
Her journey began in the local club scene, where Helena met like-minded musicians inspired by techno's roots and the energizing pulse of dance music. Together, they crafted a refreshing sound that fuses deep basslines with haunting vocals and rich piano arrangements. The synergy between her lyrics and production creates an immersive experience; every track is an invitation to feel and reflect. Helena's artistry is marked by a playful yet aggressive energy that captivates audiences, making her an essential voice in contemporary electronic music.
Lost in the Traces
Helena Joy Castillo
Where do the rivers hide…
When the night divides?
I walk through the frames of a broken day
Colors dissolve but they point the way
Every shadow is a map I keep
Leading me back through the endless deep
I can feel it close and near
A fading sign but it’s still clear
I’m lost in the traces drawn to the sound
I fall but the silence won’t keep me down
I’m lost in the traces finding the flame
Through ruins and whispers I call your name
The walls collapse but the ground still holds
Fragments of light in the dark unfold
Every distance is a thread to tie
Every horizon becomes the sky
I can feel it close and near
A fading sign but it’s still clear
I’m lost in the traces drawn to the sound
I fall but the silence won’t keep me down
I’m lost in the traces finding the flame
Through ruins and whispers I call your name
Shadows move but I remain
Through the traces of your name
I’m lost in the traces drawn to the sound
I fall but the silence won’t keep me down
I’m lost in the traces finding the flame
Through ruins and whispers I call your name
Where do the rivers hide…
When the night divides?
CREDITS
Performer: Helena Joy Castillo
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Tomorrow Needed
Roxelle
Verified Artist
Roxelle
Roxelle is a Romanian-born singer and songwriter currently based in the United Kingdom. Growing up between Eastern European traditions and Western pop culture, she developed an early fascination with rhythm, melody, and visual storytelling. Her background gave her a distinctive sense of contrast, mixing emotional depth with bold self-expression, something that would later become central to her artistic identity.
After relocating to the UK in her early twenties, Roxelle immersed herself in the underground pop and electronic scenes, refining her sound and performance style. Influenced by modern pop, dance, and subtle R&B textures, she crafts songs that balance confidence with vulnerability. Her vocals move effortlessly between smooth, controlled delivery and striking, attitude-driven hooks, creating a sound that feels both intimate and commanding.
Roxelle’s music explores themes of independence, desire, and emotional resilience, often framed through sleek, contemporary production. Known for her strong visual aesthetic and fashion-forward presence, she approaches music as a complete artistic experience rather than just sound. With a growing catalog of releases, Roxelle positions herself as a new-generation pop artist shaped by movement, migration, and self-definition.
No Tomorrow Needed
Roxelle
Heels hit the floor I feel it start
Bass in my chest steady and sharp
No explanations no excuse
I move the room just how I choose
Eyes follow motion not my name
I don’t repeat I don’t stay same
One step closer to the sound
I don’t wait I turn around
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cross the line
Disco strings rise
Bass keeps talking
Hands in the air
No words just timing
Mirrors shake when I pass through
Every angle feels brand new
No permission no delay
I decide how long I stay
Heat is building in the crowd
I don’t need to say it loud
Count it in feel it land
Everything is in my hands
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cro
Jacket on I leave it open
Streetlight glow my focus broken
Every sound pulls me in
I don’t ask where we’ve been
I don’t read the signs twice
I move once that’s my advice
If it feels right I don’t slow down
I let the night spin me around
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
Every step is calculated
Still it looks so effortless
I don’t wait to be invited
I arrive I don’t impress
Crowd reacts I don’t chase
I just take up space
Hear my name inside the bass
I don’t rush I keep my pace
Yeah
She don’t plan it she appear
Whole room shift when she near
No tomorrow in her mind
Only now perfect time
She don’t promise she decide
Every move amplified
I’m just watching from the side
Tryna keep up with her stride
No delay no rewind
She already crossed the line
When she move place complies
That’s the signal that’s the sign
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
No tomorrow (no tomorrow)
Needed (needed)
No tomorrow (no tomorrow)
I don’t need it (don’t need it)
No tomorrow (no tomorrow)
Needed (needed)
If I want it (if I want it)
I’m in it (I’m in it)
CREDITS
Performer: Roxelle
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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