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A Second Sun
Loch Ness Monsters
Verified Artist
Loch Ness Monsters
Rising from the enigmatic allure of Brighton's coastal shores, Loch Ness Monsters are a four-piece band reshaping the contours of alternative rock and pop.
Comprised of the ethereal vocalist Isla "Izzy" McLeod, the enigmatic guitarist Finnegan "Finn" Hartley, the introspective bassist Leo Summers, and the rhythmically ingenious drummer Pippa Clarke, the band weaves together threads of myth and modernity. Their name pays homage to the legendary creature of the deep, symbolizing the hidden depths and untapped mysteries they explore through their music.
Their breakout single, "I Fall Too Deep," plunges listeners into a whirlpool of emotion with its irresistibly catchy chorus and haunting melodies.
The song is a sonic journey, echoing the sensation of being submerged in one's feelings, fears, and desires. Izzy's haunting vocals glide over Finn's shimmering guitar riffs, while Leo's pulsating bass lines and Pippa's dynamic drumming create an undercurrent that pulls the audience into uncharted territories of sound. The track has become an anthem for those unafraid to delve beneath the surface, catching the attention of listeners in the stores where Filodyo broadcasts.
The band's origin story is as captivating as their music. Meeting by chance during a midnight swim on a dare at Brighton's pebble beach, the quartet bonded over shared tales of folklore, a love for genre-blending music, and a mutual sense of adventure.
Their performances are not just concerts but immersive experiences; they often incorporate visual art, storytelling, and atmospheric lighting to transform venues into mystical landscapes.
Loch Ness Monsters invite their audience to join them in the depths, challenging everyone to embrace the unknown and find beauty in the unexplored.
A Second Sun
Loch Ness Monsters
Footsteps linger where rivers bend
The weight we carry begins to mend
Every crack in the earth reveals
The hidden strength that time conceals
Raise your voice the silence fades
We’re the makers of brighter days
Through the storm and through the dust
We’ll rebuild what we entrust
We are more than what we’ve seen
Drawing colors from the gray between
Every fall a chance to rise
A second sun in the open skies
Shadows stretch but cannot stay
We carve a path come what may
With steady hands we shape the stone
This is the place we call our own
Raise your voice the silence fades
We’re the makers of brighter days
Through the storm and through the dust
We’ll rebuild what we entrust
We are more than what we’ve seen
Drawing colors from the gray between
Every fall a chance to rise
A second sun in the open skies
No more waiting for a sign
We are the spark the new design
Every heartbeat a drum of change
A rhythm fierce a future unchained
Stillness settles then takes its leave
What we sow we’ll soon believe
With open arms we face the tide
A journey shared side by side
We are more than what we’ve seen
Drawing colors from the gray between
Every fall a chance to rise
A second sun in the open skies
Tomorrow sings in voices clear
A melody we hold so near
Step by step the dawn will show
All we are and all we’ll know
CREDITS
Performer: Loch Ness Monsters
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Almost Beautiful
Sand Castle of Ma
Verified Artist
Sand Castle of Ma
Sand Castle of Ma is a vibrant four-member indie rock band hailing from the lush landscapes of Seattle. The group, consisting of the charismatic vocalist Eli Stratton, guitarist Finn Mercer, bassist Leo Keene, and drummer Jasper Quinn, formed in a local coffee shop where they bonded over their mutual love for music and the arts. With their diverse backgrounds and experiences, each member brings a unique flavor to the band’s collective sound, creating a harmonious blend that resonates deeply with listeners.
The band’s debut track, "Almost Beautiful," captures the essence of their style—an exploration of the complexities of beauty and imperfection. Drawing on themes of introspection and emotional depth, Sand Castle of Ma weaves together melodic guitar lines with earnest lyrics that invite listeners to reflect on their own experiences. Their sound artfully combines influences from classic rock and contemporary indie styles, allowing them to carve out a niche that feels both fresh and familiar.
As they continue to evolve, Sand Castle of Ma aims to expand their catalog with more tracks that reflect their evolving identity. The chemistry among Eli, Finn, Leo, and Jasper fuels their creativity, promising an exciting future filled with dynamic performances and heartfelt music. With a growing fanbase and a distinctive sound, they are quickly becoming a notable presence on the indie rock scene.
Almost Beautiful
Sand Castle of Ma
Yeah
Almost beautiful
You left your shadow
On the passenger side
Like a quiet ending
At a red street light
I kept the moment
But I lost the weight
Of waiting for something
That was already late
Now days feel lighter
When the hope runs out
I hear my own voice
A little less loud
And I don’t hate you
That takes too much room
I just stopped turning
The sky into you
Maybe we were young
Maybe we were tired
Maybe love got lost
Somewhere in the wires
I don’t need a reason
I don’t need a sign
I just need tonight
To feel like mine
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
I saw your name
On a screen last night
It didn’t hurt me
Like I thought it might
Just a small old feeling
Passing through
Like a song from a car
That never stops for you
I walked for hours
Under changing signs
No big confession
No perfect line
Just a quiet freedom
I never planned
Like letting go
Without using my hands
Maybe we were close
Maybe we were blind
Maybe love looks better
From the other side
I don’t need an answer
I don’t need a fight
I just need my heart
To sleep tonight
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
I won’t call it wasted
I won’t call it wrong
Some people are chapters
That read too long
I won’t make you guilty
I won’t make me small
We were almost something
And that’s something after all
Almost beautiful
Almost true
Almost everything
I wanted with you
Almost beautiful
Almost gone
I can still remember
But I can move on
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
Mm
Almost beautiful
Losing you
CREDITS
Performer: Sand Castle of Ma
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Wrong Exit Saturday
The Southbounders
Verified Artist
The Southbounders
The Southbounders are a four-piece alternative rock band whose story began in the late 1990s, when a group of high school friends started playing together after classes, rehearsing wherever they could find space. What began as a casual obsession quickly developed into a distinct sound built around worn guitar tones, restrained melodies, rough-edged vocals, and songs about restless youth, small-town frustration, and the urge to leave everything behind.
In their early years, The Southbounders played school events, small clubs, local festivals, and independent venues, gradually building a loyal following. Their music blended the weight of post-grunge with the warmth of Americana and folk-rock, giving the band a sound that could feel raw and aggressive one moment and unexpectedly fragile the next. Each member brought a different musical instinct to the group, helping create a style that felt less polished than mainstream rock, but far more personal.
Rather than becoming a conventional commercial act, The Southbounders slowly developed the reputation of a band people discovered and held onto. Their songs became associated with long drives, late-summer evenings, empty streets, and that particular kind of uncertainty that comes with growing up. Looking back, their story feels less like one of ambition or fame and more like four friends who happened to capture the mood of their time in a handful of songs that still sound honest years later.
Wrong Exit Saturday
The Southbounders
Prompt
Wrong exit
Keep going
Too late now
Danny swore he knew the shortcut
Mick was reading from a folded map
Twenty minutes past the junction
Nobody was turning back
Found a fair beside a football ground
Won a plastic trophy at a game
Some kid talked us into bumper cars
Now Danny’s wearing someone’s paper crown
Every little plan went missing
Somewhere between here and there
Wrong exit Saturday
Nothing going quite our way
Every turn becomes a story
Every stop gives us another name
Wrong exit Saturday
We were never good at straight lines anyway
If we end up somewhere different
Maybe that’s the better place
Wrong exit Saturday
Keep going
Mick bought sunglasses far too large
Danny posed beside a painted horse
We took pictures in a photo booth
None of us looked like ourselves
Found a diner by the service road
Stayed until the rain moved on
Someone started tapping out a rhythm
Three of us were singing before long
Every little plan went missing
And nobody seemed to care
Wrong exit Saturday
Nothing going quite our way
Every turn becomes a story
Every stop gives us another name
Wrong exit Saturday
We were never good at straight lines anyway
If we end up somewhere different
Maybe that’s the better place
Wrong exit Saturday
Keep going
Who has the map
Mick does
Is it upside down
Possibly
Where are we
No idea
Good
Keep going
Evening found us by the coastline
Shoes full of sand and pockets light
Danny said we missed the whole thing
Mick said maybe this was it
Nobody had an answer ready
So we stayed until the sun went down
Then took the longest road back home
Still arguing about which way round
Wrong exit Saturday
Nothing going quite our way
Every turn became a story
Every stop gave us another name
Wrong exit Saturday
We were never good at straight lines anyway
If we end up somewhere different
Maybe that’s the better place
Wrong exit Saturday
Keep going
Danny says
Next time I drive
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Lyrics
CREDITS
Performer: The Southbounders
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Self Mastery
Zahna Krouphouse
Verified Artist
Zahna Krouphouse
Known for producing groovy beats that put a wiggle in your walk, Zahna Krouphouse is the hidden gem of the electronica scene with a penchant for igniting spontaneous kitchen dance parties. To the unassuming listener, Zahna's refreshing sound spells out freedom, exhilaration, and well... sheer joy!
Zahna got the break they've been waiting for when they were scouted by Filodyo. What started as a soundtrack for the aisle wanderers in stores turned out to be the foot-tapping, head-bobbing anthem for headphone warriors worldwide. Zahna's style? Think a vibrant fusion of Aphex Twin’s heart-thumping rhythm with Daft Punk's rhapsodic harmonies. But they punctuate it with a zesty twist of their own, stirring up their Krouphouse magic that flip-flops your heart and has your toes tapping a Morse code of elation.
Their crowning jewel? The catchy ditty christened "Self Mastery". Proving to be more than a hyped-up joyride, it's an electronic odyssey that weaves in the pulse of self-discovery, self-love, and well, mastering one's self. As Zahna says, it's the "digital lullaby of the self-actualized soul," if that doesn't make you double-click on their playlist, what will? On that happy note, may Zahna Krouphouse's music echo in your heart, head, and, inevitably, hips. Could you ask for a more funky companionship on your journey of self-mastery?
Self Mastery
Zahna Krouphouse
Verse 1:
Life throws its punches but I hold my ground
Emotions may rage but I won't be drowned
Through every trial I stand tall and strong
In the darkest hours I sing my own song
Chorus:
Self-control my guiding star
Through the chaos I'll go far
In the heat of battle I find my way
With inner strength I seize the day
Bridge:
In the quiet of my mind I find my peace
In life's whirlwind my worries cease
With every step I take command
Self-mastery my guiding hand
Outro:
So I stand resolute against the fray
With self-control I'll find my way
In life's dance I'll always strive
With unwavering resolve I'll thrive
CREDITS
Performer: Zahna Krouphouse
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Between Our Time
Aris Veyton
Verified Artist
Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.
Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.
Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Between Our Time
Aris Veyton
Streets stay still without a name
Steps align but not the same
Nothing loud nothing planned
Just the timing of your hand
Every move feels almost true
Something shifts when I face you
Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time
Ahh
Let it turn let it stay
No words left that need a say
Corners bend the hours slide
We don’t need a reason why
Moments land then rearrange
Never still never strange
No control still it fits
Every step makes sense like this
Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time
If it ends it ends this way
Not a loss not a stay
What we felt remains intact
No return and no retract
CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Both of Us Were Right
Naomi Bell & Julian...
Verified Artist
Naomi Bell & Julian Cross
Naomi Bell and Julian Cross first crossed paths through a series of small studio sessions built around old soul records, unfinished demos and late-night arrangements. Naomi came from a more traditional R&B background, shaped by gospel phrasing, warm mezzo vocals and a love for classic harmony, while Julian had spent years moving between soul, house and sample-driven production. Their chemistry worked because neither tried to occupy the same space. Naomi brings weight and emotional clarity, Julian brings looseness, rhythm and restraint, and the contrast between their voices quickly became the center of the project.
Both of Us Were Right grew out of that balance. Instead of writing a dramatic breakup song, they focused on the quieter difficulty of two people realizing they are both partly correct and still choosing to stay. The track mixes chopped vintage soul textures, house drums, electric piano and stacked gospel harmonies without losing the intimacy of the conversation at its core. For Naomi Bell and Julian Cross, the collaboration is less about becoming a permanent duo and more about finding the right song, the right moment and the right reason to sing together.
Both of Us Were Right
Naomi Bell & Julian Cross
You said I make it hard to help me
And you weren't wrong you weren't wrong
I said you disappear inside a job
And you knew that too
I heard it and I wanted to fight it
Every word of it was true
That's the worst kind of argument
The one you lose to somebody you love
Nobody won the kitchen tonight
And nobody's leaving
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
(both of us both of us)
I'll say the thing before it gets heavy
I'll leave the phone in the other room
Small repairs not grand gestures
That's how a house stays up
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
We're not the couple in the film
Who scream and then it's fine
We're the ones who write it down
And actually do it this time
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
Both of us were right
(both of us both of us)
CREDITS
Performer: Naomi Bell & Julian Cross
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Tuesday Night Code
Fever Pilots
Verified Artist
Fever Pilots
Meet the Fever Pilots, a dynamic pop duo with a penchant for the unconventional, a self-styled outfit carving an adventurous path in the frenetic heart of the UK music scene. Their sound, a sonic cocktail soaked in audacious innovation and spice, attracts as much as it defies description.
Forged in the industrial heat and flames of Birmingham, these two troubadours took the raw materials of their working-class background and fashioned them into a sonic boom. They're a hard-edged, heavy beat force, punctuated with lighthearted lyrics echoing the humdrum of everyday life, yet imbuing it with a shimmering musical alchemy. Artists? Yes, but these guys are more like mad scientists toiling away in a pop lab, conjuring up infectious tunes.
Their track "Tuesday Night Code" deserves more than a footnote here. Imagine the most vivid dream you've ever had, now combine that with a chorus catchier than a fisherman's hook and you've got the gist of it. It's a song that fills every corner with a tumbling digital soundscape and hooks a plenty. Bottom line: Fever Pilots aren't just on auto-pilot, they're aiming for the stratosphere and we ought to be strapping in for the ride!
Tuesday Night Code
Fever Pilots
[Intro]
(Ooh)
Yeah yeah
Uh-huh
Look at that
Look at that
You said forever on a Tuesday night
By Thursday you were outta sight
Had your name all over my screen
Now it’s just a memory machine
Funny how the silence got loud
Funny how you’re nowhere around
Used to know the code to my heart
Now you couldn’t find where to start
I was waitin’ by the telephone
Every little buzz had me gone
Now I let it ring all night long
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Saw your picture through a friend’s friend’s post
Thought I’d feel somethin’ almost
But the room kept spinnin’ just fine
Guess the sun still knows how to shine
Every promise got a price tag now
Every “sorry” sounds the same somehow
You can send another late-night text
But I ain’t the one that’s next
I was waitin’ by the telephone
Every little buzz had me gone
Now I let it ring all night long
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Na-na-na
Look who’s lonely now
Na-na-na
Tryna figure it out
Ha!
That’s funny somehow
[Final Chorus]
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Yeah yeah
Too late now
(Ooh)
You can’t call me back… 🎵
CREDITS
Performer: Fever Pilots
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Weekend Escape
BPM Off
Verified Artist
BPM Off
Hailing from the vibrant streets of Barcelona, BPM Off is a disco club band that ignites every dance floor with their effervescent energy and uplifting grooves. Formed during late-night writing sessions that often spilled into the early hours, the band members—Ella, Leo, and Max—drew inspiration from both the city’s pulsating nightlife and the rich tapestry of local music scenes. Their sound is a kaleidoscope of dance, disco, and pop, designed to make listeners feel alive and connected through shared rhythm and joy.
The band's catalog is an exploration of euphoria, perfectly exemplified in tracks like "Weekend Escape." With an infectious blend of playful melodies and heartfelt lyrics, each song invites fans to feel the rhythm rise and embrace the energy flowing through their bodies. Themes of unity and celebration resonate throughout their music, encouraging everyone to break free from daily routines and ignite the night with abandon. The mix of mixed vocals enhances the dynamic charm of BPM Off, allowing every member's strengths to shine through, while also creating a harmonious blend that feels both nostalgic and fresh.
BPM Off thrives on shaping experiences through music. Their live performances are a testament to this ethos, transforming venues into spaces where strangers become friends under the flickering lights. With hopes pinned on crafting a joyful auditory landscape, they aim not just to entertain but also to forge lasting connections among their audience. As they continue to evolve with each new release, BPM Off remains committed to weaving intricate stories delivered by vibrant beats, ensuring that every moment spent with their music is indeed a reason to celebrate life together.
Weekend Escape
BPM Off
Feel the rhythm rise let’s ignite the night
Energy flowing let’s break the mold
Grooving to the beat it’s a story to be told
With every heartbeat we’re alive and in sync
Let the music guide us let it take us to the brink
Hands up high ready for the flight
This is our moment we’re reaching new heights
Weekend escape let it unfold
Living for today let the good times roll
Laughing and dancing that’s how we sway
Rhythm of now we’ll find our way
Every sound resonates let the night ignite
With friends all around everything feels right
As the evening flows let our stories blend
In this joyful chaos there’s no need to pretend
I’m on the backbeat sneakers on the floor
Phone in my pocket still I want one more
Bass hit hard got the room in a wave
No acting no script just the moves that we save
Skippin’ past stress like it’s paint on the tile
Two-step quick laugh been a while since we smiled
From the booth to the hallway passing that spark
We don’t need a spotlight to light up the dark
Come a little closer share the joy we found
Together we’ll create a magic sound
Weekend escape let it unfold
Living for today let the good times roll
Laughing and dancing that’s how we sway
Rhythm of now we’ll find our way
Weekend escape feel it in your core
This is our moment let the music soar
Let the music soar
CREDITS
Performer: BPM Off
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call Dropped at 3 AM
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Call Dropped at 3 AM
Eli Varnish
Alright…
Yeah yeah don’t tune it too much
Let it breathe
Okay… one two…
Woke up late with the room still shaking
Ashtray full of things I didn’t say
Mirror asks me for an explanation
I tell it “man not today”
Shoes by the door still smell like last night
Clock keeps lying I let it talk
City hums in a crooked rhythm
Like it learned that walk from me
Hey bass… keep it walking
Yeah like that
Don’t rush it
Every plan I make shows up half dressed
Every promise comes out second best
If I fall behind the beat again
Just leave some space I’ll land it then
This ain’t a straight line it sways and bends
It trips on truth then calls it a friend
If I sound wrong don’t fix it too soon
That’s where the story sneaks through
Yeah this ain’t clean this ain’t controlled
It’s a loose wire looking for a soul
Play it wrong play it loud play it true
That’s all this blues knows how to do
Hold up…
Let the horn say something
Yeah… go on
(long slide in slightly late)
Mmm… listen
Man… that thing’s complaining
Let him talk
I’m almost done… almost
Sorry… not sorry
(rimshot)
There’s a voice in my head clapping off time
Says “You always push you never wait”
I said “If I slow down I might notice
Everything I try to escape”
Barroom light keeps flickering jokes
Like it knows where I’ve been
Every sound wants a turn at the mic
Even the quiet wants in
Yeah… that’s it
Don’t smooth it out
No no
If this night’s a gamble I roll it bent
Lose my balance call it intent
Break the rule then play it twice
Mess it up till it sounds right
This ain’t a straight line it sways and bends
Falls apart then stands again
If my voice cracks just let it through
That’s what it came here to do
Yeah this ain’t neat this ain’t polite
It’s just breath fighting with the night
Play it wrong play it loud play it true
That’s all this blues knows how to do
Alright…
Don’t stop it
Let it ring
Yeah… that’s enough
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Best Night Ever
Leo Marlow
Verified Artist
Leo Marlow
Leo Marlow, an artist whose music seems to philosophize the dew on the grass with his songs, began his journey amid the high-stakes intensity of Brit-pop. Launching his career initially as the luminary of a Brit-pop boy band that didn't reach the stratospheric heights intended, he managed to transform his career path in the most unexpected way. Rising from the ashes of a failed group, he learnt to echo his own feelings while showcasing vulnerability, thus crafting a musical legacy that was wholly his own.
Based in the enchanting city of Manchester, Marlow has certainly found his unique sound, a harmonious blend of classic and contemporary. The artist serves as a sonic architect, masterfully constructing retro-futuristic synth landscapes that capture the essence of loneliness universally felt, yet seldom depicted so eloquently in music. The wistful melancholy of his music, tinged by synths, creates an environment as expansive as the cosmos yet as intimate as a whispered secret. His power to convey emotions and experiences with profound depth sets him sincerely apart.
One of Marlow's most notable musical creations is the ode "Best Night Ever". The track serves as an entrancing journey through Marlow's sombre narratives to the sound of shimmering synth-pop. Even whilst conjuring the myriad of emotions embedded in personal loss, "Best Night Ever" paradoxically stands as an alluring anthem for unforgettable nights and the ephemeral moments that make life so magical. It's an apt testament to Marlow's extraordinary ability to portray the human condition through his music, and certainly highlights why his magnificent sound continues to resonate with audiences far beyond Manchester's confines.
Best Night Ever
Leo Marlow
Three hours at a house party (Three)
I'm so over it (Ooh)
What we gonna do? (Uh)
We don't need this ****
Me and my ****** in the corner (Yeah)
Sippin' our liquor (Yeah)
What we gonna do? (Yeah)
Girl what we gonna do?
And she said
"Don't you worry girl I got a plan
We gonna get out of here girl and
Head to the beach we'll be there by ten
The boys are gonna meet us yeah they're bringin' their friends"
It's the best night ever
We're all together I won't forget
How we turned that *****
Into the best night ever
How could I ever? It's permanent
All because my friend said
[Post-Chorus]
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
Three days in Miami
The vibe was right (Ooh)
Damn we had fun (Ooh)
On a Wednesday night
Me and my bitches in a section (Yeah)
At the strip club (Yeah)
Boys throwin' up (Yeah)
It's a real good night
And she said
"Don't you worry girl I got a plan
We gonna get out of here girl and
Head to the beach we'll be there by ten
The boys are gonna meet us yeah they're bringin' their friends"
CREDITS
Performer: Leo Marlow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Built to Bend
Theo Ryan
Verified Artist
Theo Ryan
Theo Ryan came up through Amsterdam’s warehouse circuit in the mid-2010s, playing the kind of rooms where the same fifty people seemed to know every unreleased edit by heart. His first proper setup was a battered Nord Lead 2X bought second-hand from Key Music in 2014, paired with a borrowed TR-8 and a laptop that crashed often enough to become part of the ritual. A regular slot at Radion sharpened his instincts: tight verses, immediate hooks, and dance records built to carry emotion without losing momentum.
The turning point arrived in 2017 with a track he made for one specific night at Shelter. It was never meant to travel further, but a USB copy changed hands after the set and spent nearly two years circulating between DJs before Ryan finally released it himself. That slow-burn reputation became his calling card. Across a growing catalog, he has developed a clear identity around pulsing synth bass, bright arpeggios, hard-edged electronic drums, stacked harmonies, and a male vocal that can stay restrained in the verse before opening into a full-scale pop chorus.
“Built to Bend” fits that world without defining it. At 126 BPM, it turns pressure, setbacks, and stubborn self-possession into something unusually uplifting: not triumph without damage, but resilience with the dents still visible. Ryan’s records often live in that tension — bittersweet writing set against euphoric production, sharp enough for a club system but melodic enough to stay with you on the walk home. He remains a name better known by selectors, producers, and obsessive dance-pop listeners than by the wider public, which, for now, suits him perfectly.
Built to Bend
Theo Ryan
Prompt
Push all you want
I know what pressure does
I’ve had the ceiling come down slowly
Watched the plans fall out of line
Had my name crossed off the paper
More than once I still was mine
Every hard year left a measure
Every bad call changed the frame
I stopped asking to be spared it
I got better at the weight
I don’t need to stand like stone
I learned something stone won’t know
I was built to bend
Not built to break
Give me all the weight
I’ll change my shape
I can take the pull
I can take the strain
I don’t come back untouched
I come back changed
Built to bend
Built to bend
That’s why I’m here again
There were days I lost my footing
Times I nearly let it go
But the strongest thing I learned was
When to yield and when to hold
I don’t wear the damage proudly
I don’t hide it underneath
Every mark became a number
In the math that carried me
I don’t need to stand like stone
I learned something stone won’t know
I was built to bend
Not built to break
Give me all the weight
I’ll change my shape
I can take the pull
I can take the strain
I don’t come back untouched
I come back changed
Built to bend
Built to bend
That’s why I’m here again
Test the frame
Test the steel
See how much of me is real
Push it hard
Let it move
Strength is knowing when to give
I was built to bend
Not built to break
Every heavy hand
Just taught me what I take
I can take the pull
I can take the strain
I don’t come back untouched
I come back changed
Built to bend
Built to bend
You’ll find me here again
Not untouched
Not the same
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Lyrics
CREDITS
Performer: Theo Ryan
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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