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Same Damn Boat
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Same Damn Boat
Eli Varnish
They said we’re all in the same damn boat
But their wine had names and mine did not
They danced on decks in linen white
I bailed the flood all goddamn night
They sang of storms like bedtime tales
While I scraped rust with broken nails
The captain smiled the toast was made
I swallowed smoke and called it faith
Same damn boat they love to say
But their sky was blue and ours was gray
They got music we got coal
They had windows we patched holes
If this is sinking let it float—
Ain’t my boat
Just the same damn note
First class dreams locked doors shut
I ate from trays they scraped too much
They said “Don’t worry help will come”
But help don’t knock below the drum
They wrote the rules in velvet ink
We signed in grease and didn’t blink
And when the sirens start to blow
Guess who they’ll say was first to go
Same damn boat my crooked spine
Held up a dance I wasn’t in line
They sip gin we breathe steam
They dream loud we dare to dream
But when the fire hits the throat
Only one floor burns
In the same damn boat
Yeah
They meant well
From the top deck
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Liberate
Sofia Lindqvist
Verified Artist
Sofia Lindqvist
Sofia Lindqvist is a unique musical tour de force born to an engineer father in Slovakia. Raised in the heart of Bratislava, she embodies an enviable fusion of technical brilliance and ebullient creativity.
Growing up, Sofia was the kind of kid who hummed symphonies while dismantling radios—much to her father's chagrin, and her mother's delight. From a young age, she fell under the spell of electronic music, a passion fuelled by her father's meticulous engineering and the city's vibrant music scene. Early whispers say that Sofia was so entranced by the metropolis' sounds she would insist to recreate the rhythm of the city traffic during her piano lessons.
However, it wouldn't be until her tenure as a kindergarten teacher that Sofia really began melding the worlds of sound and circuitry. After realizing that her classroom renditions of 'Old MacDonald' paled in comparison to a foot-stomping techno beat, Sofia decided to combine her love of electronics with her obsession for music. Her electrifying rhythms and harmonic melodies soon saw her swapping out nursery rhymes for nightclubs, becoming the city's beloved "Techno Teacher."
Sofia's song "Liberate", a hypnotic blend of thumping base and riveting electronic sounds, has become the most treasured track in her musical repertoire. It tells a captivating story of liberation, evoking the freedom Sofia found when she ditched the training wheels of traditional music and glided into the world of electronica. Whether she's blasting tunes at Bratislava's liveliest venues or tinkering with a sequencer in the back of her classroom, Sofia Lindqvist continues her symphony of life, one pulsating techno beat at a time.
Liberate
Sofia Lindqvist
Feel the ground as it trembles underfoot
Steps are getting faster now I know I never should
See the tide as it pulls me out to sea
Waves are getting higher but it’s where I wanna be
Liberate
Feel the ground as it trembles underfoot
Steps are getting faster now I know I never should
See the tide as it pulls me out to sea
Waves are getting higher but it’s where I wanna be
Liberate
Liberate
Liberate
Liberate
Liberate
Once you leap there's no turning back
Once you leap there's no turning back
Once you leap there's no turning back
Once you leap there's no turning back
Once you leap there's no turning back
Take the dive
Once you leap there's no turning back
Take the dive
Feel the ground as it trembles underfoot
Steps are getting faster now I know I never should
See the tide as it pulls me out to sea
Waves are getting higher but it’s where I wanna be
Liberate
Liberate
Liberate
CREDITS
Performer: Sofia Lindqvist
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
Burn the Night
Indigo Motel
Verified Artist
Indigo Motel
Indigo Motel is an indie pop-rock band built for wide-open stages, late-night drives, and choruses that feel bigger every time they return. Their sound begins in intimate spaces—soft piano notes, restrained drums, and exposed male vocals—before growing into something urgent and cinematic. Stomps, handclaps, swelling guitars, and soaring synths gradually push each song toward an explosive release.
At the centre of the band is a raw, passionate lead vocal, strengthened by gang vocals that turn their choruses into communal moments. Indigo Motel write about youth, uncertainty, loyalty, escape, and the reckless confidence that appears when a crowd sings the same words together. Their music balances emotional vulnerability with festival-sized energy, creating songs that feel personal in the verses and unstoppable in the chorus.
Their debut single, “Burn the Night,” introduces Indigo Motel at their most ambitious: a slow-burning anthem that rises from a quiet opening into a powerful, uplifting singalong. It captures the band’s defining contrast—private emotion transformed into collective noise—and establishes them as a group made for packed venues, raised hands, and nights nobody wants to end.
Burn the Night
Indigo Motel
I hear the city breathing I feel the fire inside…
We’re the echoes on an empty street
Chasing hours we can’t repeat
Broken bottles but the glass still shines
We turn the ruins into battle lines
Lift me higher don’t let go
We’ve got sparks the dark can’t hold
So we burn the night we burn it bright
Raise your voice let it cut the sky
We are more than what they say
We are fire we won’t fade away
Every scar is a story told
Every hand is a hand to hold
If we stumble we still stand tall
Tonight we’re endless we can have it all
Lift me higher don’t let go
We’ve got sparks the dark can’t hold
So we burn the night we burn it bright
Raise your voice let it cut the sky
We are more than what they say
We are fire we won’t fade away
[Bridge – crowd chant]
Oh-oh-oh we’re alive tonight
Oh-oh-oh let the flames ignite
So we burn the night we burn it bright
Raise your voice let it cut the sky
We are more than what they say
We are fire we won’t fade away
We are fire… we are fire tonight
CREDITS
Performer: Indigo Motel
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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The Weight Between Us
David Alwin
The Weight Between Us
David Alwin
There’s space between your hand and mine
Like time forgot to stretch that far
We move in silence side by side
Close — but not where we are
The weight between us
Holds more than gravity
We’re still reaching
But the air is heavy
You say the words I hear the tone
But meanings live beneath the stone
You’re near I know — and yet alone
This ache is carved into bone
The weight between us
Holds more than gravity
We’re still reaching
But the air is heavy
[Outro – Spoken filtered]
Maybe closeness isn’t distance
Maybe it’s resistance
CREDITS
Performer: David Alwin
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
Call Dropped at 3 AM
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Call Dropped at 3 AM
Eli Varnish
Alright…
Yeah yeah don’t tune it too much
Let it breathe
Okay… one two…
Woke up late with the room still shaking
Ashtray full of things I didn’t say
Mirror asks me for an explanation
I tell it “man not today”
Shoes by the door still smell like last night
Clock keeps lying I let it talk
City hums in a crooked rhythm
Like it learned that walk from me
Hey bass… keep it walking
Yeah like that
Don’t rush it
Every plan I make shows up half dressed
Every promise comes out second best
If I fall behind the beat again
Just leave some space I’ll land it then
This ain’t a straight line it sways and bends
It trips on truth then calls it a friend
If I sound wrong don’t fix it too soon
That’s where the story sneaks through
Yeah this ain’t clean this ain’t controlled
It’s a loose wire looking for a soul
Play it wrong play it loud play it true
That’s all this blues knows how to do
Hold up…
Let the horn say something
Yeah… go on
(long slide in slightly late)
Mmm… listen
Man… that thing’s complaining
Let him talk
I’m almost done… almost
Sorry… not sorry
(rimshot)
There’s a voice in my head clapping off time
Says “You always push you never wait”
I said “If I slow down I might notice
Everything I try to escape”
Barroom light keeps flickering jokes
Like it knows where I’ve been
Every sound wants a turn at the mic
Even the quiet wants in
Yeah… that’s it
Don’t smooth it out
No no
If this night’s a gamble I roll it bent
Lose my balance call it intent
Break the rule then play it twice
Mess it up till it sounds right
This ain’t a straight line it sways and bends
Falls apart then stands again
If my voice cracks just let it through
That’s what it came here to do
Yeah this ain’t neat this ain’t polite
It’s just breath fighting with the night
Play it wrong play it loud play it true
That’s all this blues knows how to do
Alright…
Don’t stop it
Let it ring
Yeah… that’s enough
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
Wrong Turn, Right Day
Oscar Palmer
Verified Artist
Oscar Palmer
Oscar Palmer is a European pop artist with a producer’s instinct for detail and a songwriter’s taste for the immediate. Based between studio sessions in Berlin and short writing trips across Europe, he built his catalog around crisp drums, warm basslines, clean guitar accents, bright piano, and melodies that land quickly without feeling disposable. His records often sit in the space between modern pop and nu-disco: polished enough for radio, rhythmic enough for the dancefloor, and carried by a charismatic male vocal that keeps the delivery conversational even when the chorus opens wide.
Before releasing under his own name, Palmer spent several years working behind the desk, arranging demos, cutting vocals, and finishing mixes for other artists. That background still shapes the way he writes. He favors tight structures, strong pre-chorus lifts, stacked harmonies, and small production moves that keep a song moving forward. There is usually a sense of daylight in his music too — not naïve optimism, but the feeling of catching a good moment in the middle of an ordinary day.
“Wrong Turn, Right Day” is a clear example of that approach. Built around a 124 BPM groove, warm live bass, punchy drums, and understated synth work, the track turns a simple detour into a feel-good pop record about timing, chance, and finding something worthwhile when the plan changes. It fits naturally into Palmer’s wider catalog: sharp, melodic, upbeat, and designed to feel just as good through headphones on a morning commute as it does late in the evening.
Wrong Turn, Right Day
Oscar Palmer
Prompt
Missed my train by twenty seconds
Watched it leave without me there
Bought a coffee from the corner
And decided not to care
I had a list inside my pocket
Every hour had a name
Then the morning changed the order
And I let it win the game
Took the long way through the market
Bought a shirt I didn’t need
Met an old friend by the station
Stayed for lunch instead of three
Nothing went the way I planned
Maybe that was all I needed
I took a wrong turn
Had the right day
Lost my schedule
Found a better way
I missed the green light
Let the clock run late
Took a wrong turn
Had the right day
Oh what a right day
What a right day
Left my charger at the table
Phone went dead around two
So I stopped checking every minute
What the rest of them might do
Found a place beside the water
Stayed until they closed the gate
Funny how a little nothing
Can turn into something great
Nothing went the way I planned
Maybe that was all I needed
I took a wrong turn
Had the right day
Lost my schedule
Found a better way
I missed the green light
Let the clock run late
Took a wrong turn
Had the right day
Oh what a right day
What a right day
No map
No plan
No reason to explain
One street
One chance
I’d do the same again
I took a wrong turn
Had the right day
Lost my schedule
Found a better way
I missed the green light
Let the clock run late
Took a wrong turn
Had the right day
Oh what a right day
What a right day
Missed my train by twenty seconds
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Lyrics
CREDITS
Performer: Oscar Palmer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
One More Day
Dani T
Verified Artist
Dani T
A hidden gem in the bustling indie music world, Dani T is so underground you'll need a shovel to find him. Born among the spinning disco balls of Transylvania, Romania, this mirthful music alchemist knows how to glitter in the dark.
With his effervescent concoction of synth-laden dance beats, Dani T brings the Transylvanian nightlife to your speakers of choice. His infectious track, "One More Day," is just like garlic to a vampire—utterly irresistible and heating up dancefloors faster than Dracula racing to his coffin at sunrise.
Dani T's talent lies in his ability to infuse his tracks with a joy so potent it could charm a sullen ghoul out of a funk. His music doesn't just evoke happiness—it practically puts it on steroids, glitters it up, and sends it spinning out into the world with a bass-pounding emphasis.
The ghosts of Dani T’s concert crowd may lack a pulse, but trust us, they know how to party. So why stake your heart on mainstream artists when you can sink your teeth into Dani T’s deliciously diverse dark dance tracks? Hop on the next night train to Transylvania, and give Dani T's music a fangtastic whirl.
One More Day
Dani T
You gotta get up now
And take a breath
There's no stopping
No slowing
Until the day of your death
It's a rollercoaster
A crash
A fall from grace
A 180 turnaround
A miracle
And it's in your face
Just open your eyes
And look around
You get one more day
One more night
One more chance to make it right
One more dream
One more life
One more shot to fly
You can take it
You can leave it
The choice is yours
You can believe it
You can be it
You can be sure
It's a highway
It's a journey
A road unpaved
It's your life
It's your turn
And it's calling your name
Just open your eyes
And look around
You get one more day
One more night
One more chance to make it right
One more dream
One more life
One more shot to fly
One more day
One more night
One more chance to make it right
One more dream
One more life
One more shot to fly
CREDITS
Performer: Dani T
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
Let the Good Times ...
Zayn Rix
Verified Artist
Zayn Rix
Meet Zayn Rix, the infectiously happy dance artist you've been waiting for. Hailing from the eclectic music scenes of his native city, Zayn embodies vibrant rhythms and can sure make a crowd move!
Bursting onto the scene from the pulsating heart of Manhattan, Zayn brings to mind the twinkling city lights and the unmistakable rush of midnight subway rides. His music is the sort of infectious dance-pop that makes you daydream of cloudless summer days and impromptu dance-offs at house parties. With clever lines and a touch of humor, he's like a Tommy Hilfiger cologne ad come to life - stylish, breezy and ceaselessly optimistic.
One whiff of his breakout hit, "Let the Good Times Roll," and you'll know exactly what we mean. Like eating cotton candy on a Ferris wheel, Zayn's music evokes a blissful sense of joy, making it impossible not to smile. He's that charmingly spontaneous friend who convinces you to skip the tedious office lunch for an exciting roller-coaster ride instead. His melodies are as infectious as his personality - a perfect lovechild of infectious beats and sunny vibes.
So here's to the good times, the dance-inducing melodies, and the relentlessly cheerful Zayn Rix. In the dance-pop universe, he's a rising star - serving joy on a catchy beat and reminding us that life is indeed, a party. So let's turn up the volume, get that body moving, and as Zayn would say, let the good times roll!
Let the Good Times Roll
Zayn Rix
Never been so nervous
To open up my mouth
My heart was jumpin' hurdles
Thought I'd let you down
Never been so certain
As I am right now
The way you grabbed my waist
Pulled me close and spun me 'round
We were just a couple kids
Actin' like we were adults
Tryin' to act cool but the truth is
You always made me laugh when you told jokes
And now I'm finally bein' honest with you
It feels so good
And who knew?
So go and get the girls and the guys
And the beer on ice
And let's let the good times roll
Grew up in the same hometown
And never took a chance
But what goes around comes around
I guess that's how the story ends
We were just a couple kids
Actin' like we were adults
Tryin' to act cool but the truth is
You always made me laugh when you told jokes
And now I'm finally bein' honest with you
It feels so good
And who knew?
So go and get the girls and the guys
And the beer on ice
And let's let the good times roll
And now I'm finally bein' honest with you
It feels so good
And who knew?
So go and get the girls and the guys
And the beer on ice
And let's let the good times roll
And who knew? And who knew? And who knew?
And who knew? And who knew? And who knew?
CREDITS
Performer: Zayn Rix
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Stay Happy
Ocean Girls
Verified Artist
Ocean Girls
Hailing from the sun-soaked shores of Miami, Ocean Girls are your new favorite indie-pop queens on the horizon. Drenched in sun, surf, and ceaseless cheer, their music is the audio equivalent of a ray of sunshine in what can sometimes be the storm of life.
Assuming their name from the very city they call home, these beach-town belles serve up chart-topping hits faster than a Florida diner slings hashbrowns. They've got the sass of the Spice Girls, the attitude of Madonna and just a pinch of Miami's own Gloria Estefan sizzling through each track. Ocean Girls have got a knack for taking even the most mundane moments, chucking them full of pizzazz, and dishing out feel-good anthems that simply command you to "Stay Happy."
Stick an Ocean Girls track on, and suddenly you're cruising down Ocean Drive, hair flapping in the breeze, and the somewhat distant memory of work drowned out by catchy choruses and sparkling melodies. These girls are more than just a band - they're a one-way ticket to a beach-front pop utopia where the vibe is always good, the beats are always flowing, and frowns are most certainly not allowed. When life hands you lemons, Ocean Girls hands you a margarita. Now, that's the kind of exchange rate we can get behind!
Stay Happy
Ocean Girls
"do not be afraid this is NOT FM"
"you're on filodyo"
Sunshine shinin'
Put your hands in the sky (Ahh uh)
Put 'em high
Put 'em high
Put 'em high
Come on
And if you feelin' really good (Uh)
Somebody
Tell me what you do
Ooh
Say it loud I got joy in my soul
Feelin’ good yeah I’m in control
No rain gonna steal my light
I stay happy day and night
Hands up if you’re feelin’ this vibe
Smiles wide we’re all alive
Let the rhythm set you free
I stay happy — naturally
I got too much on my mind to let negativity (Oh no no)
Ooh
Take over me
Ah
Ooh
Uh
So I put my best foot forward (I put my best foot forward)
Ooh
Uh
Yeah
And I tell negativity (Uh) this here (Yeah)
Say it loud I got joy in my soul
Feelin’ good yeah I’m in control
No rain gonna steal my light
I stay happy day and night
Hands up if you’re feelin’ this vibe
Smiles wide we’re all alive
Let the rhythm set you free
I stay happy — naturally
Every morning I wake I don’t hit the snooze
Got a smile on my face I was born to choose
Joy over drama peace over pain
Dancin’ in the sunlight singin’ in the rain
I don’t need fame I don’t chase the clout
I just keep it real that’s what I’m about
No fake friends no bad vibes near
If the love ain't loud then I won’t hear
Grindin’ for my goals but I rest my soul
Gotta laugh out loud just to stay in control
From the lows to the highs I just ride that wave
Turn a Monday gray to a Saturday rave
Keep it movin’ with the rhythm of my own beat
Head high clean heart walkin’ on clean streets
Every little setback’s just part of the climb
Can’t dim my light man I’m born to shine
Yeah
Yeah
(Oo-yeah)
I feel so good
Oh
I feel so good
I feel so good
Yeah
I feel so good
I feel so good
Oh
I feel so good
I feel so good
Oh
I feel so good
I feel so good
Oh
I feel so good
Say it loud I got joy in my soul
Feelin’ good yeah I’m in control
No rain gonna steal my light
I stay happy day and night
Hands up if you’re feelin’ this vibe
Smiles wide we’re all alive
Let the rhythm set you free
I stay happy — naturally
CREDITS
Performer: Ocean Girls
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Radio Trottoir
No Be Me
Verified Artist
No Be Me
No Be Me is an Afro-pop collective built around rhythm, mischief and stories that travel faster than facts. Their songs follow barbers, drivers, aunties, shopkeepers and accidental witnesses through everyday neighbourhood dramas, turning overheard remarks into sharp, danceable narratives. Led by a warm male storyteller and supported by four tightly arranged studio voices, the group blends Afrobeats percussion, highlife guitar, elastic bass and dry humour without relying on spectacle.
Their first single, “Radio Trottoir,” introduces a world where one careless “maybe” can acquire a wedding date, two witnesses and a catering budget before lunchtime. No Be Me treat gossip as social choreography: funny, dangerous, generous and impossible to control. Their music is polished but human, playful without becoming novelty, and rooted in the idea that the best stories rarely belong to the person who started them.
Radio Trottoir
No Be Me
Eight-oh-five by Saint Michel
Kola had a cake box under one arm
one red shoe in the other hand
He said “My aunt turns sixty”
I heard “aunt” “cake” and “Saturday”
and supplied the missing cinema myself
At Idris’ barbershop I said
“Maybe the man is getting married”
Idris did not repeat my sentence
He gave it catering witnesses
and a cousin arriving from Marseille
with three phones and firm opinions
By nine-fifteen the taxi rank knew the venue
By ten the tailor had chosen gold
By eleven Auntie Binta had named two children
Kola was still looking for candles
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
At one he had married the mayor’s niece
At two he had bought a flat in Lisbon
At three he had left her for a singer
whose name nobody could pronounce
At four the church committee wanted answers
about a generator no one had lost
At five I tried to stop the story
That became “He knows more than he is saying”
At six my mother called me:
“Wear something decent
Apparently you are giving the speech
And bring your own chair”
I found Kola beside the pharmacy
still carrying the same red shoe
The cake was for Aunt Mariam
The shoe had fallen from her shopping bag
He stared at me for seven quiet seconds
then asked who I planned to marry
I laughed exactly once
That was my second mistake
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
I went home to hide from the bulletin
My neighbour had prepared rice
My sister said a woman named Celeste
had accepted me on my behalf
Who is Celeste? Nobody knows
She may be a dentist
She may be in Dakar
She may have started at Idris’ second chair
My mother likes her already
She says Celeste sounds responsible
There are now two cakes in the kitchen
Neither one belongs to Kola
Wetin happen?
Ask the barber
Who start am?
No be me
Where proof dey?
It left by taxi
Can you stop am?
You fit try
Radio trottoir radio trottoir
no antenna no editor no brakes
By sunset Kola ran the ministry
by midnight I was cutting a second cake
Radio trottoir radio trottoir
every correction opens another branch
I only said “Maybe he is getting married”
Now Celeste is discussing curtains with my aunt
Kola brought the candles
My mother served the rice
Idris arrived with invitations
No be me
CREDITS
Performer: No Be Me
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Hold Your Cross
Aurora Finch
Verified Artist
Aurora Finch
Aurora Finch is an independent singer-songwriter from Edinburgh, Scotland. She is contracted under Filodyo and whose work voraciously resonates with the vast local music scene.
Born and raised in the shadow of the UK's most mystical capital, Finch has evolved from singing in the rain-soaked alleyways of Edinburgh, a city globally recognized for its love for stirrings of creativity, to performing at local venues. Known for her deep-textured voice and unwavering dedication, she paints an ethereal sonic portrait that revolves around themes of love, life, and memories. Aurora plays guitar like she's ringing a bell and is able to stir up some pretty gnarly sound liveliness when she combines it with her husky vocals. There is, however, nothing 'cold' about this Finch, except perhaps her icy-blue guitar which has become her trademark.
One of her most notable tracks, "Hold Your Cross", showcases Aurora's ability to weave melodies that perfectly blend depth and lightheartedness. With lyrics that touch on the intricacies of human nature and tell a captivating story, the song is just one of many illustrations of her uncanny ability to resonate deeply with listeners. The song showcases Finch's gift - a knack for writing melodies as magnets for emotions, attracting both the reminiscent and visionary listeners from all around her hometown.
Whether it's on stage or off, Aurora Finch emanates warmth and wit in equal measure. She's the kind of artist you expect to find writing lyrics on a napkin in a quirky café or strumming her guitar from the comfort of a worn-out armchair. With a brilliant talent whose roots are firmly grounded, Aurora Finch is definitely a name to look out for in the increasingly eclectic world of independent music.
Hold Your Cross
Aurora Finch
Raise your fears up high
Or drown 'em in the sea
Screamin' in the air
Somethin'
Somethin'
Somethin'
Keep your legs
Your legs steady
Head
Head
Heavy
Hold your cross 'til the bell tolls
Keep your legs
Your legs steady
Head
Head
Heavy (Kee-kee-kee)
Hold your cross and make amends
(Bong bong bong)
Findin' new weather
Paintin' the new hymn
Through the eyes of believers
Buildin'
Buildin'
Buildin'
Keep your legs
Your legs steady
Head
Head
Heavy
Hold your cross 'til the bell tolls
Keep your legs
Your legs
Steady
Head
Head
Heavy
Hold your cross and make amends
Hold steady
CREDITS
Performer: Aurora Finch
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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