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One More Day
Dani T
Verified Artist
Dani T
A hidden gem in the bustling indie music world, Dani T is so underground you'll need a shovel to find him. Born among the spinning disco balls of Transylvania, Romania, this mirthful music alchemist knows how to glitter in the dark.
With his effervescent concoction of synth-laden dance beats, Dani T brings the Transylvanian nightlife to your speakers of choice. His infectious track, "One More Day," is just like garlic to a vampire—utterly irresistible and heating up dancefloors faster than Dracula racing to his coffin at sunrise.
Dani T's talent lies in his ability to infuse his tracks with a joy so potent it could charm a sullen ghoul out of a funk. His music doesn't just evoke happiness—it practically puts it on steroids, glitters it up, and sends it spinning out into the world with a bass-pounding emphasis.
The ghosts of Dani T’s concert crowd may lack a pulse, but trust us, they know how to party. So why stake your heart on mainstream artists when you can sink your teeth into Dani T’s deliciously diverse dark dance tracks? Hop on the next night train to Transylvania, and give Dani T's music a fangtastic whirl.
One More Day
Dani T
You gotta get up now
And take a breath
There's no stopping
No slowing
Until the day of your death
It's a rollercoaster
A crash
A fall from grace
A 180 turnaround
A miracle
And it's in your face
Just open your eyes
And look around
You get one more day
One more night
One more chance to make it right
One more dream
One more life
One more shot to fly
You can take it
You can leave it
The choice is yours
You can believe it
You can be it
You can be sure
It's a highway
It's a journey
A road unpaved
It's your life
It's your turn
And it's calling your name
Just open your eyes
And look around
You get one more day
One more night
One more chance to make it right
One more dream
One more life
One more shot to fly
One more day
One more night
One more chance to make it right
One more dream
One more life
One more shot to fly
CREDITS
Performer: Dani T
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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All Night
Kaito
Verified Artist
Kaito
Kaito is a captivating adult Japanese electronic pop and contemporary R&B artist whose sleek after-dark identity resonates with listeners. Known for his intimate vocals and minimalist hooks, Kaito's music creates an atmospheric space where the pulsating rhythms and bass-driven club production come alive. Each track invites audiences to lose themselves in a world of sound, exemplified by his latest release, "All Night," which showcases his ability to weave emotional depth into infectious grooves.
The essence of Kaito's artistry lies in his controlled and magnetic stage presence, captivating fans as he performs with finesse. His style reflects a blend of genres that create a seamless experience, allowing him to connect deeply with his audience. The interplay of electronic elements and smooth R&B vibes fosters a sense of intimacy, perfect for both late-night escapades and reflective moments.
With a growing catalog, Kaito continues to push the boundaries of adult electronic music, inviting listeners to explore their emotions through rhythm and melody. His work stands as a testament to the power of music as a universal language, bridging cultures and experiences while keeping the dancefloor alive with energy and connection.
All Night
Kaito
Yeah… uh-huh
Turn it up turn it up — woo!
Lights down low
I move you know
One touch — slow
don’t let me go
Hands on me
heartbeat loud
Lost in sound
can’t stop now
We go all night (yeah!)
till the sunrise (uh!)
Your body my vibe —
we don’t need no alibi
We go all night (o-oh!)
just you and I (na-na)
Can’t fake this high —
we go all night
All night all night — yeah!
All night all night — woo!
Touch me move right —
we go all night
Flash that smile
heat goes wild
You pull I slide
our worlds collide
Bass so deep
we lose control
One look I know —
I want your soul
We go all night (yeah!)
till the sunrise (uh!)
Your body my vibe —
we don’t need no alibi
We go all night (o-oh!)
just you and I (na-na)
Can’t fake this high —
we go all night
All night all night — o-oh!
All night all night — yeah!
We don’t talk we just vibe
we go all night
CREDITS
Performer: Kaito
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Golden Tide
Riddim Lantern
Verified Artist
Riddim Lantern
Riddim Lantern are a fictional three-piece reggae group from Kingston, Jamaica, built around warm basslines, hand-played percussion and smoky three-part vocals. Their sound leans into roots reggae but keeps a modern pulse, mixing old studio discipline with small flashes of dub, soul and street-corner melody.
The trio is made up of **Basil “Halfstep” Quaco** on bass, **Solene Pitch** on lead vocal and melodica, and **Tafari Bellweather** on rhythm guitar and percussion. They write songs that feel relaxed on the surface but carry sharp little stories underneath: late buses, family pressure, corner-shop conversations, quiet heartbreak and the strange hope that survives after midnight.
On stage and in the studio, Riddim Lantern avoid polished nostalgia. They sound lived-in, human and close, like a band playing with the windows open while the city keeps moving outside. Their name comes from the idea of rhythm as a small light: not loud enough to blind you, but steady enough to guide you home.
Golden Tide
Riddim Lantern
You walked by slowly on the open sand
Sun touching your smile like it’s part of the plan
I tried to stay calm but my heartbeat soared
Every step you took made me want you more
I keep pretending
That I don’t stare
But the truth keeps bending
Whenever you're there
You pull me in like a golden tide
Every move you make feels amplified
I’m falling fast and I can’t divide
What I feel from what I try to hide
You pull me in like a golden tide
Leave a mark on everything inside
If this is real then I won’t deny
You’re the rhythm keeping me alive
You laugh so easy in the fading light
Something in your voice makes the whole day bright
I’m young but I’m sure of what I can see
Nothing ever felt quite like what you give me
I keep pretending
That I don’t stare
But the truth keeps bending
Whenever you're there
You pull me in like a golden tide
Every move you make feels amplified
I’m falling fast and I can’t divide
What I feel from what I try to hide
You pull me in like a golden tide
Leave a mark on everything inside
If this is real then I won’t deny
You’re the rhythm keeping me alive
If tomorrow finds us side by side
I won’t fight it — I’ll let it ride
CREDITS
Performer: Riddim Lantern
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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My Happy Song
Lyra Luxx
Verified Artist
Lyra Luxx
Lyra Luxx, the eternal songbird of California, hails from a unique lineage of performers and artistic savants. A vibrant fount of melodies, with a story as colorful as her repertoire, Luxx's journey toward musical prominence took root in the sunny courtyards of Laguna Beach High School (LBHS). Here, amidst the bustling crowd of students and the cacophony of crashing lockers, Lyra carved out a refuge with her schoolmates in an all-girl band. The only remaining member from that original lineup, Luxx had an added feather in her high school cap, holding the esteemed position of a cheerleader. Who else, after all, could champion the school spirit better than the musical prodigy herself?
With a name as resplendent as ‘Lyra Luxx,’ you might expect a pivotal star moment or a dramatic twist. In a plot worthy of a Broadway production, her golden opportunity struck beneath the glaring halogens and amidst the simulated fog of LBHS’s annual talent extravaganza. The only thing missing was a superhero cape as she delivered an iconic rendition of her now famous single, "My Happy Song". The ensuing applause could have rivaled any seismic activity in California, thus turning a new page in her journey. Today, Luxx is recognized far beyond the confines of LBHS, solidifying her star status with each melodious offering. And as for that erstwhile all-girls band? It exists now only in memory, as a significant stepping stone in the rise and rise of Lyra Luxx, California's own glamorous diva. But remember folks, beneath all the glitter and the vocals, she remains the invincible cheerleader from Laguna Beach High School. Go, team!
My Happy Song
Lyra Luxx
(do not be afraid this is not fm)
You used to call me late night
Hope I ain't just your late night
When can I see you again?
So sorry I'm not a pain
Um (but)
I been workin' nine to five (ask me baby)
Smokin' bomb on my free time (light it baby)
Keep that love on my mind (kiss me baby)
Keep that love (K-I-S-S kiss me)
Makin' music all the time (mister radio play it play it)
Hit a milli and I'll cry (ooh my audience so loud)
Growin' up with the mic (fallin' steady fall watch it)
I can stay low
But when my song comes on
That's when I get so confident
Ooh
I put my own words in my mouth
And yes
I'm saying it out loud
That when my song comes on
I make my mama proud of me
Growin' up loving me (uh)
Hold up
Wait
Watch it
Look
Uh
Seventeen
I'm on a stage singin'
Haze off the coast
Eighteen in the city
Still hidin'
From the snow
Jumpin' down 85
When I'm driving home
Levitate for no reason
Cus' they changed the seasons
Makin' music all the time (oh)
Keep a milli on my mind (oh)
Growin' up with the mic (oh yes hunny)
I could stay low
But when my song comes on
That's when I get so confident
Ooh
I put my own words in my mouth
And yes
I'm saying it out loud
That when my song comes on
I make my mama proud of me
Growin' up loving me
Hold up
Wait
Watch it
Look
CREDITS
Performer: Lyra Luxx
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Under the Surface
Between Mirrors
Under the Surface
Between Mirrors
I woke to a sound that wasn’t there
The world was still but something stirred
Your name was carved in quiet places
Not in stone — but in the way
The kettle clicks the curtain moves
And silence starts to sway
It’s not the wind it’s not the rain
It’s every pause I can't explain
It’s you beneath the surface
It’s you without a name
I never learned to hold the stillness
Always filled the space with noise
But now I count the absent seconds
Like they were stolen joys
It’s not the sound it’s not the flame
It’s everything that won’t remain
It’s you beneath the surface
It’s you without a name
So I sit in the in-between
And feel what I can’t see
Under the surface
You’re still shaping me
CREDITS
Performer: Between Mirrors
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Les Petites Choses ...
Mina Cazal
Verified Artist
Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.
Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.
Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Les Petites Choses de Travers
Mina Cazal
Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses
Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »
Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades
J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous
À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »
Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique
J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication
Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local
Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration
On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner
D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu
La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie
La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment
Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin
CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Secondhand Alibi
Romeo Vane
Verified Artist
Romeo Vane
"Romeo Vane: at the ripe age of 25, this American pop-rock comet is shooting across the Alternative universe, spreading hope with doses of edgy authenticity. Born and bred in the sonic heartland of the Windy City, he’s a Chicagoan with an unapologetic knack for compelling narratives and an obsession for truth.
Whether it's life's sharp corners or the soft bruises of love, Romeo Vane's got a knack for rolling them into tunes that blend breezy alt-rock melodies with the raw, gritty flavor of pop. His stage name isn't for show; Romeo comes with a romantic bravado that'd make Shakespeare blush, and the barbed tongue of a true Windy City native. Just tune into "Kiss Me When I'm Lying" - it's less of a song, more a rollercoaster ride through hope, heartbreak, and hilariously serious self-deprecation.
Despite his youth, he's seen more than enough of life's ups and downs, packaging the human experience into easily digestible nuggets of melodic wisdom. Romeo Vane’s music is the kind that makes you call your ex at 2 a.m., cry a little, laugh a lot, and still believe in the dream of a better dawn. Now, how's that for a self-made, alternative songwriter from the city that never sleeps?"
Secondhand Alibi
Romeo Vane
I found it in a Sunday ad
Between a sofa and a wedding band
“Barely used no questions asked”
The seller wore a borrowed name
He said it worked on jealous hearts
On hotel clerks and parking guards
I paid in cash he wished me luck
Then vanished before the light changed
I practiced every detail
The hour the street the rain
But truth has lousy manners
It keeps interrupting names
I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine
I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine
I said the train was running late
You knew that line from ’98
I blamed a man I’d never met
You said “At least invent him well”
I moved the evening half an hour
Changed the bar replaced the car
By then the lie had better shoes
And more ambition than the truth
I gave it dates and weather
A witness and a scar
You watched me build the ceiling
Then asked where the foundations are
I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine
I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine
Mine on Monday
Mine by five
Mine when I need
Someone else to survive
The seller called at 2:13
Said “That excuse belongs to me”
I told him he could have it back
He laughed and said “You made it yours”
You poured your drink into the sink
Not angry almost entertained
You said “The worst part isn’t this
It’s how rehearsed you look in pain”
So here’s the part I didn’t buy
No clever date no useful guy
I stayed because I liked the risk
I left because you noticed it
No missing train no broken phone
No nameless friend to take the blame
I wanted two incompatible things
And called confusion by your name
I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me why
Now every version sounds like mine
I bought a secondhand alibi
But guilt was never in the price
Keep the story keep the night
Every version sounds like mine
The truth was sitting in the car
Patient as an unpaid fare
I opened up the passenger door
It said “You took your time”
CREDITS
Performer: Romeo Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Let the Grip Go
Sera Noor
Let the Grip Go
Sera Noor
CREDITS
Performer: Sera Noor
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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City Pulse
Noon After Seoyeon
City Pulse
Noon After Seoyeon
[Intro]
City pulse
Turn it up
시동 걸어
We don’t stop
Late ride clean mood
Windows down smooth groove
No big talk just move
Tonight we choose the view
도로 위에 번진 빛
우리만의 작은 scene
신호가 바뀌면 go
심장은 faster low
천천히 올라가는 speed
But we keep it clean
너와 나의 timing
딱 맞아 like a dream
숨이 조금 뜨거워져
Bass가 몸을 밀어
말은 짧게 눈은 길게
이 밤을 더 열어
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
Black jacket soft bass
Good vibe no waste
I see the city on your face
Every second finds its place
핸들 위에 얹은 손
리듬 따라 가는 선
바람이 지나가면
웃음이 먼저 터져
[Rap]
Okay shift it
밤의 온도 lift it
Too smooth don’t miss it
우리 둘만 fit it
속도는 올라가도
머리는 차갑게 둬
Fun mode control
우린 선을 알고 go
Turn left turn right
작은 길도 feels nice
No noise just style
웃어 봐 one more mile
천천히 올라가는 speed
But we keep it clean
너와 나의 timing
딱 맞아 like a dream
숨이 조금 뜨거워져
Bass가 몸을 밀어
말은 짧게 눈은 길게
이 밤을 더 열어
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
잠깐만 속도를 낮춰
이 순간을 더 봐줘
급하지 않아도 돼
우린 이미 충분해
If you laugh I know
If I smile you know
다음 길이 열리면
다시 올라가 let’s go
[Final Chorus]
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
시동은 켜져
기분은 더 커져
City pulse
We ride we ride
CREDITS
Performer: Noon After Seoyeon
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Loneliness
Elara Stone
Verified Artist
Elara Stone
She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.
Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.
Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.
Loneliness
Elara Stone
The room stays still when I move
Air feels counted slow and exact
My phone facedown on the table
Like it knows I won’t look back
Hours fold into each other
No sharp edges no release
I don’t miss someone specific
I just miss how silence feels
Loneliness isn’t loud
It doesn’t need a scene
It waits until everything stops
And asks me what I mean
Loneliness stays close
Not heavy not kind
Just the shape of being here
With too much time
Walls keep doing what they do
Holding space without a sign
Every thought arrives unfinished
Leaves before it makes a line
I hear life somewhere ongoing
Not mine but near enough
I don’t reach for explanations
I’m already full of them
Loneliness isn’t loud
It never begs or pleads
It sits beside the moment
And lets it be what it is
Loneliness knows my pace
Never pulls never leads
Just walks the length of the night
At the speed I need
If this hour had a voice
It wouldn’t try to stay
It would tell me nothing’s broken
Then quietly move away
Loneliness isn’t loud
It doesn’t ask for proof
It’s not the end of something
It’s just the pause I move through
Loneliness fades on its own
When the timing is right
I don’t solve it tonight
I just let it pass the time
Morning is doing its job
Somewhere I don’t need to see
This night doesn’t owe me answers
It just keeps me company
CREDITS
Performer: Elara Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Albion
Erik Lindholm
Verified Artist
Erik Lindholm
Swedish born and dance-floor dominator, Erik Lindholm, boasts a temperament as lively as his pulsating bass lines. His sonic sensibilities, threaded through every groove in his heart-thumping dance maestro, are as intriguing as the tale of his journey to the top of the beat kingdom.
Raised in the heart of Gothenburg, Lindholm's coming-of-age could be likened to a groovy scandi-noir episode spiced with Abba tracks. His gruff but supportive Fishmonger father, Olaf, served up his son's first taste of rhythm with the flick of his filleting knife, while his samba-loving mother, Ingrid, nurtured his love for infectious cadence. Schooldays were filled with misadventures involving tin-can drum sets, impromptu corridor concerts, and confiscated mixtapes. Bet his bemused math teacher never guessed this rebel with a cause would rise as a dance music sovereign.
Advertising his outright refusal to be pigeonholed, Lindholm's "Albion" is more than an axiom of his sound, it's a representation of his relentless pursuit of reinvention. This dance-infused ode to joy, shimmers with synths, pulsates with kinetic beats and is as intoxicating as a round of round-the-clock-midsummer-Swedish-sunshine. It's a rollicking auditory journey aptly capturing his carpe diem approach to making people move and groove.
Erik Lindholm's music vividly paints a colorful backdrop of effervescent vibes and infectious enthusiasm. And while we could end this with something delightfully corny like, "this Scandinavian sensation is dancing to the beat of his own drum machine," let's leave it at this - Lindholm lives to make hearts thump in sync with his beats, and folks, he sure succeeds.
Albion
Erik Lindholm
Why do great times feel so silent
Why do doormen wear rags
Why do women in love
Feel so dead
In a dead world why do great times feel so silent
Over ripped sheet music why do doormen wear rags
On the Pavonia sewers why do women in love
Feel so dead in a dead world
Where Albion is silent where Albion is silent
Why do great times feel so silent
Why do doormen wear rags
Why do women in love
Feel so dead
Why is our pretty nurse standing there
Why that sorry expression on the face of her lover
So I spake to him of womankind
I said here council's floral it svours like the thyme
He said
How could you blame me when I told you it was her
I said
And we know the truth
You're a lover like your father
Later in the painting room as Ripper's painting light
Comes the lover placed by my hand
On the canvas of our wedding night
There a similitude derues your lover's blush tonight
As her florescent eyes explore mine
So remember even flowers are suseptible to night
CREDITS
Performer: Erik Lindholm
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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