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Long Distance Line ...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Long Distance Line from the Bosphorus
Eli Varnish
I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you
The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you
The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”
This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best
Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you
There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you
I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall
This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done
Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes
It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said
The operator counts me down
Five… four… the river wins
Click
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Hope and Happiness
Dave Martin
Verified Artist
Dave Martin
Dave Martin was born in Toronto to a Dutch family, growing up with a deep appreciation for both his cultural roots and the vibrant city around him.
A passionate activist, Dave uses his platform to advocate for social and environmental causes, often organizing community events and rallies. Alongside his activism, he found his calling in music, becoming a well-known DJ in the local club scene.
His sets are a dynamic blend of electronic beats and world music, reflecting his diverse background and global outlook.
Dave Martin's dual roles as a DJ and activist make him a unique and influential figure in both the music and social justice communities.
Hope and Happiness
Dave Martin
Hope and happiness
Sleeping on an airplane
I'm too afraid of heights
Can't hide from orange dreams
Get on my side
Get off my knees
Get on my side
Get off my knees
Daydreaming of Hillary
Of her running up the beaches
She always looks so good
With my hands up to my ears
Get on my side
Get off my knees
Get on my side
Get off my knees
Hope and happiness
Nothing in my brain
And no
No one knows my name
That's how I like it
Hope and dreams
Swimming in the ocean
Happiest I've ever been
Get on my side
Get off my knees
Get on my side
Get off my knees
Summer vacation
Gets so tiring
Find ourselves tangled up
God loves rocks
Personal friend of mine
Get on my side
Get off my knees
Get on my side
Get off my knees
CREDITS
Performer: Dave Martin
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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A Second Sun
Danny De Star
Verified Artist
Danny De Star
Danny De Star: the name sounds like a headline right out of those glitzy Hollywood tabloids, but the origin story of this dance maestro is planted firmly in the heartland. This homebred celestial body hails from a place people rather unlikely expect: the good, ole city of Nashville, Tennessee.
Forget what you thought you knew about the Nashville. Forget about the banjos, the country laments, and the cowboy boots. Danny De Star spins a different tale, and that tale takes rhythm. Keeping the city's core of boundless energy, but rather lighting it up with electronic vibes and killer beats, he's not your typical country bumpkin. He's got his own flavor of star quality.
No track speaks to the De Star spirit more than "A Second Sun". It's a dance crescendo that has you spiralling into a vortex of good vibes. It shines with all the brightness of, well, a second sun. It's all so dramatic and yet so bouncy, enough to catapult your mood into absolute buoyancy.
Endearing, inventive and cheerful as a confetti burst, Danny De Star takes the dance music scene not with a storm, but with a happy beam of light. As that second sun sets on your playlists, remember: the best stars twinkle from unexpected corners—sometimes they're even summoned from a little city in Tennessee.
A Second Sun
Danny De Star
Footsteps linger where rivers bend
The weight we carry begins to mend
Every crack in the earth reveals
The hidden strength that time conceals
Raise your voice the silence fades
We’re the makers of brighter days
Through the storm and through the dust
We’ll rebuild what we entrust
We are more than what we’ve seen
Drawing colors from the gray between
Every fall a chance to rise
A second sun in the open skies
Shadows stretch but cannot stay
We carve a path come what may
With steady hands we shape the stone
This is the place we call our own
Raise your voice the silence fades
We’re the makers of brighter days
Through the storm and through the dust
We’ll rebuild what we entrust
We are more than what we’ve seen
Drawing colors from the gray between
Every fall a chance to rise
A second sun in the open skies
No more waiting for a sign
We are the spark the new design
Every heartbeat a drum of change
A rhythm fierce a future unchained
Stillness settles then takes its leave
What we sow we’ll soon believe
With open arms we face the tide
A journey shared side by side
We are more than what we’ve seen
Drawing colors from the gray between
Every fall a chance to rise
A second sun in the open skies
Tomorrow sings in voices clear
A melody we hold so near
Step by step the dawn will show
All we are and all we’ll know
CREDITS
Performer: Danny De Star
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Te Llevas Todo
Mateo Blanco
Verified Artist
Mateo Blanco
Mateo Blanco, hailing from the vibrant streets of Copenhagen, infuses his Latin roots with a contemporary pop sensibility, creating an enchanting soundscape that resonates with both nostalgia and romance. His latest track, "Te Llevas Todo," captures the bittersweet essence of love lost, with lyrics that evoke the lingering echoes of someone who has walked away. Mateo’s emotive vocal style draws listeners into his world, where playful melodies intertwine with heartfelt themes. Growing up amidst the dynamic club culture of Copenhagen, he found inspiration in the rhythmic beats and expressive energy of the local scene, shaping his artistic identity as a solo artist.
With a catalog that moves fluidly between moods and styles, each song tells a story that reflects Mateo's personal experiences and observations. Tracks like “Sombra de Tí” and “La Luz en Mis Ojos” delve into similar emotional landscapes, balancing playful exuberance with deeper romantic introspections. As Mateo continues to explore these themes, his music acts as a tapestry woven from both lighthearted moments and poignant reflections of love and loss, inviting listeners to journey alongside him through each intimate narrative.
Te Llevas Todo
Mateo Blanco
Cada vez que te vas
algo de mí también se va
Te vi cerrar la puerta sin mirar atrás
Llevabas tus pasos y mi paz
Ni una palabra ni un por qué
Solo el sonido de lo que ya no fue
Y yo me quedo con el eco de tu voz
Como si el silencio fuera feroz
Te llevas todo mi luz mi fe
Mis madrugadas y mi café
El ritmo lento de mi canción
Y hasta el aire de mi habitación
Te llevas todo sin preguntar
Y yo me quedo sin respirar
Tus fotos siguen en la pared
Pero tu sombra ya no es fiel
Tu perfume flota en el salón
Como un fantasma de mi ilusión
No sé si vas a regresar
Pero yo no sé olvidar
Te llevas todo mi luz mi fe
Mis madrugadas y mi café
El ritmo lento de mi canción
Y hasta el aire de mi habitación
Te llevas todo sin preguntar
Y yo me quedo sin respirar
No dejaste notas ni un final
Solo un vacío tan brutal
Y aunque no quiero suplicar…
mi alma aún te va a llamar
Te llevas todo y lo sabes bien
Hasta el pedazo que era también
Te llevas todo mi amor mi bien
Y yo me pierdo en tu desdén
CREDITS
Performer: Mateo Blanco
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Just Like That
Checkmate
Verified Artist
Checkmate
Checkmate formed in London out of restlessness rather than intention. Different neighborhoods, different backgrounds, same impulse: to move, to react, to play music that refuses to stand still. Ska was never a costume for them, it was a language. Fast rhythms, sharp turns, humor used as defiance. They grew up surrounded by noise, contradictions, and crowded streets, and their sound reflects that constant motion.
Their music is playful but not careless, political without slogans, chaotic but precise. Each member brings a different energy, and none of them try to smooth those edges out.
Checkmate thrives on contrast: bright melodies against nervous tension, joy next to disruption. What comes out is loud, physical, and alive. Their releases are heard only on Filodyo and NOT FM, where movement matters more than polish and nothing is forced to sit quietly in the background.
Just Like That
Checkmate
Bus is late but the sun is out
Someone’s laughing way too loud
Corner shop knows my face
Same old song same old place
Shoelace broke still on time
Found a coin lost my mind
Nothing special nothing deep
But today’s been good to me
Radio plays that beat again
Head goes left feet say “amen”
I wasn’t looking for a sign
But the street feels right in time
Life’s doing fine yeah look around
Sticky tables familiar sounds
Not a movie not a plan
Just a good day where I stand
Life’s doing fine no big parade
Just walking slow no rush today
If this is all I’m cool with that
Yeah I like it just like that
Coffee spills laugh it off
Wrong turn but I don’t stop
Shoes too tight shirt’s too thin
Still smiling when I walk in
Someone hums the tune I know
Traffic moves then says hello
Nothing changed still feels new
Guess the trick is how you view
No winning streak no finish line
Just wasting time and feeling fine
If this moment’s all I get
I’m not mad at it yet
Life’s doing fine yeah look around
Bent street signs old beat-up towns
Not a headline not a scam
Just a good day where I stand
Life’s doing fine no big parade
Late night talks cheap lemonade
If this is all I’m cool with that
Yeah I like it just like that
Maybe tomorrow’s loud and rough
But today’s already enough
No promises no advice
Just breathing in a decent life
Life’s doing fine hear that horn
Someone dancing someone bored
Not a dream not a trap
Just a moment and I’ll clap
Life’s doing fine I’ll say it twice
Not perfect but it’s nice
If this is all I’m cool with that
Yeah I love it just like that
Just like that
Yeah just like that
CREDITS
Performer: Checkmate
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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The Wrong Daughter
Billie Arden
Verified Artist
Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.
Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
The Wrong Daughter
Billie Arden
I left at seventeen before the bread was warm
took the blue suitcase nobody claimed
Mother stood polishing the same clean glass
Dad read the paper without turning a page
There was a woman’s name behind the pantry clock
written twice then crossed with a kitchen knife
I asked who she was
They asked why I was still awake
Huh
They said “You’ll understand when you’re older”
So I got older somewhere else
I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train
I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong
Years later a stranger stopped me near the docks
said “You walk exactly like she did”
I laughed and asked “Who?”
She looked at me as though I’d made a joke
Then she handed me a photograph:
my father younger one hand out of frame
and a girl with my uneven teeth
wearing the blue suitcase name tag
Huh Small world
Terrible handwriting
She said “Your mother tried her best”
I said “Which one?”
I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train
I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong
Maybe I was kept
Maybe I was traded
Maybe love gets very polite
when the truth is complicated
I never asked again
That keeps them nervous
I was gone before the kettle sang
gone before they fixed their tale
Let them polish every answer
I know where the story fails
I was gone gone gone—
huh they still insist I’m wild
I didn’t leave because I hated them
I left as someone else’s child
CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Stay With the Silence
When Colors Fell
Stay With the Silence
When Colors Fell
I watched the sky unfold too slow
Time slipped down the edge of your shadow
You left a glass of water full
But took the fire before the glow
Don't speak
I hear the silence calling
Don't breathe
The night is slowly falling
(Instrumental – layered synths emotional chords wide reverb)
[Vocal chops: “Don’t leave…” “Stay with me…”]
You float just out of reach again
A figure fading in the rain
You never said it had to end
But silence always makes it plain
Stay with the silence
Let it bloom inside
We're more than the moment
We're where the echoes hide
CREDITS
Performer: When Colors Fell
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call Me Expensive
Fonx Prime
Verified Artist
Fonx Prime
Fonx Prime is an emerging artist from London, known for his infectious blend of funk and pop that captures the vibrancy of the city’s music scene. Currently honing his craft as a conservatoire student, Fonx brings a youthful exuberance to his work, drawing inspiration from both classic influences and contemporary trends. His debut track "Call Me Expensive" showcases this dynamic approach, effortlessly merging upbeat rhythms with playful lyrics that resonate with themes of hope and confidence.
With a sound that is both energetic and uplifting, Fonx's music invites listeners into a world where joy is paramount. Each composition reflects his ability to create engaging melodies that linger in the mind long after the last note fades. Beyond the lively grooves of "Call Me Expensive," future releases are expected to expand upon this tapestry, exploring the interplay between funk-driven beats and pop sensibilities while maintaining an overall sense of optimism.
Fonx Prime’s artistic identity is rooted in authenticity, as he embraces his journey with sincerity and passion. His music not only serves as a reflection of his personal experiences but also invites audiences to celebrate life’s moments of happiness and playfulness. As he continues to develop his catalog, Fonx aims to connect with fans through relatable themes and an infectious energy that encourages everyone to embrace their individuality.
Call Me Expensive
Fonx Prime
Ow
Mm
Don’t act cheap with my heart
You got style
But you talk too much
You got taste
But you rush too much
I don’t need
A golden key
I just need
You next to me
No long speech
No big parade
Just that look
That you can’t fake
You say maybe
I say no
Pick a side
Or let me go
I’m not hard to love
I’m hard to fool
You play so sweet
But I know you
If you want my time
Spend it right
Don’t bring drama
To my Friday night
Call me expensive
Call me too much
Call me whenever
You need real love
Call me electric
Call me your type
Call me before you
Change your mind
You don’t need money
You need attention
I don’t want diamonds
I want intention
Call me expensive
Baby that’s fine
Cheap talk never
Gets my time
You wear cool
Like a second skin
But I see nerves
When I walk in
You try smooth
I try honest
You want games
I want promise
Don’t send flowers
Send the truth
I got better
Things to do
You say maybe
I say please
Don’t waste rhythm
On your knees
I’m not hard to love
I’m hard to fool
You play so sweet
But I know you
If you want my time
Spend it right
Don’t bring drama
To my Friday night
Call me expensive
Call me too much
Call me whenever
You need real love
Call me electric
Call me your type
Call me before you
Change your mind
You don’t need money
You need attention
I don’t want diamonds
I want intention
Call me expensive
Baby that’s fine
Cheap talk never
Gets my time
Less conversation
More dedication
Less explanation
More demonstration
I don’t need perfect
I don’t need rich
I need somebody
Who knows what this is
Say it cleaner
Stand up straighter
Love me now
Or miss me later
Call me expensive
Call me too much
Call me whenever
You need real love
Call me electric
Call me your type
Call me before you
Change your mind
You don’t need money
You need attention
I don’t want diamonds
I want intention
Call me expensive
Baby that’s fine
Cheap talk never
Gets my time
Ow
Don’t act cheap with my heart
Call me expensive
That’s a good start
CREDITS
Performer: Fonx Prime
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Glass Agenda
NAYVO
CREDITS
Performer: NAYVO
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Folded into You
This Machine Dreams
Folded into You
This Machine Dreams
CREDITS
Performer: This Machine Dreams
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Butterflies
Maelith
Verified Artist
Maelith
If sugar, spice, and a foot-tapping bass were a person, they'd invariably shape-shift into Maelith. The indie dance sensation hails from the mythical city of her namesake – a place as enigmatic, vibrant, and pulsating as her music.
Coming from a realm where the sunrise paints the sky in a symphony of techno hues, Maelith's city of origin is as enigmatic and infectious as her tunes and just as impossible to tune out. It only makes sense then, that her celebratory dance beats make even the grumpiest of granddads do a head bob or two.
Her notable track "Butterflies" will make a surprising entrance, landing in your heart with the grace and charm of a thousand of the colourful creatures, evoking smiles usually reserved for sunbeams and unexpected tax refunds. It's like eating candy in a club - tooth-achingly sweet, and deliciously intoxicating.
Maelith's music isn't just happy—it's a spontaneous euphoria packed into dance beats. Each track, a flawless mesh of elevating melodies sure to paint a bright, neon smile on your face. It never rains in Maelith's city. So, grab an umbrella because you're about to get showered with joy bombs!
Butterflies
Maelith
Driving to your place
With that first date feel
I can barely wait
Got a full tank
'cause I know I'll stay
For hours
I know you will
Do you have
Do you have
Do you have butterflies?
'Cause I do
'Cause I do
'Cause I do
You're the one I like
And you're not even tryin'
I still have butterflies
The way you look at me
Is making me crazy
You're making me
You're making me
'Cause I've been on my own
For far too long
I haven't been shown
And you've been far away
From me
So let's be alone
Together
Do you have
Do you have
Do you have butterflies?
'Cause I do
'Cause I do
'Cause I do
You're the one I like
And you're not even tryin'
I still have butterflies
The way you look at me
Is making me crazy
You're making me
You're making me
I can't explain the way you make me feel
There's no way
There's no way
There's no way
This isn't real
Do you have
Do you have
Do you have butterflies?
'Cause I do
'Cause I do
'Cause I do
You're the one I like
And you're not even tryin'
I still have butterflies
The way you look at me
Is making me crazy
You're making me
You're making me
You're making me
You're making me
You're making me
You're making me
CREDITS
Performer: Maelith
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.