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Dance Without You
Carmen Silva
Verified Artist
Carmen Silva
Carmen Silva, hailing from the vibrant streets of London, is an evocative solo artist whose sound fuses empowering Latin rhythms with the infectious energy of contemporary dance music. With a signature style characterized by bold brass stabs, congas, and funky horns, her tracks pulse with life and emotion. Songs like "Dance Without You" showcase her ability to blend bittersweet themes with playful beats, creating a tapestry of sound that invites listeners to celebrate both the highs and lows of love. Late-night writing sessions have profoundly shaped her artistic vision, allowing her to explore the nuanced interplay of joy and sadness that shines through in her lyrics.
Her catalog is an exploration of resilience and self-discovery, as demonstrated in tracks such as "Back Where the Rhythm Lives." Carmen's layered vocals and rhythmic compositions create an uplifting yet intimate atmosphere that resonates with listeners navigating their own emotional landscapes. As she continues to captivate audiences with her electrifying performances and heartfelt storytelling, Carmen Silva firmly establishes herself as a distinctive voice in the modern music scene, where every dance tells a deeper story.
Dance Without You
Carmen Silva
No more tears in my mirror frame
No more whispering your name
Got a new dress and a different fire
Tonight I dance through the wire
I gave too much forgot my flame
You left but I reclaimed my name
Now I’m glowing in my golden shoes
And this beat don’t play the blues
I dance without you — I don’t break I burn! (burn!)
Watch me spinning as the tables turn (turn!)
I got the rhythm don’t need your tune
I own this night I own this room!
I dance without you — I don’t beg I fly! (fly!)
You were a storm but I’m the sky
I let go with every move
Freedom fits me better than you
Champagne sparks in the flashing light
New perfume and my steps feel right
I lost your voice but found my sound
And baby I’m not slowing down
You thought I'd fade…
But I bloom in bass
You took your shot…
And missed my grace
I dance without you — I don’t break I burn!
No more silence I return
Every beat rewrites my truth
And this floor don’t cry for you
Dance…
without you
Shine…
without you
Live…
without you
CREDITS
Performer: Carmen Silva
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Life Feels Like Mor...
The Faded Ticket Booth
Verified Artist
The Faded Ticket Booth
The Faded Ticket Booth is a four-piece Scottish acoustic group built around a warm, narrative-driven female vocal. Their music leans into everyday poetry rather than spectacle: upright bass, brushed drums, clean acoustic guitar, and voices that feel like shared conversation rather than performance. They sound like a street you’ve walked before but can’t quite place, a melody you remember without knowing when you heard it.
They formed on the quieter edges of Edinburgh’s busking circuits, shaping their sound in places where attention isn’t guaranteed — doorways, market corners, the brief hush that follows passing footsteps. That background taught them presence without volume; phrasing without force; sincerity without staging. Their arrangements remain intentionally uncluttered, preferring atmosphere over punch.
Influenced by the acoustic honesty of late-80s British folk-pop and the conversational phrasing of Eddi Reader, they record with a philosophy of leave the human parts in. Light string squeaks, the breath before a high note, the soft brush of a chord change — if it’s true, it stays. The result isn’t retro, but unhurried; not nostalgic, but familiar in a way that feels quietly earned.
Their recorded work is released in a deliberately limited way: not everywhere at once, not across every platform, but carried by NOT FM and Filodyo as their primary homes, where their catalog lives with the same intention as their songwriting. It isn’t framed as exclusivity for the sake of strategy — just a quieter kind of presence, placed where it feels understood.
Life Feels Like Morning
The Faded Ticket Booth
Sunlight pours like honey in my half-awake cup
Steps on the pavement keep lining me up
A soft little rhythm in the turn of the day
Like my heart learned the world had a kinder way
I don’t need a reason the reason found me
In the quiet of the doorway where the street meets the breeze
Life feels like morning like pages turning warm and slow
Love feels like timing like finding what you didn’t know
If the wind ever falters I’ll steady what I can
Life feels like morning again and again
There’s a stray-cat freedom in the corner of the lane
Windows with stories I can’t quite explain
Paper ships in puddles sailing nowhere grand
But isn’t that a voyage when the map’s in your hand?
I don’t need a reason the reason found me
In the hush before the chorus where the skyline agrees
Life feels like morning like pages turning warm and slow
Love feels like timing like finding what you didn’t know
If the wind ever falters I’ll steady what I can
Life feels like morning again and again
Maybe what we call “arrival” is just learning how to stand
Not to conquer every moment just to meet it where we land
Life feels like morning like chairs pulled out and waiting still
Love feels like timing like the echo of a windowsill
If the wind ever falters I’ll steady what I can
Life feels like morning… again and again
CREDITS
Performer: The Faded Ticket Booth
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Real World Effects
Arven Nohr
Real World Effects
Arven Nohr
CREDITS
Performer: Arven Nohr
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Proving Left
Finn Calyx
No Proving Left
Finn Calyx
CREDITS
Performer: Finn Calyx
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Radio Trottoir
No Be Me
Verified Artist
No Be Me
No Be Me is an Afro-pop collective built around rhythm, mischief and stories that travel faster than facts. Their songs follow barbers, drivers, aunties, shopkeepers and accidental witnesses through everyday neighbourhood dramas, turning overheard remarks into sharp, danceable narratives. Led by a warm male storyteller and supported by four tightly arranged studio voices, the group blends Afrobeats percussion, highlife guitar, elastic bass and dry humour without relying on spectacle.
Their first single, “Radio Trottoir,” introduces a world where one careless “maybe” can acquire a wedding date, two witnesses and a catering budget before lunchtime. No Be Me treat gossip as social choreography: funny, dangerous, generous and impossible to control. Their music is polished but human, playful without becoming novelty, and rooted in the idea that the best stories rarely belong to the person who started them.
Radio Trottoir
No Be Me
Eight-oh-five by Saint Michel
Kola had a cake box under one arm
one red shoe in the other hand
He said “My aunt turns sixty”
I heard “aunt” “cake” and “Saturday”
and supplied the missing cinema myself
At Idris’ barbershop I said
“Maybe the man is getting married”
Idris did not repeat my sentence
He gave it catering witnesses
and a cousin arriving from Marseille
with three phones and firm opinions
By nine-fifteen the taxi rank knew the venue
By ten the tailor had chosen gold
By eleven Auntie Binta had named two children
Kola was still looking for candles
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
At one he had married the mayor’s niece
At two he had bought a flat in Lisbon
At three he had left her for a singer
whose name nobody could pronounce
At four the church committee wanted answers
about a generator no one had lost
At five I tried to stop the story
That became “He knows more than he is saying”
At six my mother called me:
“Wear something decent
Apparently you are giving the speech
And bring your own chair”
I found Kola beside the pharmacy
still carrying the same red shoe
The cake was for Aunt Mariam
The shoe had fallen from her shopping bag
He stared at me for seven quiet seconds
then asked who I planned to marry
I laughed exactly once
That was my second mistake
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
I went home to hide from the bulletin
My neighbour had prepared rice
My sister said a woman named Celeste
had accepted me on my behalf
Who is Celeste? Nobody knows
She may be a dentist
She may be in Dakar
She may have started at Idris’ second chair
My mother likes her already
She says Celeste sounds responsible
There are now two cakes in the kitchen
Neither one belongs to Kola
Wetin happen?
Ask the barber
Who start am?
No be me
Where proof dey?
It left by taxi
Can you stop am?
You fit try
Radio trottoir radio trottoir
no antenna no editor no brakes
By sunset Kola ran the ministry
by midnight I was cutting a second cake
Radio trottoir radio trottoir
every correction opens another branch
I only said “Maybe he is getting married”
Now Celeste is discussing curtains with my aunt
Kola brought the candles
My mother served the rice
Idris arrived with invitations
No be me
CREDITS
Performer: No Be Me
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Better By Half
The Corner Clerks
Verified Artist
The Corner Clerks
The Corner Clerks are a lively three-member band hailing from England, blending elements of ska and rock to create a vibrant sound that resonates with joy and hope. Their music is characterized by playful melodies and upbeat rhythms, perfect for lifting spirits and inspiring listeners. With their debut track, "Better By Half," they set the tone for an engaging catalog that promises to be as uplifting as it is catchy. The Corner Clerks infuse their songs with an infectious energy, making their performances a celebration of life and positivity.
Each member brings a unique flavor to the group, crafting a collective identity that shines through in every track. The band's sound effortlessly fuses alternative rock and pop influences with ska rhythms, resulting in a style that is refreshing and accessible. Lyrically, they focus on themes of optimism and resilience, drawing listeners into a world where challenges are met with a hopeful spirit. Their upbeat tracks invite audiences to dance, sing along, and embrace the lighter side of life.
With plans for more releases on the horizon, The Corner Clerks are poised to carve out a distinct space in the music scene. Their dedication to creating feel-good music sets them apart, ensuring that each new track will carry forth their signature blend of uplifting vibes and catchy hooks. As they continue to develop their sound and expand their repertoire, fans can look forward to an ongoing celebration of happiness through music.
Better By Half
The Corner Clerks
You took the long way home again
Counted every coin you spent
Said the city had no manners
But you kept your Sunday sense
There’s a man at the station
With a paper and a grin
Says the world keeps turning
But nobody clocks in
You had plans on a napkin
Now they’re folded in your coat
You keep laughing at the timing
Like it’s some private joke
There’s a queue at the bakery
There’s a dog outside the bank
There’s a song from a taxi
That you almost want to thank
You don’t need a big answer
You don’t need a grand escape
You just need one decent Tuesday
And a bit less on your plate
So you straighten your collar
Let the bad news pass
Put your hands in your pockets
And you make it last
Not winning not losing
Just doing the math
Some days get better
Better by half
Better by half
That’s good enough
A little less worry
A little more luck
Better by half
No golden plan
Just one more joke
And a steady hand
You don’t need glory
You don’t need proof
Just somebody laughing
At the back of the room
Better by half
That’s good enough
A little less worry
A little more luck
Your cousin had a theory
About getting out clean
Then he bought a small van
And a coffee machine
Now he parks by the market
With his radio low
Says the secret is simple
Never let Monday know
You remember old trouble
With a smile on its face
How it sat beside your future
And took up all the space
But you made a little progress
On a very plain day
Paid one bill sent one message
Threw one bad thought away
So you straighten your collar
Let the bad news pass
Put your hands in your pockets
And you make it last
Not winning not losing
Just doing the math
Some days get better
Better by half
Better by half
That’s good enough
A little less worry
A little more luck
Better by half
No golden plan
Just one more joke
And a steady hand
You don’t need glory
You don’t need proof
Just somebody laughing
At the back of the room
Better by half
That’s good enough
A little less worry
A little more luck
No parade no headline
No speech to rehearse
Just a small kind of fortune
When it could have been worse
You can carry your worries
But loosen the strap
Life may not fix you
But it cuts you some slack
Better by half
That’s good enough
A little less worry
A little more luck
Better by half
No golden plan
Just one more joke
And a steady hand
You don’t need glory
You don’t need proof
Just somebody laughing
At the back of the room
Better by half
That’s good enough
A little less worry
A little more luck
You took the long way home again
Counted every coin you spent
Said the city had no manners
But you kept your Sunday sense
CREDITS
Performer: The Corner Clerks
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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In a Bottle
Anneliese Bauer
Verified Artist
Anneliese Bauer
'''Anneliese Bauer''' is a vibrant independent artist renowned for her distinctive blend of thematic musical narratives. With a style as unique as her personality, she has been fascinating audiences across small town venues with her enchanting tunes and dynamic performances.
Raised in a household where music was a staple item alongside bread and butter, Bauer's affinity to music surfaced as naturally as her ability to provoke a hearty chuckle. Her folksy demeanor - a whimsical mix of unfiltered sarcasm and debonair charm - is flawlessly translated into her tunes that are both catchy and sometimes ambiguously profound. Similar to a good detective novel, Bauer's songs can keep the listeners guessing - and laughing - to the very end.
A native troubadour, her performances are a refreshing experience akin to drinking homemade lemonade on a sultry afternoon. But don't let her humble stages fool you; Bauer's music packs a formidable punch. One that's earned her a dedicated local following and is growing to include everyone who's had the chance to tap their feet to her tuneful narratives. ''In a Bottle'', one of her more notable songs, captures her musical prowess in a bottle, immersing the listener in a melodic journey of poignant storytelling punctuated with harmonies that ring long after the song ends.
Every decade witnesses a new wave of artists and Anneliese Bauer certainly makes her own waves. Bauer's craft is more than just making music; she creates memorable experiences woven into the very fabric of her artistry. She didn't crash the indie scene, she sauntered in, mandolin in hand, and smiled her way to the beat of her own drum. The passion, the zest, the talent: that's Anneliese Bauer!
In a Bottle
Anneliese Bauer
Through the Mississippi River
Cold Chicago North Wind
Sailing down the Gulf of Mexico
I've got
Something to say
Floating in a bourbon-filled bottle
My own message in a bottle
I've got
Something to say
What if you could find it?
Then someone would know
What if you ignore it?
Then no one would know
Pick it up from the Atlantic Ocean
No matter what you do
If you leave it unopened
I'll have
Nothing to say
What if you don't find it?
Then no one will know
What if you could listen?
Then someone would know
What if this was my only chance?
How could I tell you?
There is so much left to say
So much I want you to know
CREDITS
Performer: Anneliese Bauer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Soft Machines
Taulk
CREDITS
Performer: Taulk
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Dancing It All Off
Sophie Weak
Verified Artist
Sophie Weak
Meet Sophie Weak, the daintier and infinitely more coordinated cousin of the beloved Weeble Wobble. Hailing from the cultural cauldron that is London, indie dance maven Weak has a knack for composing euphorically buoyant tracks that'll get your feet tapping and heart thumping.
She first made waves in the indie scene with the high-voltage hit, "Dancing It All Off". Weak's signature style effortlessly blends cheeky, tongue-in-cheek lyrics with electric rhythms and synthed-up beats that are sure to ignite even the most lead-footed listener's lust for dance. She's a bit like the Mary Poppins of the music world; if Mary Poppins swapped her umbrella for a sequined leotard and developed an insatiable appetite for disco balls, that is.
Sophie's sound is no mere illusion of joy, but genuine, unadulterated happiness put to a beat. Often, her tracks can be found playing in hipster cafes across the city, causing spontaneous, caffeinated dance-offs amongst bearded barristers and laptop warriors. So, brace yourself, your Bluetooth speakers, and possibly your pets (because they have sensitive ears); Sophie Weak is here to shake up your playlists with her infectious beats and infectious spirit!
Dancing It All Off
Sophie Weak
I gotta dance it off
I got the weight of the world
And my week was so hard
I gotta dance it off
I got the weight of the world
And my week was so hard
I gotta dance it off
Got me feelin' like
All night
All night
Dancin' like it's
All night
All night
I'm just gonna dance it off
Got me dancin' like it's all night
All night
I'm just gonna dance it off
Got me dancin' like it's all night
All night
I'm just gonna dance it off
Got me dancin' like it's all night
All night
I'm just gonna dance it off
Got me dancin' like it's all night
All night
I'm just gonna dance it off
Got me dancin' like it's all night
All night
I'm just gonna dance it off
Got me dancin' like it's all night
All night
CREDITS
Performer: Sophie Weak
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Between Our Time
Aris Veyton
Verified Artist
Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.
Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.
Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Between Our Time
Aris Veyton
Streets stay still without a name
Steps align but not the same
Nothing loud nothing planned
Just the timing of your hand
Every move feels almost true
Something shifts when I face you
Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time
Ahh
Let it turn let it stay
No words left that need a say
Corners bend the hours slide
We don’t need a reason why
Moments land then rearrange
Never still never strange
No control still it fits
Every step makes sense like this
Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time
If it ends it ends this way
Not a loss not a stay
What we felt remains intact
No return and no retract
CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Cloudscript
MEMWR
Cloudscript
MEMWR
We ran out into the static rain
Laughin’ like the world was ours to claim
No plans no past no shame
Only your hand and my name
(You said) “Hold tight don’t blink now”
We were fire in a glass town
Time cracked under neon signs
We carved our names in exit lines
If it ends don’t rewind —
Just play it loud one more time
Gravity was just a sound
When you spun me upside down
Let the silence fill the page
We were perfect in that frame
CREDITS
Performer: MEMWR
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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