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Light It From Within
Silas Hume
Verified Artist
Silas Hume
Silas Hume, based in the vibrant heart of Los Angeles, emerges from the shadows of a studio job crafting hits for others. His journey took a transformative turn when a demo intended for personal reflection turned into the anthem he never knew he needed. With tracks like "Light It From Within," where the playful lyrics ignite an infectious energy, Silas invites listeners to connect through upbeat melodies and relatable themes. The joyful resonance of his sound captures those moments when heartbeat and rhythm align, effortlessly drawing you into a euphoric atmosphere.
Returning to the music scene after a significant hiatus, Silas brings a fresh perspective to his catalog, which also features the uplifting track "Let It Flow." Each song radiates warmth and optimism, reflecting not only his evolution as an artist but also his desire to inspire joy in others. As he prepares to share more of his journey and emotions through powerful pop melodies, Silas Hume stands ready to light up the stage with authenticity and a renewed passion for his craft.
Light It From Within
Silas Hume
You walked in and the room woke up
Heartbeat shifting rising up
There’s a rhythm in the way you move
Pulls me forward changes the mood
Didn’t plan on feeling this vibe
But something in the moment came alive
No pressure just an easy flow
Like the night already knows
I feel a pulse lining up with mine
Every step falling right in time
You light it from within from within
Turn a quiet spark into a fire again
Every move you make pulls me in
Yeah we’re lifting lifting
You light it from within from within
Let the beat carry everything we’re feeling
If the night begins anywhere it begins
When you light it from within
You laugh and the whole floor shifts
Like the air just got a little lift
I can read you in the way you sway
Telling me there's more to say
No maps no plans to follow
Just a rhythm we borrow
Every turn feels natural now
Don’t know why don’t need to know how
I feel a pulse lining up with mine
Every step falling right in time
You light it from within from within
Turn a quiet spark into a fire again
Every move you make pulls me in
Yeah we’re lifting lifting
You light it from within from within
Let the beat carry everything we’re feeling
If the night begins anywhere it begins
When you light it from within
Maybe this is something rare
Something built on open air
If the world slows down tonight
Let it slow on this side
You light it from within from within
Turn a quiet spark into a fire again
Every move you make pulls me in
Yeah we’re lifting lifting
You light it from within from within
Let the beat carry everything we’re feeling
If the night begins anywhere it begins
When you light it from within
CREDITS
Performer: Silas Hume
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Contando los Minuto...
Ricky Daz
Verified Artist
Ricky Daz
Hailing from the sultry soundscape of Miami, Ricky Daz is the coastal city's keeper of infectious dance beats & lively tunes. With his most notable track "Contando los Minutos (feat Rome K)", Daz's feel-good grooves have placed him firmly on the indie dance radar.
Born and bred under the sweat-soaked dancehalls and neon nights of Miami, Ricky embodies the very essence of the city - hot, vibrant, and indulgent. His music isn't just made for glittering nights out, but also for cool mornings where last night's adrenaline still hums in your veins. The boy's got rhythm in his blood, and Miami's heart in his tracks.
With "Contando los Minutos", Ricky has combined relatable tale-telling with hard-hitting choreography, creating an irresistible dance floor pull. Using a radiant tonal palette, Daz evokes the pulsating rhythms of his city, blending soulful Latin beats with a punchy EDM undercurrent. Each beat hits like the Florida sun - vibrant and full of life.
Our man Daz isn't just an artist; he's a soundtrack to a city that never sleeps - always moving, always dancing, and forever happy. With every new release, he continues to develop a pulsating landscape of indulgent dance music, turning fleeting moments into timeless melodies. Ricky Daz, remember the name, because he's writing the rhythm of Miami, one beat at a time.
Contando los Minutos (feat Rome K)
Ricky Daz
(Rome K)
[Verso 1]
Te vi cruzar la pista (uh oh)
Y el tiempo se me fue sin prisa (oh yeah)
Tu sombra baila con mi risa
No sé tu nombre pero ya me hipnotiza
(Hey Rome!)
Cada paso que das es un reto
Tus caderas me lanzan un decreto
Esta noche no quiero secretos
Solo tú y yo sin pretextos
[Pre-Coro]
Estoy contando los minutos (uh oh)
Para verte mover tan bruto (oh oh yeah)
Dímelo ya sin susto
Que tú también lo sientes lo intuyo
[Coro]
Baila conmigo no esperes más
Tu cuerpo pide y yo quiero dar
El ritmo nos lleva sin preguntar
Contigo la noche va a explotar (boom boom)
Baila conmigo te quiero ya
Tus ojos dicen que esto va a estallar
(Yeah yeah… Hey Rome!)
[Puente – susurro + adlibs]
Y cuando llegue el momento (uh oh)
Quiero perderme en tu movimiento (slow slow)
No pares no pares — sigue el viento
Esta canción es nuestro argumento
[Verso 2]
Luces bajan tú subes el nivel
Lo tuyo es arte no lo ves
Eres el ritmo que yo soñé
(Oh yeah… Rome let’s go!)
Tus labios marcan el compás
Y yo no quiero mirar atrás
Si esto es un juego quiero más
Tú me enciendes como gas
[Coro – repeat]
Baila conmigo no esperes más
Tu cuerpo pide y yo quiero dar
El ritmo nos lleva sin preguntar
Contigo la noche va a explotar
Baila conmigo te quiero ya
Tus ojos dicen que esto va a estallar
(Oh yeah… Hey Rome! uh uh…)
CREDITS
Performer: Ricky Daz
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Never On The Line
Wrong Floor Cinema
Verified Artist
Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.
Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.
Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Never On The Line
Wrong Floor Cinema
I called your number
It learned my name
It said the same thing
Every day
You had a reason
Then you had two
Then you had nothing
Better to do
Ring ring
No sign
Good luck
Next time
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I got tired of waiting
For a person made of signs
You sent a message
Without a dot
Said you were coming
Then you forgot
You had a system
You had a plan
You had a talent
For not being where I am
Ring ring
No sign
Good luck
Next time
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I got tired of waiting
For a person made of signs
No big ending
No goodbye
Just your silence
Wearing a tie
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I stopped calling
You stayed right on time
CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Gravity Override
Lina Mour
Verified Artist
Lina Mour
Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.
Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.
Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”
Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.
Gravity Override
Lina Mour
Blast the gate override the stream
No peace mode just kerosene
We don’t stop — we ventilate
Plug into the surge detonate!
Code in flames!
Rise untamed!
Spin that truth
Like a hurricane!
Gravity override!
We don’t fall — we multiply
No more silence no more shade
We break the sound — unafraid!
Gravity override!
Sky is fake so we collide
Raise your pulse amplify—
We’re the glitch they can’t deny!
Rip that signal break the chain
Upload thunder through your brain
We’re the myth the freak the spark
We turn neon into dark
No maps!
No brakes!
No kings!
No fakes!
We twist!
We crack!
We vanish—
Then attack!
Gravity override!
Truth distorted we decide
Bounce that static crash the grid—
This is not your mother’s beat!
Gravity override!
Laws erased we redesign
Now scream loud redefine—
We’re the beat they can’t confine!
Override complete
System: liberated
CREDITS
Performer: Lina Mour
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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La Sabiduria Callej...
Dos Latinos
Verified Artist
Dos Latinos
Dos Latinos is a flamenco-tango ensemble built around the commanding voice of a seasoned female singer whose delivery carries equal parts grit, humour, and hard-earned grace. Their sound brings together cante hondo intensity, nylon-string rasgueado, bandoneon accents, upright bass, and piano montuno, creating music that feels rooted in both Andalusian tradition and the late-night pulse of Buenos Aires.
Recorded with warm tape saturation and natural room bleed, the group favours the energy of musicians performing together over polished perfection. Palmas handclaps, brushed snare, and a swinging 6/8 groove give their songs a strong physical momentum, while the vocals remain direct and emotionally unguarded. Every arrangement balances elegance with a rough-edged, street-level character.
Their first release, “La Sabiduría Callejera,” captures the heart of Dos Latinos: bittersweet resilience, sharp observation, and the belief that experience can be turned into celebration. It is music for people who have lost, learned, laughed, and kept dancing—carrying old stories forward with pride, rhythm, and unmistakable spirit.
La Sabiduria Callejera (2026 version)
Dos Latinos
No hay pupitre ni pizarra mi clase es la ciudad
Cada esquina un maestro cada calle una verdad
Aprendí de los fracasos de la escuela de intentar
Mis diplomas son las cicatrices que el tiempo no borrará
No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico
Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero
Mis compañeros son los sueños mi tarea la realidad
Cada día una página nueva lista para comenzar
En las plazas hallé libros que no se pueden cerrar
En los ojos de la gente historias que enseñan a amar
No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico
Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero
Entre sombras aprendí a encontrar la luz
La resiliencia es mi curso la esperanza mi cruz
Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero
Cierro los ojos siento el viento cada susurro una lección
En el gran libro de la vida escribo mi propia canción
CREDITS
Performer: Dos Latinos
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Phase Meridian
Wires and Petals
Verified Artist
Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.
Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.
Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.
Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Phase Meridian
Wires and Petals
CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Stay With the Silence
When Colors Fell
Stay With the Silence
When Colors Fell
I watched the sky unfold too slow
Time slipped down the edge of your shadow
You left a glass of water full
But took the fire before the glow
Don't speak
I hear the silence calling
Don't breathe
The night is slowly falling
(Instrumental – layered synths emotional chords wide reverb)
[Vocal chops: “Don’t leave…” “Stay with me…”]
You float just out of reach again
A figure fading in the rain
You never said it had to end
But silence always makes it plain
Stay with the silence
Let it bloom inside
We're more than the moment
We're where the echoes hide
CREDITS
Performer: When Colors Fell
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Static Revolt
PRY x VAL
CREDITS
Performer: PRY x VAL
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Secondhand Alibi
Romeo Vane
Verified Artist
Romeo Vane
"Romeo Vane: at the ripe age of 25, this American pop-rock comet is shooting across the Alternative universe, spreading hope with doses of edgy authenticity. Born and bred in the sonic heartland of the Windy City, he’s a Chicagoan with an unapologetic knack for compelling narratives and an obsession for truth.
Whether it's life's sharp corners or the soft bruises of love, Romeo Vane's got a knack for rolling them into tunes that blend breezy alt-rock melodies with the raw, gritty flavor of pop. His stage name isn't for show; Romeo comes with a romantic bravado that'd make Shakespeare blush, and the barbed tongue of a true Windy City native. Just tune into "Kiss Me When I'm Lying" - it's less of a song, more a rollercoaster ride through hope, heartbreak, and hilariously serious self-deprecation.
Despite his youth, he's seen more than enough of life's ups and downs, packaging the human experience into easily digestible nuggets of melodic wisdom. Romeo Vane’s music is the kind that makes you call your ex at 2 a.m., cry a little, laugh a lot, and still believe in the dream of a better dawn. Now, how's that for a self-made, alternative songwriter from the city that never sleeps?"
Secondhand Alibi
Romeo Vane
I found it in a Sunday ad
Between a sofa and a wedding band
“Barely used no questions asked”
The seller wore a borrowed name
He said it worked on jealous hearts
On hotel clerks and parking guards
I paid in cash he wished me luck
Then vanished before the light changed
I practiced every detail
The hour the street the rain
But truth has lousy manners
It keeps interrupting names
I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine
I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine
I said the train was running late
You knew that line from ’98
I blamed a man I’d never met
You said “At least invent him well”
I moved the evening half an hour
Changed the bar replaced the car
By then the lie had better shoes
And more ambition than the truth
I gave it dates and weather
A witness and a scar
You watched me build the ceiling
Then asked where the foundations are
I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine
I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine
Mine on Monday
Mine by five
Mine when I need
Someone else to survive
The seller called at 2:13
Said “That excuse belongs to me”
I told him he could have it back
He laughed and said “You made it yours”
You poured your drink into the sink
Not angry almost entertained
You said “The worst part isn’t this
It’s how rehearsed you look in pain”
So here’s the part I didn’t buy
No clever date no useful guy
I stayed because I liked the risk
I left because you noticed it
No missing train no broken phone
No nameless friend to take the blame
I wanted two incompatible things
And called confusion by your name
I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me why
Now every version sounds like mine
I bought a secondhand alibi
But guilt was never in the price
Keep the story keep the night
Every version sounds like mine
The truth was sitting in the car
Patient as an unpaid fare
I opened up the passenger door
It said “You took your time”
CREDITS
Performer: Romeo Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
August Anyway
Amelia Shaw
Verified Artist
Amelia Shaw
Amelia Shaw is a London based pop and deep house vocalist whose music blends warmth, movement and emotional clarity. Her sound leans on bright synths, hand percussion, house grooves and polished pop production, but the heart of it is always the voice, intimate, expressive and full of small human details. She has a way of making songs feel uplifting without flattening their meaning, turning fleeting relationships, summer memories and unfinished conversations into records that still feel alive long after the chorus ends.
On August Anyway, Shaw captures the beauty of something temporary without treating it like a mistake. Built around sunset energy, kalimba textures, brass swells and a clean festival-ready pulse, the track carries both joy and acceptance at the same time. That balance is what defines her style, emotionally open but never heavy-handed, radio-friendly but still personal, and always grounded in the idea that even brief moments can leave a lasting mark.
August Anyway
Amelia Shaw
We knew the date before we started
You had a flight I had a lease
Everybody told us not to do it
So we did it anyway
Four weeks is not a lifetime
But it isn't nothing either
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
(anyway anyway)
Now it's cold and I still know
The exact sound your car made in the drive
People ask me if I'd take it back
And I laugh and I say
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
Some things are not meant to be kept
Some things are meant to be spent
And I spent it every hour of it
And I would spend it again
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
Give me August anyway
(anyway anyway)
CREDITS
Performer: Amelia Shaw
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Real World Effects
Arven Nohr
Real World Effects
Arven Nohr
CREDITS
Performer: Arven Nohr
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.