Hold The Heart With Rap Version)

00:00 / 00:00

Hold The Heart With...
The Syrphids

The Syrphids

The Syrphids’ journey began in the vibrant streets of Birmingham, where their distinct sound emerged from a collision of personal influences and bold experimentation.

Each member brings a unique flavor to the band's overall dynamic—blending raw, emotive vocals with intricate guitar riffs, rhythmic basslines, and atmospheric synth layers. Their music strikes a balance between the unpredictability of alternative rock and the infectious melodies of indie pop, creating an eclectic sound that is both challenging and accessible.

What sets The Syrphids apart is their ability to navigate complex emotional themes, delivering lyrics that resonate deeply while still maintaining an undeniably catchy, crowd-pleasing vibe.

Their live performances are a spectacle of energy and emotion, where their chemistry as a band shines brightest. The Syrphids have a knack for turning intimate venues into electrifying spaces, with each song building on the momentum of the last.

Their setlists are carefully curated to take listeners on a journey—whether it's through soulful ballads that tug at heartstrings or high-octane anthems that ignite the crowd. This ability to command the stage has earned them a growing fanbase, not just in Birmingham but across the UK, with audiences captivated by their authenticity and musical craftsmanship.

As The Syrphids look toward the future, their ambitions are clear: to continue evolving their sound while staying true to the experimental roots that first brought them together. With several EPs already under their belt and plans for a full-length album on the horizon, the band is poised to break through to even broader audiences.

Their commitment to innovation, coupled with their undeniable talent, ensures that The Syrphids will continue to be a force in the indie music scene, challenging conventions and capturing the hearts of listeners around the world.

Track(s)
Never Barefoot	157644	04:14
I Carry Your Love	29224	02:54
Single Kiss	30049	02:57
Runnin' Wild	25545	02:30
Hold The Heart With Rap Version)	40344	04:25
Hold The Heart	37280	03:45

Hold The Heart With Rap Version)

The Syrphids

The day you arrived
Marked the start of your fade
What seemed like dawn
Was the eve of our flight oh-oh

Promises we made
In shadows light displayed mmm

Remember your vow
Stay true now aah
Find peace somehow

We thought it was start
But wings took flight aah
Hold the heart
Beyond the night oh-oh
Keep your word
Shine bright

As we soared high
Truth was found in the wind
Beneath the sky
We learned to begin oh-oh

Promises we kept
In dreams where secrets slept mmm

Remember your vow
Stay true now aah
Find peace somehow

We thought it was start
But wings took flight aah
Hold the heart
Beyond the night oh-oh
Keep your word
Shine bright

In the night sky
Stars won’t lie

Remember your vow
Stay true now aah
Find peace somehow

Stepped into my life lit the spark then it dimmed quick
In the night we soared high but the light faded slick
Whispered vows in the dark secrets deep in the mix
Now I'm chasing shadows where our love had its fix

Thought it’d last forever but time slipped away so fast
In the starry night where our dreams were cast
Held onto your promises but they started to sway blast
Now I'm finding peace in the light of day at last

Climbed the heights of love but we fell with the wind
In the echoes of our hearts where the pain begins
Searching for the answers in the places we’ve been
Now I’m writing new chapters where the light shines in

We thought it was start
But wings took flight aah
Hold the heart
Beyond the night oh-oh
Keep your word
Shine bright

Remember your vow
Stay true now aah
Find peace somehow

CREDITS
Performer: The Syrphids
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Old Good Days
Calvin Ray Monroe

Calvin Ray Monroe

Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.

Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.

"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.

So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.

Track(s)
Old Good Days	47623	03:13

Old Good Days

Calvin Ray Monroe

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag

On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right

Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing

All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff

I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me

I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me

I'm in this place with the people
That told me I couldn't do it
But now I be doing me

I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind

I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Bad At Fractions
Ayvenn

Ayvenn

Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.

Track(s)
Bad At Fractions	31522	03:41
All for One Y.	371454	04:18

Bad At Fractions

Ayvenn

You walked in counting every step
I lost track somewhere near your hips
You said “Baby keep it logical”
Then moved like logic didn’t exist

My drink was ninety-nine percent
Cool confidence and one percent fear
You leaned in close changed every sum
Now nothing adds up over here

I tried to draw a straight line
You turned it to a curve
I calculated all night
Still got what I deserve

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You got a rhythm like a riddle
Every answer starts a fight
Your waist keeps changing the percentage
Of the chances I act right

I brought a list of good decisions
You divided every plan
Now my balance is suspicious
And my patience left the band

I tried to keep it even
You raised it to a ten
I checked the calculation
Then did it all again

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
You say “Count it”
I lose my place
When that rhythm hits the bass

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
No remainder no return
Let the whole equation burn

Square root round hips
Quick clap slow kiss
I know numbers I know facts
But you make two plus two misbehave like that

Left turn three steps
No sleep no regrets
Every theory that I had
Falls apart when you do that

*(Ay ay—do that)*
*(Otra vez—do that)*

**[Final Chorus]**
I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math

*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*
No remainder no looking back
Take all of me—do the math

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

I’m Unstoppable
Giulia Sereni

Giulia Sereni

Giulia Sereni is an Italian-born pop artist whose name has become synonymous with modern disco-infused anthems and unapologetic confidence. Born in Florence in the mid-90s and raised between Rome and Milan, she grew up surrounded by both classical Italian melodies and the glossy, international sound of late-90s Euro-pop. That duality shaped her musical DNA: bold, cosmopolitan, and undeniably stylish.

Before pursuing music, Giulia studied fashion communication in Milan, a background that still influences her sharp sense of image, choreography, and performance aesthetic. She blends the elegance of Italian couture with the playful freedom of global pop, creating a persona that feels as at home in glossy editorials as she does on streaming playlists.

Her debut singles—produced exclusively for Filodyo and distributed only through NOT FM—instantly caught attention for their mix of shimmering synths, punchy basslines, and Giulia’s powerful yet intimate vocal delivery. Songs like “Undeniable” and “Crown” quickly became listener favorites, praised for their ability to balance disco nostalgia with forward-thinking production.

Giulia Sereni is more than just a singer—she is a storyteller of empowerment. Her lyrics celebrate independence, resilience, and the glamour of living life on your own terms. Critics have noted that her sound carries the sophisticated energy of continental Europe while embracing the universal accessibility of pop.

Despite growing international buzz, Giulia remains intentionally selective about her presence. She has chosen to keep her releases exclusive to Filodyo and NOT FM, building a cult-like following among music lovers who appreciate her refusal to conform to the mainstream industry model. This exclusivity has only amplified her allure: fans know that to hear Giulia, they must enter the Filodyo universe.

With her magnetic voice, fashion-forward style, and anthems designed for both the dancefloor and the headphones, Giulia Sereni stands as one of the most exciting fictional European exports in contemporary pop. For those tuned into Filodyo and NOT FM, she represents not just an artist, but a movement.

Track(s)
I’m Unstoppable	281646	02:56

I’m Unstoppable

Giulia Sereni

Step aside I’m walking in
Glitter on my skin let the night begin

I built my fire from the ground
Every beat I own it shakes the crowd
No one’s gonna dim my shine
I write the rules the stage is mine

Raise your glass feel the heat
Every heartbeat moves your feet
Can you taste the victory?
It’s the sound of living free

I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable

(Oh oh oh… dance it dance it)
(Oh oh oh… can’t resist it)

I see reflections in the floor
Every step’s an open door
Breaking chains with every song
You can’t silence what is strong

Raise your glass feel the heat
Every heartbeat moves your feet
Can you taste the victory?
It’s the sound of living free

I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable

Clap your hands we won’t stop
Feel the rhythm watch it drop
Power surging through my veins
This empire knows my name

I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable

Let the night remember me
Queen of fire wild and free
Every echo every sound
This is where my heart is crowned

CREDITS
Performer: Giulia Sereni
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

After the Signal
Apollo Frequency

Apollo Frequency

Apollo Frequency is a dynamic UK-based vocal trio bringing infectious grooves and bold stage energy to the modern disco-pop scene. The group consists of vocalists Marcus King and Devon Cole—both London-born with roots in gospel, soul, and street performance—and Brighton native Chloe Hart, whose bright, powerful voice adds a radiant pop edge to the group’s sound.

Formed in Manchester, Apollo Frequency quickly built a reputation for their electrifying live shows, blending tight harmonies with high-energy beats reminiscent of classic funk and disco, yet reimagined for today’s dancefloors. Their music celebrates unity, rhythm, and the thrill of collective movement, turning every performance into a celebration.

Their debut single, After the Signal, is available exclusively on Filodyo, showcasing the trio’s signature mix of soulful hooks, driving basslines, and euphoric choruses. With undeniable chemistry both on and off stage, Apollo Frequency is poised to become one of the UK’s most exciting live acts—proving that when the signal hits, the dancefloor answers.

Track(s)
After the Signal	308530	03:42

After the Signal

Apollo Frequency

Yeah… signal’s live
Mmm… ah-ah-ah
Let it roll
Oh-oh-oh…

Frequency’s pulling us through the crowd
Pulse in the air it’s beating loud
Every turn you make cuts through the noise
Drawn to the tone in your voice

Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside

After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion

Lines keep crossing code runs deep
Every beat we share’s a vow we keep
Gravity shifts when you’re in the frame
Nothing tonight will be the same

Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside

After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion

Transmission’s clear — stay on the line
Stay on the line stay on the line
Turn it around — keep it aligned
Keep it aligned keep it aligned

After the signal
We don’t let go
After the signal
We take control

After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)

CREDITS
Performer: Apollo Frequency
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Steady With You
Celine Ardon

Celine Ardon

Celine Ardon crafts a captivating blend of dance, EDM, and pop, emerging from the intimate confines of her Stockholm bedroom where borrowed gear and thin walls birthed her unique sound. The turning point in her artistry came when a neighbour’s complaint about noise prompted her to explore a quieter, more nuanced approach to production. This shift not only refined her style but also allowed for an emotional depth that resonates with listeners. Tracks like "Steady With You" encapsulate this journey, showcasing airy beats alongside heartfelt lyrics that evoke a sense of hope and inspiration.

As Celine continues to develop her sonic identity, her music intertwines dreamy melodies with pulsating rhythms, creating an inviting atmosphere on the dance floor. Each song mirrors a facet of her experiences, capturing the essence of connection and the beauty found in simple moments. Whether she's performing at local venues or embarking on her first real tour, Celine's artistry thrives on the energy she cultivates with her audience. "Steady With You" is just one piece of her evolving catalog that highlights her ability to transform personal stories into universal themes of love and aspiration.

Track(s)
Steady With You	43734	03:11

Steady With You

Celine Ardon

Soft beats on the floor and the day feels new
I catch your rhythm every time you move

You walk in calm but you shift my space
Simple energy but it hits with grace
Nothing overwhelming nothing too loud
Just a quiet feeling I can’t tune out

You make the moment slow
You let the tension go
I don’t need much to know
You’re the place I follow

I’m steady with you
Everything falls into view
No rush no cue
Just a peace I drift into
I’m steady with you
Colors turn warm on cue
Feels easy feels true
Every time I stand with you

You bring a calm into the air I breathe
Something in your presence makes me feel released
I don’t wanna label what I can’t define
But there’s something simple sitting in your line

You make the moment slow
You let the tension go
I don’t need much to know
You’re the place I follow

I’m steady with you
Everything falls into view
No rush no cue
Just a peace I drift into
I’m steady with you
Colors turn warm on cue
Feels easy feels true
Every time I stand with you

If the day gets heavy I know what to do
I breathe in slow and I think of you

CREDITS
Performer: Celine Ardon
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

The Fridge Is Takin...
Funny Harry

Funny Harry

Hailing from the vibrant streets of Copenhagen, Funny Harry has carved out a distinctive niche in the alternative pop scene, effortlessly blending whimsical narratives with thought-provoking themes. With a catalog that includes tracks like "The Fridge Is Taking Her Side," Harry's music embodies an eclectic mix of calmness and playful mystery. The lyrics often dance around the mundane, transforming everyday objects and interactions into poignant reflections on loneliness and connection. This creative alchemy was born in the city's cozy cafes, where Harry first collaborated with friends from art school, merging their diverse influences to create a sound that feels both fresh and deeply familiar.

As Harry continues to evolve, each track reveals layers of emotional resonance and sonic experimentation. The interplay of light and shadow is masterfully executed, inviting listeners into a world where the ordinary becomes extraordinary. With an approach characterized by introspective storytelling and innovative arrangements, Funny Harry captures fleeting moments of life through a kaleidoscope of calm melodies and vibrant rhythms. Whether exploring themes of melancholy or stitching together playful anecdotes, the artist leaves an indelible mark on the listener, inviting them to embrace the mystery hidden within everyday experiences.

Track(s)
The Fridge Is Taking Her Side	39751	02:52

The Fridge Is Taking Her Side

Funny Harry

At 2:17 the refrigerator cleared its throat
I said “Don’t start”
It started

The kettle only sings for one
The toaster burns my alibis
Your coffee cup is upside down
Like it has closed its little eyes

I bought a cactus for morale
It quit on Tuesday night
The landlord says the pipes are fine
The fridge is taking your side

Every appliance has an opinion
Every opinion sounds like you
The freezer hums through cross-examination
I plead the fifth and eat for two

The washer handed back one sock
As proof I can’t be trusted
The vacuum found your silver hoop
Then parked itself disgusted

I tried to cook that thing you liked
The smoke alarm performed the lead
I took a bow it took the battery
A fair review I must concede

“Did you call her?”
No

“Will you call her?”
No

“Are you lying?”
Next question

“Who are you talking to?”
The refrigerator

Every appliance has an opinion
Even the clock has joined in too
The freezer hums for the prosecution
And I still cook enough for two

Your note is folded under pears
I read it only when they spoil
The final line says “Please be well”
As if well came wrapped in foil

At dawn the motor settles down
The whole flat loses its nerve
I almost miss our little war
Then hear the ice tray say one word:

“Call”

Mind your own business

At 2:18 it cleared its throat again
I moved it three inches from the wall
We are no longer speaking

CREDITS
Performer: Funny Harry
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

No Me Doblo
The Callejeros

The Callejeros

The Callejeros, a dynamic duo hailing from the vibrant streets of Los Angeles, bring a heartfelt blend of Latin and pop influences to their music. Friends since childhood, Diego and Mateo first connected over shared experiences—growing up in a neighborhood where dreams often felt distant but determination was a way of life. Their bond deepened through collaborations in local music scenes, where they honed their craft in intimate venues, paving the way for a unique sound that effortlessly marries rich lyrical storytelling with infectious melodies. Each song reflects their life’s journey, capturing bittersweet nostalgia and romantic undertones, as evidenced in their standout track "No Me Doblo."

With powerful themes of resilience and self-acceptance woven throughout their catalog, The Callejeros explore the complexities of love and identity. Their music often draws from personal histories marked by struggle, earning them a loyal following who resonate with their authenticity. The duo's sonic identity is characterized by emotive vocals layered over lush instrumentation, creating an atmospheric backdrop that invites listeners to reflect and connect. As they continue to evolve artistically, The Callejeros remain committed to crafting songs that speak to the heart while celebrating both joy and heartache through their distinctive lens.

Track(s)
No Me Doblo	97549	02:11

No Me Doblo

The Callejeros

Me caí mil veces sí
Pero aquí sigo—sin pedir perdón

Crecí donde el sol no llegaba
Donde el pan se ganaba con rabia
Aprendí que el silencio castiga
Y que el orgullo también abriga

No heredé fortuna ni mapa
Solo cicatrices y una capa
De fe que nadie me dio
Pero que en mí… nunca faltó

No me doblo aunque el viento me grite
Aunque el mundo me quite
Lo que un día llamé hogar
No me doblo aunque sangren los pasos
Aunque pierda mil abrazos
Mi alma no se va a quebrar

Me dijeron: “No sueñes tan alto”
Pero el cielo no tiene contrato
Y si caigo que sea bailando
Con los puños al sol cantando

No busco piedad ni medalla
Solo dejar huella en la batalla

No me doblo aunque el viento me grite
Aunque el mundo me quite
Lo que un día llamé hogar
No me doblo aunque sangren los pasos
Aunque pierda mil abrazos
Mi alma no se va a quebrar

Y si mañana no amanece
Yo seré quien lo enciende
Con mi voz y con mi piel
Porque rendirse no se aprende

No me doblo ni aunque el tiempo me borre
Ni aunque nadie me nombre
Yo sabré quién fui al final
No me doblo… y si muero de pie
Será sabiendo que amé
Sin miedo sin callar

CREDITS
Performer: The Callejeros
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Groove It, Move It
Jaxon Bold

Jaxon Bold

Straight out of Brooklyn, New York, Jaxon Bold is a modern funk sensation with an undeniable flair for rhythm and charisma. Growing up in the bustling city, Jaxon absorbed the sounds of funk, soul, and hip-hop that filled the streets, weaving them into a style that feels both nostalgic and refreshingly new. His music radiates energy, blending old-school grooves with contemporary beats to create infectious tracks that demand you hit the dance floor.

Jaxon’s debut single, "Groove It, Move It," released through Filodyo Records, is a high-energy celebration of music, movement, and freedom. With its slapping bassline, smooth brass hits, and Jaxon’s signature raspy-yet-powerful vocal delivery, the song immediately turned heads in the funk and dance music scenes. It’s a track that captures the essence of Jaxon Bold: unapologetically vibrant and impossible to ignore.

Jaxon cut his teeth performing in underground clubs across New York, refining his electrifying live presence. His shows are more than concerts—they’re experiences, complete with dazzling stage lights, live instrumentation, and choreography that feels like a throwback to funk’s golden era. Fans have dubbed him the “King of Brooklyn Groove,” a title he wears proudly as he continues to represent the city’s vibrant music scene.

With his debut album on the horizon, Jaxon Bold is leading the charge to bring funk back to the forefront, one irresistible groove at a time. From his magnetic stage presence to his chart-worthy tracks, Jaxon is proof that funk isn’t just alive—it’s thriving.

Track(s)
Groove It, Move It	29818	02:58

Groove It, Move It

Jaxon Bold

We step out on the scene
Lookin' fresh and clean
(oo-yeah!)
Got the whole place jumpin'
It's a fever dream
Got the bling and the shine
We ain't here to chill
When the beat starts kickin'
You know it's all for real

Ladies in the corner
Gentlemen so fly
When we hit the floor
You can't deny
Movin' left
Movin' right
Feel that rhythm strike
Dancin' through the night
Gonna do it right! (oo-yeah!)

Groove it
Move it
Can't you feel that beat?
Groove it
Move it
Lift you off your seat
Groove it
Move it
Let the good times roll
Groove it
Move it
Gettin' in your soul!

Break it down
Bring it back
Keep that body tight
When the bass starts thumpin'
You know we take flight
Sweat drippin'
Heart pumpin'
Under all the lights
A funk explosion
Y'all
We outta sight! (oo-yeah!)

Everybody
Clap your hands
Feel the magic start
Join the groove train
Let it hit your heart
Call and response
Can you feel me
Y'all?
We rise together
Never gonna fall

Groove it
Move it
Can't you feel that beat?
Groove it
Move it
Lift you off your seat
Groove it
Move it
Let the good times roll
Groove it
Move it
Gettin' in your soul!

CREDITS
Performer: Jaxon Bold
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Runway Queen
4 Example

4 Example

4 Example is a fresh, energetic boy band from California, made up of four young Americans who all share a deep love for the sounds of the 90s. The group’s origin story is as unexpected as it is fun. It all began at a retro-themed 90s party in Los Angeles, where they bonded over their shared admiration for the era’s iconic music. They hit it off immediately, especially when they discovered that all of them were huge Justin Timberlake fans. What started as a karaoke session of *NSYNC classics that night quickly turned into something bigger—a full-fledged boy band, united by their passion for 90s pop.

The group consists of Tyler “T.J.” James, the smooth-talking frontman with a voice that channels Timberlake’s falsettos, Zach "Z" Cooper, the charismatic dancer who brings high-energy choreography to their performances, Jordan West, the laid-back but soulful singer whose harmonies tie everything together, and Ethan Lee, the quiet but musically gifted producer who crafts their catchy beats.

Each member brings their own flair to the group, but together, they create a nostalgic yet modern sound that brings the best of the 90s into the present day.

4 Example quickly gained attention performing at local clubs, 90s tribute nights, and even on TikTok, where their covers of *NSYNC and Backstreet Boys hits blew up. But they didn’t stop there—soon they were writing original music, blending classic boy band vibes with fresh pop beats.

With their talent, charm, and love for the golden era of boy bands, 4 Example is proving that the magic of the 90s still lives on today.

Track(s)
Runway Queen	32970	03:02
Oh Friday	25656	02:35
Darkness All Around	25001	02:33
Sim Sala Bim	29368	02:57
Outside	31537	03:10
I Don’t Want To Know	34038	03:29
Saturday Night	25887	02:32
It’s My Life	26072	02:33
I Feel The Groove	37316	03:56

Runway Queen

4 Example

Runway Queen
This Girl?
Oh-ooh-oh

She looked too good
To be doin' this to herself
Runway Queen
Girl that could get it herself
Lady
Who you think helpin' you sell them magazines
Girl?
You got a face that evеn sells that new Maybelline
Girl
And I got it bad
I know that's not a rеal bag
Ain't no way the girl in Hermes with a stealin' tag
If you ever wanna pack
Just let me know
You look too good to be on the covers bein' sold

Runway Queen (Oh yeah strike a pose!)
Runway Queen (Front page centerfold!)
Runway Queen(Ooh you know you run the world!)
Oh-ooh-oh (Let’s go let’s go!)

They crop your smile
But they can't frame who you are
Runway Queen
Caught in the flash like a falling star
Baby
They print your name but they don’t know where you’ve been
Girl
Pages keep turnin’ but you’re stuck in the scene
Girl
And I see the truth
Behind the airbrushed hue
Bet they never show the nights you cried in hotel rooms
If you ever wanna run
Just let me know
You look too good to be a story they control

Runway Queen (Oh yeah strike a pose!)
Runway Queen (Front page centerfold!)
Runway Queen(Ooh you know you run the world!)
Oh-ooh-oh (Let’s go let’s go!)

(La-la-la-la-la)
Get me Runway Queen
Runway Queen
Runway Queen
Oh-ooh-oh
(La-la-la-la-la)
Get me Runway Queen
Runway Queen
Runway Queen
Oh-ooh-oh
(La-la-la-la-la)

She out there workin' in the streets on Hollywood
Givin' a dirty girl free what you couldn't for a bun

Runway Queen (Oh yeah strike a pose!)
Runway Queen (Front page centerfold!)
Runway Queen(Ooh you know you run the world!)
Oh-ooh-oh (Let’s go let’s go!)

CREDITS
Performer: 4 Example
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Margin of Error
Susan Hall

Susan Hall

Susan Hall emerges from the vibrant backdrop of New York City, where late-night writing sessions fuel her introspective explorations into the human experience. Infusing elements of Lo-Fi, Pop, and Trip-Hop, Susan crafts soundscapes that oscillate between playful and melancholic. Her track "Margin of Error" encapsulates this duality, featuring smoky vocals layered over a pulsating sub-bass and ethereal Fender Rhodes chords. With a penchant for the poetic, her lyrics explore themes of longing and uncertainty, often wrapped in an enigmatic embrace that resonates deeply with listeners.

The sonic threads within her catalog weave together a compelling narrative, each track a reflection of her artistic identity marked by subtle contrasts. From the dark trip-hop influences that shape her beats to the epic yet intimate moods she conjures, Susan's music reveals a world where vulnerability meets resilience. With tracks like "Margin of Error," she invites audiences to navigate through the shadows of love and loss while offering an unexpected playfulness that lingers long after the last note fades.

Track(s)
Margin of Error	78119	04:57

Margin of Error

Susan Hall

You filed my name under maybe
Kept one hand near delete

Your sentences came pre-approved
Every promise wore a barcode
I read the terms across your face
A firm refusal dressed as grace

You kept my number off the page
Then called it love at your own rate
I learned the cost of being near
A private charge renewed each year

Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss

Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased

You wore affection like a pass
Valid until somebody asked
My place was marked with pencil lead
Easy to alter hard to read

You built a room from access codes
The door unlocked when you chose
I left the key beside your name
No final speech no claim to blame

Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss

Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased

I was never hard to measure
You preferred uncertain scales
A person turned to useful data
A pulse reduced to monthly sales

Now every digit has an owner
Every loss can state its cause
You can keep your perfect record
I have left your private laws

Call me your margin of error
The number you rounded to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
The flaw that refused to behave
Cross out the file marked as maybe
I won’t be useful then erased

Delete my name from your system
The error has learned its own weight

CREDITS
Performer: Susan Hall
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

Hold The Heart With... The Syrphids

Hold The Heart With Rap Version)

The Syrphids

Old Good Days Calvin Ray Monroe

Old Good Days

Calvin Ray Monroe

Bad At Fractions Ayvenn

Bad At Fractions

Ayvenn

I’m Unstoppable Giulia Sereni

I’m Unstoppable

Giulia Sereni

After the Signal Apollo Frequency

After the Signal

Apollo Frequency

Steady With You Celine Ardon

Steady With You

Celine Ardon

The Fridge Is Takin... Funny Harry

The Fridge Is Taking Her Side

Funny Harry

No Me Doblo The Callejeros

No Me Doblo

The Callejeros

Groove It, Move It Jaxon Bold

Groove It, Move It

Jaxon Bold

Runway Queen 4 Example

Runway Queen

4 Example

Margin of Error Susan Hall

Margin of Error

Susan Hall

Hold The Heart With...
The Syrphids

Old Good Days
Calvin Ray Monroe

Bad At Fractions
Ayvenn

I’m Unstoppable
Giulia Sereni

After the Signal
Apollo Frequency

Steady With You
Celine Ardon

The Fridge Is Takin...
Funny Harry

No Me Doblo
The Callejeros

Groove It, Move It
Jaxon Bold

Runway Queen
4 Example

Margin of Error
Susan Hall