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The Sweetest Tornado
Blake Felton
Verified Artist
Blake Felton
Despite sounding like a comic book alter ego, Blake Felton is anything but fictitious. Sure, the moniker is a cheeky assent to his fervent admiration for Blake Shelton, but our guy Felton wears his alias with a tireless charm that’s just as compelling as his given name, Alex. Drawing inspiration and maybe even a little mischievous wit from his country idol, he weaves an intrinsic thread of twang into his unique sound, establishing an undeniable presence in the rootsy pop-rock arena.
Blake Felton stories often come with a touch of humor, just like his catchy, because-why-not song titles. Take, for example, his hit single "The Sweetest Tornado”. It's as if he baptizes every storm he crosses paths with in the sugariest syrup, then serenades it with an infectious melody until it becomes more pop-chart-whirlwind than natural disaster. But don't let that fool you; beneath his nimble storytelling and pun-laden lyrics, Blake showcases a robust, soulful voice that conveys a depth of emotion beyond the jovial exterior. Immensely captivating, a bit heartbreakingly sweet, and always full of unexpected fun - that's Blake Felton in a nutshell. He certainly isn't Blake Shelton, but in a twist of fate tinged with irony, he just might end up becoming more talked-about than his namesake.
The Sweetest Tornado
Blake Felton
She blows into town on a street bike
With her hair done up in cornrows
Gets off the gas like a hot dam
Wearing all pink head to toe
She steps into the bar like a cannonball
All the folks turn around like an old saw
She orders three shots
Honey on the rocks
And a Manhattan in her straw
She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row
Said a bad word one time in a nightclub
Said "Oops
That's too far"
Always says thank you to the bartender
Always says "Please
" "Oops
That's too far"
She steps into the bar like a cannonball
All the folks turn around like an old saw
She orders three shots
Honey on the rocks
And a Manhattan in her straw
She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row
The summer nights
They call her name
The winter months
They call in vain
When she's there
People can't complain
The streets are flooded from the rain
She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row
CREDITS
Performer: Blake Felton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Control
Mateo Lux
Verified Artist
Mateo Lux
Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.
Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.
Control
Mateo Lux
Yeah
Mm-hmm
Turn it up
Uh
Let’s go
Step in — heat rise
No rules — my side
You move — I lead
One look — you’re mine
Hands on — don’t hide
We ride — midnight
Your pulse — my beat
You fall — my feet
I got control control control control
You want it slow slow slow slow
I make you go go go go
You lose it — oh oh oh oh
Eyes lock — no doubt
Lights fade — we’re loud
One step — we burn
Two steps — return
Your breath — my flame
No fear — no shame
Your hands — can’t stay
My voice — your way
I got control control control control
You want it slow slow slow slow
I make you go go go go
You lose it — oh oh oh oh
You say you ready — I say prove it
You say you steady — I say move it
You cross the line — I pull you closer
One more time — game over
Control (control)
Control (control)
Control (control)
Control (control)
I got control control control control (yeah)
You want it slow slow slow slow (uh-huh)
I make you go go go go (let’s go)
You lose it — oh oh oh oh (yeah yeah)
Yeah…
Control
Mm-hmm
Fade out…
CREDITS
Performer: Mateo Lux
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Giorni Così
Enzo Mariani
Verified Artist
Enzo Mariani
Enzo Mariani is an evocative Italian pop singer-songwriter whose music has the enchanting ability to transform everyday moments into communal celebrations. With his acoustic-pop warmth, he invites listeners to immerse themselves in the melodic optimism of life, whether it’s sharing stories in cozy cafés or enjoying sunsets in bustling city streets. His approach to songwriting emphasizes conversational Italian lyrics, creating an inviting atmosphere that feels both personal and relatable.
With a rich vocal identity that seamlessly blends heartfelt emotion and playful charm, Enzo's performances radiate an easygoing spirit that captivates audiences. Each song serves as a vibrant tapestry woven with themes of love, nostalgia, and community. His track "Giorni Così" encapsulates this essence, inviting listeners to rejoice in the simple pleasures of life while celebrating the connections that bind us.
As Enzo continues to craft his musical narrative, he remains dedicated to fostering a sense of camaraderie through his art. His ability to connect deeply with fans makes every live performance feel like a shared experience, reinforcing his place as a beloved figure in contemporary Italian pop music.
Giorni Così
Enzo Mariani
Sento la musica nel cuore
ballo da solo per errore
Il cielo ride sopra di me
la vita chiama dico “perché no?”
Un caffè due sogni in tasca
un sorriso e via si casca!
Giorni così non finiscono mai
la città che canta con noi
Mani nell’aria niente paura
è solo amore pura follia!
Scatto una foto col tramonto
ogni minuto vale un racconto
Tra mille luci e amici veri
non serve altro per essere leggeri
Un abbraccio una risata
questa notte è colorata!
Giorni così non finiscono mai
la città che canta con noi
Mani nell’aria niente paura
è solo amore pura follia!
E se domani piove un po’
balliamo ancora che male fa?
Giorni così resto con te
tra mille voci e un caffè
Sotto le stelle senza misura
è solo vita ed è bellissima!
CREDITS
Performer: Enzo Mariani
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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All That Shine
Paint the Moon Slow
Verified Artist
Paint the Moon Slow
For those whose hearts beat a little faster after dark, meet Paint the Moon Slow, the genre-defying trio lighting up the dance floor with rhythmically pulsating songs brimming with late-night sparkle. The group draws its moniker from a whimsical mix of cosmic awe and the unhurried charm from their native city, the lunar-graced town of Slowville.
Even though their name might lead you to believe they're about slow, soul-crushing tunes, don't be fooled; they're far from a slowcore. Instead, they intertwine cosmic shimmers into their globally influenced, mid-tempo funk-pop. Frontwoman Cleo Maren delivers vocals both gruff and rosy, a blend of smoky lounge and roller-rink diva, backed by synth maestro Rhea Dax and rhythm fanatic Jo "Kicks" Tanaka, creating anthems that twinkle with retro beats and lyrical audacity under neon lights.
Their most notable song, "All That Shine", is a dashing number that perfectly embodies their sonic aesthetic, brimming with upbeat rhythms that evoke a cheeky, happy-go-lucky mood. As contract artists with Filodyo, Paint the Moon Slow are aligning the stars for a new era of dance music. Stay tuned for more luminous offerings from these maestros of mirth, groove, and exceptional starlit tunes. Welcome to the Paint the Moon Slow universe – it’s a happy place.
All That Shine
Paint the Moon Slow
Every win costs more than it shows
Smiles on screens but nobody knows
Counting steps in designer doubt
Applause fades when the lights go out
All that shine (yeah)
burns cold by dawn (so cold)
Still I move (keep it movin’)
still I’m gone (I’m gone I’m gone)
I built a world from nothing at all (from the ground up)
Paved my name on a silent wall (can you see it?)
They cheer the rise not the climb (uh-huh)
But I’ve been bleeding into time (so deep so long)
[Instrumental Break]
Phone full of names I don’t call
Rooms packed tight but I feel small
I keep my truth behind gold frames
Success is a house with shifting names
All that shine (yeah)
burns cold by dawn (so cold)
Still I move (keep it movin’)
still I’m gone (I’m gone I’m gone)
I built a world from nothing at all (from the ground up)
Paved my name on a silent wall (can you see it?)
They cheer the rise not the climb (uh-huh)
But I’ve been bleeding into time (so deep so long)
Don’t envy thrones you’ve never sat
You won’t feel full chasing that
I built a world from nothing at all
Paved my name on a silent wall
They cheer the rise not the climb
CREDITS
Performer: Paint the Moon Slow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Middle of the Record
Monique Frase
Verified Artist
Monique Frase
Monique Frase is a London-based singer and songwriter born to a French mother and an English father. She grew up between two musical cultures, with French soul, British R&B, house records and old jazz playing at home. Before pursuing music full-time, she studied architecture at university, a background that still shapes the way she writes, building songs from small details, repeated patterns and the quiet spaces between bigger moments.
Her music blends neo-soul and modern R&B with a steady house-tempo lift, pairing a light, expressive upper register with warm, lived-in production. Her single Middle of the Record is about the part of a relationship that rarely gets written about, the ordinary days after the beginning and before the end. Instead of chasing drama, Frase focuses on routine, private jokes and small acts of care, turning everyday intimacy into something worth listening to closely.
Middle of the Record
Monique Frase
(mm hmm)
Nobody writes about the middle
Everybody wants the first kiss or the end
The part where you know how they take their tea
And it stops being a story
No fireworks no funeral
Just a Tuesday and a hand
We're in the middle of the record
Where the good songs always are
Not the single not the closer
Just the ones that get you far
Turn it up don't skip ahead
We're in the middle of the record
(don't skip ahead)
You leave the last one in the packet
I pretend I didn't want it
Twelve small kindnesses a day
Nobody's counting but me
We're in the middle of the record
Where the good songs always are
Not the single not the closer
Just the ones that get you far
Turn it up don't skip ahead
We're in the middle of the record
I used to want the big scene
The airport and the running
Now I want the eighth of a Thursday
When you laugh before I finish
We're in the middle of the record
Where the good songs always are
Not the single not the closer
Just the ones that get you far
Turn it up don't skip ahead
We're in the middle of the record
We're in the middle of the record
(don't skip ahead)
CREDITS
Performer: Monique Frase
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Dance Without You
Carmen Silva
Verified Artist
Carmen Silva
Carmen Silva, hailing from the vibrant streets of London, is an evocative solo artist whose sound fuses empowering Latin rhythms with the infectious energy of contemporary dance music. With a signature style characterized by bold brass stabs, congas, and funky horns, her tracks pulse with life and emotion. Songs like "Dance Without You" showcase her ability to blend bittersweet themes with playful beats, creating a tapestry of sound that invites listeners to celebrate both the highs and lows of love. Late-night writing sessions have profoundly shaped her artistic vision, allowing her to explore the nuanced interplay of joy and sadness that shines through in her lyrics.
Her catalog is an exploration of resilience and self-discovery, as demonstrated in tracks such as "Back Where the Rhythm Lives." Carmen's layered vocals and rhythmic compositions create an uplifting yet intimate atmosphere that resonates with listeners navigating their own emotional landscapes. As she continues to captivate audiences with her electrifying performances and heartfelt storytelling, Carmen Silva firmly establishes herself as a distinctive voice in the modern music scene, where every dance tells a deeper story.
Dance Without You
Carmen Silva
No more tears in my mirror frame
No more whispering your name
Got a new dress and a different fire
Tonight I dance through the wire
I gave too much forgot my flame
You left but I reclaimed my name
Now I’m glowing in my golden shoes
And this beat don’t play the blues
I dance without you — I don’t break I burn! (burn!)
Watch me spinning as the tables turn (turn!)
I got the rhythm don’t need your tune
I own this night I own this room!
I dance without you — I don’t beg I fly! (fly!)
You were a storm but I’m the sky
I let go with every move
Freedom fits me better than you
Champagne sparks in the flashing light
New perfume and my steps feel right
I lost your voice but found my sound
And baby I’m not slowing down
You thought I'd fade…
But I bloom in bass
You took your shot…
And missed my grace
I dance without you — I don’t break I burn!
No more silence I return
Every beat rewrites my truth
And this floor don’t cry for you
Dance…
without you
Shine…
without you
Live…
without you
CREDITS
Performer: Carmen Silva
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Keep the Receipt, S...
Dust Motel
Verified Artist
Dust Motel
Dust Motel Static began with **Marisol “Mari” Vela**, a sharp-tongued singer and baritone guitarist raised between Tucson and a small border town where her mother ran a late-night diner. **Evan Rusk**, a quiet multi-instrumentalist and obsessive arranger from Bakersfield, had spent years repairing amplifiers, collecting discarded tape machines and writing instrumental cues for films that were never made. Mari became the face and voice of the project; Evan became the person who could turn one crooked guitar phrase into an entire record.
They met after Evan’s pickup broke down outside the diner during a summer dust storm. Mari noticed the long-scale guitar case in the truck bed, borrowed the instrument before offering any help and played the same four notes until Evan began tapping a rhythm against the counter. They spent the rest of the night recording into a battered portable machine beside the diner’s ice freezer. The resulting demo carried traffic noise, a loose refrigerator panel and an argument from the kitchen, but neither of them wanted to recreate it in a cleaner studio.
Their debut single, **“Keep the Receipt, Sweetheart,”** introduces their sound through Mari’s dry, teasing delivery, Evan’s tightly controlled rhythm section and a low melodic guitar that moves somewhere between desert noir and border-town rock. The song treats a dishonest apology like a badly fitted purchase, turning an uncomfortable conversation into a compact, playful hook. It is currently their only released track, but the duo have already made their intentions clear: Dust Motel Static prefer small details, crooked humour and memorable guitar lines over polished mythology.
Keep the Receipt, Sweetheart
Dust Motel
You parked across the hydrant
Like the law had gone to lunch
Brought six supermarket daisies
Held together with a rubber band
Said “I’ve been doing lots of thinking”
With the posture of a judge
Then set one careful “sorry”
On my counter still unopened
You pressed your palm against your chest
Like cameras filled the hall
I asked for one clean answer
You gave the director’s cut
Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else
Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”
Almost true almost true
Look at you improving
You said your phone had lost its manners
Your watch was running scared
Your friends had formed a committee
And voted you unprepared
Your mother took the witness stand
Your therapist was quoted
I asked “Did you sleep with her?”
You said “The wording feels loaded”
You lowered your voice an octave
That trick you save for court
I asked where you were Tuesday
You gave the weather report
Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else
Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”
No don’t kneel; the floor is clean
Don’t swear on anybody’s grave
Skip the trembling lower lip
You practiced beside the valet
I’m just taking inventory:
One key two names three hotel pens
You may keep the supermarket daisies
They’ve heard the whole defense
Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else
Keep the receipt sweetheart
Take your grand performance too
You brought me something called “I’m sorry”
But the tag says “almost true”
Almost true almost true
Look at you improving
“Need a bag?”
“No he came with one”
CREDITS
Performer: Dust Motel
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Best Night Ever
Leo Marlow
Verified Artist
Leo Marlow
Leo Marlow, an artist whose music seems to philosophize the dew on the grass with his songs, began his journey amid the high-stakes intensity of Brit-pop. Launching his career initially as the luminary of a Brit-pop boy band that didn't reach the stratospheric heights intended, he managed to transform his career path in the most unexpected way. Rising from the ashes of a failed group, he learnt to echo his own feelings while showcasing vulnerability, thus crafting a musical legacy that was wholly his own.
Based in the enchanting city of Manchester, Marlow has certainly found his unique sound, a harmonious blend of classic and contemporary. The artist serves as a sonic architect, masterfully constructing retro-futuristic synth landscapes that capture the essence of loneliness universally felt, yet seldom depicted so eloquently in music. The wistful melancholy of his music, tinged by synths, creates an environment as expansive as the cosmos yet as intimate as a whispered secret. His power to convey emotions and experiences with profound depth sets him sincerely apart.
One of Marlow's most notable musical creations is the ode "Best Night Ever". The track serves as an entrancing journey through Marlow's sombre narratives to the sound of shimmering synth-pop. Even whilst conjuring the myriad of emotions embedded in personal loss, "Best Night Ever" paradoxically stands as an alluring anthem for unforgettable nights and the ephemeral moments that make life so magical. It's an apt testament to Marlow's extraordinary ability to portray the human condition through his music, and certainly highlights why his magnificent sound continues to resonate with audiences far beyond Manchester's confines.
Best Night Ever
Leo Marlow
Three hours at a house party (Three)
I'm so over it (Ooh)
What we gonna do? (Uh)
We don't need this ****
Me and my ****** in the corner (Yeah)
Sippin' our liquor (Yeah)
What we gonna do? (Yeah)
Girl what we gonna do?
And she said
"Don't you worry girl I got a plan
We gonna get out of here girl and
Head to the beach we'll be there by ten
The boys are gonna meet us yeah they're bringin' their friends"
It's the best night ever
We're all together I won't forget
How we turned that *****
Into the best night ever
How could I ever? It's permanent
All because my friend said
[Post-Chorus]
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
La-la-la-la-la-la-la-la-la-la
Three days in Miami
The vibe was right (Ooh)
Damn we had fun (Ooh)
On a Wednesday night
Me and my bitches in a section (Yeah)
At the strip club (Yeah)
Boys throwin' up (Yeah)
It's a real good night
And she said
"Don't you worry girl I got a plan
We gonna get out of here girl and
Head to the beach we'll be there by ten
The boys are gonna meet us yeah they're bringin' their friends"
CREDITS
Performer: Leo Marlow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Muoviti Così
Ornella
Verified Artist
Ornella
Ornella grew up in northern Italy, educated in a Catholic girls’ school where silence, discipline, and ritual shaped her early relationship with sound. Choir rehearsals, echoing halls, and the contrast between strict structure and private imagination became part of her musical memory. While others followed the rules, she listened for what existed between them. Her first melodies were written quietly, often late at night, more as reflections than performances.
Her music today carries that same restraint and emotional clarity. Minimal arrangements, warm harmonies, and a voice that never overreaches. Ornella does not chase drama; she lets it arrive on its own. There is a sense of intimacy in her work, as if the listener is allowed into something unfinished and honest. Her releases are available only on Filodyo and NOT FM, where her sound lives without interruption, expectation, or noise.
Muoviti Così
Ornella
La radio sorride piano
La porta gira entra il sole
Tacchi leggeri sul pavimento
Tutto sembra già possibile
Senza dirlo apertamente
Un passo avanti uno indietro
Il ritmo nasce da sé
Non serve fare rumore
Quando il corpo sa perché
Un battito poi due
E tutto parte da qui
Muoviti così
Senza pensarci troppo
Lascia andare
Vieni un po’ più vicino
Muoviti così
Con quel sorriso lì
La giornata cambia
Se la prendi così
Le vetrine fanno l’occhiolino
La città gioca con noi
Ogni sguardo è una promessa
Che non chiede mai di più
La musica entra leggera
Ti prende senza far male
È una danza quotidiana
Che ti viene naturale
Un battito poi due
Il resto viene da sé
Muoviti così
Senza pensarci troppo
Lascia andare
Vieni un po’ più vicino
Muoviti così
Con quel sorriso lì
La giornata cambia
Se la prendi così
Ah
Così va bene
Ah
Non serve altro
Muoviti così
La radio resta accesa
CREDITS
Performer: Ornella
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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A Song Left Unwritten
Mira Jensen
Verified Artist
Mira Jensen
"You've probably never heard of Mira Jensen, but then again, who has?" says Mira Jensen in a witty repartee to obscurity. This indie-goddess, hailing from the ink-blotted margins of the music world, brandishes her raw talent like a broadsword, cutting through the monotony of manufactured pop.
Behind her calming blue eyes and spaghetti disaster of blonde curls spirals the complex mind of a poet, busily spinning threads of everyday life into lyrical gold. Her music is a veritable tonic for the soul, born from the bittersweet marriage of late-night introspections and forgotten childhood memories. And "A Song Left Unwritten", her pièce de résistance, seizes your heart only to turn it into an errant marionette, dancing to its heartrending symphony.
Yet, don't let her philosophical musings fool you. Mira is as unpredictable as a jack-in-the-box, as exemplified by her impromptu concert inside an empty fish tank in the heart of Hackney (that’s right, you heard it here first). Whether she's spinning out profound ballads or making magic in the most peculiar of venues, Mira Jensen's authenticity shines brighter than her neon pink Converse.
In the music industry, where mimicking the familiar often spells success, Mira's candidness is as refreshing as a summer breeze in the Sahara. Though her nom de guerre might not yet line the billboards, something tells us Mira Jensen's footnotes in the annuls of music are just a few jamming sessions away from becoming headline-worthy annotations. Watch this space!
A Song Left Unwritten
Mira Jensen
You caught my eye
On that ten forty-nine
Right when the train doors
Closed me in
And in my mind
Was "Landslide"
The song my mother made
My dad dance with me to
You're
A song left unwritten
And just in case
I thought I'd say
I hope when the time comes
And that the heartache comes
This brings you back to me
At that moment
When you were caught
Bet you never thought you'd see me here
Ever again
With unbrushed hair and notes of the day
The way you stared
My trench coat brown
My eyes
I hope you remember them
I hope you find me somehow
Because
Darling
You're
A chapter left undone
And just in case
I thought I'd say
I hope when the storm hits
And the weeping winds
Take you back to me
At that moment
When you were nerve-struck
When you were awe-struck
CREDITS
Performer: Mira Jensen
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Phase Meridian
Wires and Petals
Verified Artist
Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.
Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.
Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.
Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Phase Meridian
Wires and Petals
CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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