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Heart on Fire
Olivia B
Verified Artist
Olivia B
Olivia B is a vibrant force in the contemporary music scene, captivating audiences with her dynamic blend of dance, disco, EDM, and pop. Hailing from London, she draws inspiration from the pulsating energy of the city’s nightlife. The local club culture has profoundly influenced her sound, infusing her tracks with a sense of freedom and euphoria that resonates with listeners. Her artistry extends beyond mere performance; it is a reflection of her late-night writing sessions, where raw emotions and fleeting thoughts transform into infectious melodies.
Her latest track, "Heart on Fire," encapsulates this emotional intensity. With lyrics that speak to resilience and empowerment, Olivia crafts a narrative that blends dreamy undertones with an upbeat tempo. The song carries a hopeful message, encouraging listeners to rise above their fears and embrace the intoxicating rush of life. This track is not just an anthem for the dance floor; it fits seamlessly into her broader catalog that explores themes of love, self-discovery, and the vibrant highs of youth.
Throughout her career, Olivia has skillfully navigated various musical styles while maintaining a consistent vocal identity that is both powerful and expressive. Her voice effortlessly transitions from delicate whispers to soaring choruses, creating an engaging listening experience that invites listeners to connect deeply with her songs. Each release feels like a new chapter in her musical journey, showcasing her evolution as an artist while still paying homage to her roots.
In addition to "Heart on Fire," Olivia's discography offers a rich tapestry of sounds that celebrate life's complexities. Each track is meticulously crafted to evoke different emotions, making her music relatable yet exhilarating. The danceable rhythms paired with heartfelt lyrics create an atmosphere where listeners can lose themselves on the dance floor or find solace in their own thoughts.
As Olivia B continues to hone her craft and experiment with new sounds, she remains committed to creating music that uplifts and inspires. Her passion for storytelling through song shines brightly in every performance, inviting audiences to share in the experience. With a bright future ahead, Olivia is poised to leave an indelible mark on the music landscape as she shares more of her heart and soul through her art.
Heart on Fire
Olivia B
My head a mess
A total wreck
My thoughts a blur
A train gone wrong
This feeling here
It makes me strong
Yeah it makes me strong
Can't be wrong
Heart on fire
Burning bright
Higher higher
Into the night
Heart on fire
No more fright
Take flight take flight
A crazy dream
A wild scream
A rushing tide
Nowhere to hide
This energy
Inside of me
No turning back
No off the track
A brand new day
Come what may
I feel
CREDITS
Performer: Olivia B
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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With Whom I'm Meeting
Kai Spectrum
Verified Artist
Kai Spectrum
Kai Spectrum is a wizard of the turntables, a maestro of the mixing decks, hailing straight from the vibrant music scene of Almanya. He's not your ordinary DJ, in fact, he may be the only one in history who'd dare to use 'various' and 'vocals' in the same sentence with nothing but charm. Often found nestled in his Almanya studio, Spectrum spends his days (and let's be honest, most of his nights) crafting pulsating beats solely for the ears of his loyal listeners on the enigmatic platform, filodyo.
One of Spectrum's most notable conquests in the music sphere is "With Whom I'm Meeting". A brainchild of Spectrum's unconventional brilliance, this track shows off his knack for layering unexpected vocals over his signature groovy beats. But much like the man himself, this song proves that there's more than meets the eye - or in this case, the ear. For those who listen closely, "With Whom I'm Meeting" whispers a tale of Spectrum's uncanny ability to blur the lines between the sonic and the narrative, making the audience question, just who are they meeting? Rest assured, dear reader, the answer will always be - the music, their own imagination, and the whimsical humor of Kai Spectrum.
With Whom I'm Meeting
Kai Spectrum
Sweat in patches drenching my hoodie
No seduction
Clear as it should be
Although too tired to exercise even
I can walk to the alley or even the other precinct
Was I (And did you even listen?)
Mad like Dad (When I wanted to hold on?)
With whom I'm meeting
On this earth of neon light
Under stardust
The past flickering
But it's getting cold outside
My third lollipop
A fabled bloodsucker
They make fun of me
But it's my true character
Jingle bells outside
Kids in the dark
Can't help but think of home and how it fell apart
Was I (And did you even listen?)
Mad like Dad (When I wanted to hold on?)
With whom I'm meeting
On this earth of neon light
Under stardust
The past flickering
But it's getting cold outside
Nothing's subtle
They've exposed the situation
Here's a summary of the monetization
Buy their cheap toys
Last year's commemorations
And throw it away to save another generation
With whom I'm meeting
On this earth of neon light
Under stardust
The past flickering
But it's getting cold outside
CREDITS
Performer: Kai Spectrum
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Long Distance Line ...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Long Distance Line from the Bosphorus
Eli Varnish
I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you
The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you
The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”
This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best
Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you
There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you
I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall
This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done
Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes
It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said
The operator counts me down
Five… four… the river wins
Click
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Baby, Baby
Lily Green
Verified Artist
Lily Green
Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.
Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.
Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.
Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.
Baby, Baby
Lily Green
You're always a second away
We never finish what we start
I think about it every day
I feel it in my broken heart
You do me dirty and then you say
It was an accident
But I've had enough
Oh
Babe
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
I've got the freedom to be alone
I've got my friends
But I never call
You say
"I miss you
" I hear the tone
And I don't feel like I know you at all
It's like a movie or a TV show
We were in love once
But now I can't remember
Babe
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
CREDITS
Performer: Lily Green
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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My Kitchen Stage
Soleil Vega
Verified Artist
Soleil Vega
Soleil Vega is the kind of artist who can turn a rainy Tuesday into a rooftop party. Born and raised in Brighton, UK, she grew up surrounded by her mother’s old soul records and the pulse of the underground dance scene. Her music lives at the intersection of deep house grooves, pop sparkle, and feel-good R&B touches, driven by radiant vocals and unapologetically joyful lyrics.
Her breakout track “My Kitchen Stage” is a celebration of everyday magic—the kind you find dancing alone at home with a spatula mic in hand. The track blends warm house rhythms with bouncy basslines and a shimmering vocal delivery that makes you want to throw open the windows and turn the volume all the way up. It’s infectious, playful, and deeply personal.
Soleil’s sound is sun-kissed but grounded. She writes about friendship, late-night cravings, heartbreak, and finding your light—in the club, in the kitchen, or in your own reflection. And when she performs, it’s not a show, it’s a shared moment. Always real, always radiant.
My Kitchen Stage
Soleil Vega
Your walls are gonna cry
They know it better than I do
I'm still scared to die
When I'm dancing without you
Maybe it's all in my head
Maybe I'll get out of bed
If you call
And I'll go dancing through my kitchen like it's a stage
And if you call
I'll go dancing through my kitchen like it's a stage
And if you call
I'll go dancing through my kitchen like it's a stage
And if you call
I'll go dancing through my kitchen like it's a stage
And if you call
I'll go dancing through my kitchen like it's a stage
And I know it's only temporary
But it's not in the way
It's not in the way that you want it
So we won't talk about it
We don't talk about it
And I know it's only temporary
But it's not in the way
It's not in the way that you want it
So we won't talk about it
We don't talk about it
Maybe it's all in my head
Maybe I'll get out of bed
If you call
And I'll go dancing through my kitchen like it's a stage
And if you call
I'll go dancing through my kitchen like it's a stage
And if you call
I'll go dancing through my kitchen like it's a stage
And if you call
I'll go dancing through my kitchen like it's a stage
And if you call
I'll go dancing through my kitchen like it's a stage
CREDITS
Performer: Soleil Vega
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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The Land of No Tomo...
Marco Bellini
Verified Artist
Marco Bellini
Meet Marco Bellini, the gleaming lone star of the independent dance scene, making you forget any sorrow with his upbeat tunes. Born and raised under the swaying palm trees of Naples, Italy, Bellini crafts sonic euphoria like no other.
Our man Bellini did not find his love in the stomping grounds of Naples’ electrifying night scene. Instead, the sun-soaked streets, vibrant markets, and the rhythmic cadence of the Mediterranean waves stirred something deep. This culminated in his irresistible brainchild—"The Land of No Tomorrow"—a track so hopelessly optimistic that it made the Billboard's 'Sad Songs' list for the sheer irony.
Marco, with his deft touch, keeps it simple—'Simple is the new sexy,' he once quipped, half-twirling his pencil-thin moustache. He convinces you there's always a dance party waiting around the corner, even in a world that often sounds like a broken record. His tunes are a sonic Piña Colada—sweet, refreshing, and leaving you high on life. As Marco himself proclaims, "a tempo that resonates with the heartbeat of joy, that's my journey's end."
The Land of No Tomorrow
Marco Bellini
There's a place where I can go
When I feel the world closing in
Take me to the Land of No Tomorrow
Where no one's ever been
I know I could stay here for the rest of my life
So take me to the Land of No Tomorrow
I'll go there tonight
And it feels like I'm falling
But you tell me I'm flying
I was feeling so low
Now you got me high
I know I could stay here for the rest of my life
So take me to the Land of No Tomorrow
I'll go there tonight
'Cause when I am with you
There's no sadness or sorrow
I could stay here for the rest of my life
So take me to the Land of No Tomorrow
I'll go there tonight
CREDITS
Performer: Marco Bellini
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Far From Here (ft A...
Martian Mark
Verified Artist
Martian Mark
Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?
Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?
Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.
Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.
Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.
Far From Here (ft Alex Wohan)
Martian Mark
Close my eyes breathe slow
Every step letting go
Cities blur roads unknown
Finding peace on my own
Far away from the noise tonight
Just me and fading city lights
Take me somewhere far from here
Miles away where the sky is clear
Nothing left for me to fear
Far away just disappear
Empty roads silent nights
Stars awake quiet skies
Leaving now no goodbyes
Freedom whispers gentle sighs
Far away from the noise tonight
Just me and fading city lights
Take me somewhere far from here
Miles away where the sky is clear
Nothing left for me to fear
Far away just disappear
Heart’s been heavy time to roam
Searching for a place called home
No regrets no tears to cry
Gone tonight no asking why
Take me somewhere far from here
Far away just disappear
CREDITS
Performer: Martian Mark
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Neverland Exit
SYNR
CREDITS
Performer: SYNR
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Hidden Intentions
Daya
Verified Artist
Daya
Daya, hailing from Berlin's vibrant warehouse party scene, emerged as a distinctive voice in the electronic music landscape. Cultivating a sound that effortlessly blends elements of dance, pop, and EDM, her music invites listeners into a world filled with subtle intricacies and heartfelt emotions. The genesis of her artistic identity can be traced back to intimate gatherings where familiar faces danced to the same beats, each night weaving tales of longing and connection amidst pulsating rhythms.
Her latest track, "Hidden Intentions," serves as a poignant encapsulation of Daya’s lyrical prowess, capturing the complexity of unspoken desires and the nuances often lost in silence. With its dreamy and uplifting melodies, the song reflects a recurring theme in her catalog: the exploration of hidden emotions wrapped in infectious grooves. Each composition resonates with a hopeful spirit, echoing the sentiments she often observes on the dancefloor—where every note elicits a sense of shared experience and intimacy among strangers.
As she embarks on her first real tour, Daya carries with her the energy of countless nights spent perfecting her craft at clubs like Berghain and Watergate. Her connection to her audience feels almost palpable; she creates spaces where vulnerability thrives amid beats that compel movement. While "Hidden Intentions" stands out as a testament to her artistic evolution, it is merely one piece in Daya's growing catalog that promises to captivate and inspire for years to come.
Hidden Intentions
Daya
A quiet room holds secrets in the air
Your footsteps tell a story I can’t compare
You move with purpose but you hide your aim
Every subtle motion plays a careful game
I read your silence like a coded sign
You’re close enough but never mine
I know the risk you keep behind your stare
One step too far and we’re both laid bare
Hidden intentions pulling me in
You blur the line between danger and sin
Silent agreements under my skin
One wrong move and the game begins
Hidden intentions—
I feel the truth beneath your grin
Your hand stays steady when the stakes climb high
You draw me near without needing to try
I sense the motive in your measured tone
You stand beside me but remain unknown
I know the risk you keep behind your stare
One step too far and we’re both laid bare
Hidden intentions pulling me in
You blur the line between danger and sin
Silent agreements under my skin
One wrong move and the game begins
Hidden intentions—
I feel the truth beneath your grin
If we cross the line we can’t return
Every stolen moment builds a burn
We both carry secrets we can’t share
Yet somehow we meet at the thinnest layer
If tomorrow finds you on my side
I won’t question where you choose to hide
CREDITS
Performer: Daya
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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I Was the Harbour
Union Road
Verified Artist
Union Road
Union Roads is an indie pop-rock trio built on raw emotion, infectious melodies, and the kind of chemistry that can't be manufactured. Formed in Brooklyn, New York, the band brings together lead vocalist Maya Collins, guitarist Ethan Brooks, and multi-instrumentalist Jack Sullivan. What began as late-night songwriting sessions in a cramped apartment quickly evolved into a distinctive sound blending alternative rock, modern pop, and subtle Americana influences. Their music captures the restless energy of city life while remaining deeply personal, honest, and unmistakably melodic.
Frontwoman Maya Collins is the emotional centerpiece of Union Roads, delivering powerful yet intimate vocals that move effortlessly between vulnerability and confidence. Ethan's atmospheric guitar work and Jack's rhythmic instincts create a rich, organic foundation where vintage textures meet contemporary production. Drawing inspiration from everyday conversations, unexpected encounters, and the complicated nature of human relationships, the trio writes songs that feel like snapshots of real life. Their creative philosophy is simple: memorable hooks, meaningful lyrics, and absolutely no unnecessary polish.
With their signature blend of driving guitars, warm harmonies, and cinematic songwriting, Union Roads represents a fresh voice in the independent music scene. Their songs explore freedom, ambition, missed opportunities, and the strange beauty of finding your own direction. Whether delivering an energetic anthem or a stripped-back emotional ballad, the band maintains an unmistakable identity rooted in authenticity and connection. For Union Roads, music isn't about reaching a destination. It's about everything that happens along the way.
I Was the Harbour
Union Road
You came in off a bad year
Salt still in your collar
And I gave you the whole harbour
Every light I had
You never asked me for forever
I just started building it
I was the harbour
You were the sea
I was the end of the journey
You were passing through
I was the harbour
And I would do it all again
That is not a boast
That is the confession
When the weather turned you thanked me
Kissed my hand and meant it
And you sailed on a Tuesday
Into a life I'm not in
I was the harbour
You were the sea
I was the end of the journey
You were passing through
I was the harbour
And I would do it all again
That is not a boast
That is the confession
There is no crime in this story
No one took a thing from me
I gave it all unasked
To a person who was leaving
I was the harbour
You were the sea
I was the end of the journey
You were passing through
I was the harbour
(the harbour)
CREDITS
Performer: Union Road
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Both of Us Were Right
Naomi Bell & Julian...
Verified Artist
Naomi Bell & Julian Cross
Naomi Bell and Julian Cross first crossed paths through a series of small studio sessions built around old soul records, unfinished demos and late-night arrangements. Naomi came from a more traditional R&B background, shaped by gospel phrasing, warm mezzo vocals and a love for classic harmony, while Julian had spent years moving between soul, house and sample-driven production. Their chemistry worked because neither tried to occupy the same space. Naomi brings weight and emotional clarity, Julian brings looseness, rhythm and restraint, and the contrast between their voices quickly became the center of the project.
Both of Us Were Right grew out of that balance. Instead of writing a dramatic breakup song, they focused on the quieter difficulty of two people realizing they are both partly correct and still choosing to stay. The track mixes chopped vintage soul textures, house drums, electric piano and stacked gospel harmonies without losing the intimacy of the conversation at its core. For Naomi Bell and Julian Cross, the collaboration is less about becoming a permanent duo and more about finding the right song, the right moment and the right reason to sing together.
Both of Us Were Right
Naomi Bell & Julian Cross
You said I make it hard to help me
And you weren't wrong you weren't wrong
I said you disappear inside a job
And you knew that too
I heard it and I wanted to fight it
Every word of it was true
That's the worst kind of argument
The one you lose to somebody you love
Nobody won the kitchen tonight
And nobody's leaving
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
(both of us both of us)
I'll say the thing before it gets heavy
I'll leave the phone in the other room
Small repairs not grand gestures
That's how a house stays up
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
We're not the couple in the film
Who scream and then it's fine
We're the ones who write it down
And actually do it this time
Turns out both of us were right
Turns out that's the hardest part
You can't beat a person
When you're on the same side of the wall
Both of us were right
So both of us have work to do
And I'd rather do the work in here
Than be right without you
Both of us were right
(both of us both of us)
CREDITS
Performer: Naomi Bell & Julian Cross
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.